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film history exam 1
| Question | Answer |
|---|---|
| The lesson module notes that "It's a Wonderful Life" is part of a trend in postwar filmmaking? What is this trend? | Themes to encourage a patriotic vision of American life |
| What is NOT a characteristic of Italian Neorealist films? | The absence of music |
| What is most widely considered to be the first film Italian Neorealist film? | "Rome, Open City" |
| Which of the following is a solitary practice in Ozu's films? | Crying |
| After the Paramount Decision, the major Hollywood studios withdrew from which phase of the movie industry? | Exhibition |
| For the module, what make the "golden age" of Hollywood "golden"? | Studio profits |
| Which country dominated the "Tradition of Quality" | France. |
| For the module, what film moved the Western "from B-list shootout to A-list epic" | "Duel in the Sun" |
| In "The Searchers", Ethan (John Wayne) is a complex Western hero as a combination of heroism and | Brutality |
| As China became LESS dependent on Soviet aid, Chinese filmmakers borrowed extensively from | Indigenous Chinese traditions |
| What company grew to dominate British film industry after the war? | The Rank Organization |
| Which British producer aimed to make films about Britain and for Britain? | Micheal Balcon |
| The strategies European markers used to prevent Hollywood dominance included quotas, taxes, and | Coproductions |
| After WWII, Indian film producers often financed their projects with funding from | Distributors and exhibitors |
| "Death of a Cyclist" is an example of Italian Neorealism's spread to | Spain |
| Which director is known for elaborate crane shots to create a sense of distance from characters? | Max Ophüls |
| The acting "method" pioneered by the Russian Konstantin Stanislavsky required for the actor | to ground the performance in personal experience |
| The Arriflex would, in the postwar era, become the standard non studio | 35mm camera |
| Which French director (an icon of Poetic Realism and Popular Front film) worked with Luchino Visconti | Jean Renoir |
| Which of the following does NOT refer to a widescreen format in Hollywood | MovieScape |
| Lew Wasserman, the legendary MCA agent, made common practice of | Demanding percentages of grosses on profits for a movie star |