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Baroque
Western Tonal Traditions 1
| Question | Answer |
|---|---|
| Basso Continuo (Continuous Bass Line) | A constant bass line played by instruments such as harpsichord, providing harmonic structure and rhythmic drive. |
| Ornamentation | Performers added decorative notes (trills, mordents, turns) to make melodies more expressive and elaborate. |
| Terraced Dynamics | Sudden shifts between loud and soft does not use crescendos and diminuendos. |
| Baroque music often contrasts: | Solo vs ensemble (concerto grosso), Loud vs soft,Different instrumental timbres. |
| Baroque music often contrasts: | Multiple independent melodic lines occurring at the same time, especially in fugues and sacred works. |
| Development of Tonality | Music began to centre clearly around major and minor keys rather than modal systems used in the Renaissance. |
| Emotional Expression (Doctrine of Affections) | Pieces often aimed to express one main emotion or mood throughout. |
| Important instrumental forms developed, including: | Concerto, Sonata, Suite, Fugue |
| Word Painting in Vocal Music | Music was written to reflect the meaning of the text (e.g. rising notes for “heaven”, descending for “falling”). |
| Form: Concerto | A Baroque concert features ornate melodies, steady rhythms and basso continuo accompaniment. |
| Form: Suite | A Baroque suite is a set of short pieces based on dance styles (such as allemande, courante, sarabande and gigue) performed together as one work. |
| Form: Sonata | A Baroque sonata is a multi-movement instrumental work (usually for solo instrument and continuo) |
| Form: Fugue | A Baroque fugue is a polyphonic piece where a main theme (subject) is introduced and then imitated and developed in multiple voices, commonly used by composers such as Johann Sebastian Bach. |
| Concerto grosso | A Baroque concerto grosso is a piece that contrasts a small group of soloists (concertino) with a larger ensemble (ripieno) |