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film history exam 1

QuestionAnswer
In the postwar period, the film import market in the U.S. was consistently dominated by films from: England
Lew Wasserman, the legendary MCA agent, made common the practice of: Demanding percentages of grosses or profits on behalf of a film's star
Hollywood studios capitalized on the emergence of television in all of the following ways EXCEPT Purchasing the broadcast networks
Color films produced by Hollywood during the 1950s were likely to feature: Shallow Focus imagery
The Cinerama process Yielded a sprawling image with an aspect ratio of 2.59:1 on a curved 146-degree screen
The Cinemascope Process Became one of the most popular widescreen systems because it utilized the 35mm film
Some films produced by independent companies were nicknamed "exploitation pictures" because: They cashed in on topical or sensational subjects that could be 'exploited'
After the Paramount decision, the smaller Hollywood studios could compete better with the Majors by: Make bigger budget films
In the immediate post-World war II period, U.S. government assisted film export through Commerce Department initiatives and diplomatic pressures because it saw American films as: Increasingly too complex for American audiences
Because a number of American films made in the 1950s depended on special projection equipment, distributors revived a tactic occasionally used for special films since the silent era, known as: Roadshowing
As interpreted by stage and film director Elia Kazan, the acting "method" pioneered by the Russian Konstantin Stanislavsky required the actor: To ground the performance in personal experience
Which of the following is NOT a characteristic figure or narrative situation in the American films of director Alfred Hitchcock? Cynical erotic comedy
Considered the most visible director of his generation, which of the following is the director of The Quiet Man (1952) John Ford
Which of the following Science Fiction titles from the 1950s features a town overrun by pods and cloned citizens? The Invasion of the Body Snatchers
Which genre had lain untouched since the 1920s and 30s until Cecil B. DeMille revived it in 1949 with Samson and Delilah? The Historical Epic
Of the American directors specializing in melodramas, comedies and musicals, Vincente Minnelli and George Cukor stand out for their shrewd use of: Long takes
Which of the following was NOT an incentive for European producers from different countries to join forces through coproduction? Co-productions were typically immune from state censorship out of deference to differing standards in each partner country
Hollywood's objective in Europe following the end of World War II was to: Make each country's domestic industry strong enough to support the large-scale distribution of American films
The Italian Neorealist filmmakers often used non-actors in central roles, in the manner of: Soviet Montage
Which of the following is NOT one of the three stylistic and formal features of post-war modernism set out in Bordwell and Thompson? Omnipotent Realism
The three stylistic and formal features of post-war modernism encouraged viewers to actively participate in creating meaning in the film. What is the central of effect this? Modernist Ambiguity
The Arriflex would, in the post-war era, become the standard nonstudio: 35mm camera
The plot structure of Italian Neo-realist films is perhaps best described as: Episodic
The phrase 'Italian Spring' refers to: The rebirth of Italy based on ideas implemented by a coalition government of left-liberal Italian parties
Italy's Andreotti Law of 1949 effectively created preproduction film censorship by: Providing loans to production firms that submitted film scripts with an apolitical slant
Created by: maddieslays
 

 



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