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ACTINGSA2
| Question | Answer |
|---|---|
| M4 | |
| Once you have completed the visual part of the storyboard, add _______to each scene so that everyone who is going to review the storyboard can follow it. | Text |
| If you want to see a zoom, a pan, a tilt, or a specific transition, add this to your script to inform your team. | True |
| Before you start to create a storyboard, what is the first thing you should know? | Your story |
| What is the purpose of a storyboard? | Use a storyboard to set up all of your ideas before starting your project. |
| It is a sequence of sketches or illustrations that map out the scenes planned for a video. | Storyboard |
| _________recommends sketching storyboard on paper. | Wyzowl |
| The benefit of a prose storyboard is that it gets you thinking about the visual aspects of your film | True |
| What is the content of a storyboard? | Lighting, sounds, locations and camera types & Number of scenes, timings, camera angles and scene content |
| If your video is live-action, Wyzol recommends sketching your storyboard on paper. | False |
| A story template is a sequence of sketches or illustrations that map out the scenes planned for a video. | False |
| After you have figured out your storyline, what should be the next thing to focus on? | Character development |
| Use a different box–or ‘scene’–each time the action on screen changes, what types of storyboard? | Visual storyboard |
| If the video is animated, __________ is even more important. | Visual style |
| If you want to see a zoom, a pan, a tilt, or a specific transition, add this to your _______to inform your team. | Storyboard |
| A __________ is a visual record of the shots that will ultimately make up a film. | Storyboard |
| If you want to see a zoom, a pan, a tilt, or a specific transition add _____ to your storyboard. | Notes |
| _________are drawings of each individual shot. | Storyboard |
| Most storyboards look like a comic strip, with each scene or plot point represented by an image and a couple of lines of descriptive text underneath. | True |
| Prose storyboard can be very effective in locations that do not lend themselves to floor plans. | True |
| What is a storyboard? | None of the mentioned |
| Break your script down into scenes, what types of storyboard? | Visual storyboard |
| What is the storyboard? | a. It is ordered scripts and images to form the story. |
| Plan how many panels your storyboard will have and number each one to ensure there is no confusion in the timeline of your video. | True |
| Visual storyboard very helpful in spotting errors of omission – missing beats | False(Prose) |
| A panel or panels on which a sequence of sketches depict the significant changes of action and scene in a planned film, as for a movie, television show, or advertisement. | Storyboard |
| It is something that doesn’t necessarily come across through a script but needs to come across in a storyboard. | Visual Style |
| What is a storyboard? | All of the mentioned |
| Break your script down into scenes. | True |
| What is the purpose of a script? | Identify where a scene takes place and who is in it |
| Which of the following should not be included in a storyboard? | Type of video camera used |
| What is the purpose of a storyboard? | Provide a timeline for a video based project |
| All are the following components to create a storyboard, except | Script |
| Once you have your story and your character development done, what should you focus on next? | Your storyboard scenes/slides |
| M5 | |
| All are the following dramatic content, except | Set design |
| It relays subjective or objective point of view in what aspects of directing that take place during shooting? | Sound design |
| Which of these is not part of your checklist when doing the visual design? | Narrative design |
| It shows walls, doors, windows, and furniture, and indicating the characters’ movements and stopping points. | Floor plan |
| Which of these terms defines mise-en-scene? | Setting a scene |
| Camera placement in relation to actors and special set features in what aspects of directing that take place during shooting? | Blocking |
| Visual or aural metaphors in what aspects of directing that take place during shooting? | Dramatic content |
| What will you prepare before shooting the intended scene, that will show walls, doors, windows, and furniture, and indicating the characters’ movements and stopping points? | Floor plan |
| In what ways can the filmmaker control the setting of mise-en-scene? | All of the mentioned |
| Position A will be shot first because the lighting for the widest (master) shot determines all the others. | Mark the camera positions |
| How do you call the props that can get broken or used up so replacements must be on-hand for subsequent takes? | Breakaway props |
| When is side coaching most useful? | When taking reaction shots |
| It helps the management to supervise, communicate, lead and motivate people at work to function in the desired way for achieving organizational goals. | Directing |
| It is most useful when directing simple reaction shots | Side coaching |
| A crew member with a legitimate complaint should address it to the ____________. | Director of photography |
| Call sheets should be issued to cast and crew, and rented equipment should be returned. | True |
| Be prepared for personality problems and other friction during shooting. | Handling criticisms and feedback |
| The editor records any variations that will create problems in editing. | false(supervisor) |
| If a criticism or suggestion is justified, acknowledge it warmly and act upon it diplomatically and without guilt. | From the cast |
| Showing walls, doors, windows, and furniture, and indicating the characters’ movements and stopping points. | Making floor plan |
| Which is not an element of mise-en-scene? | Plot |
| Each aspect of mise en scene has hidden meanings within a film and sends signals to the audience about how we are supposed to feel at a certain point. | True |
| Sound is diegetic or nondiegetic in what aspects of directing that take place during shooting? | Sound design |
| Frame design in terms of the scene’s dramatic functions in what aspects of directing that take place during shooting? | Use of color |
| Define Mise-en-Scene. | Overall look and feel of a movie |
| Motifs or leitmotifs in what aspects of directing that take place during shooting? | Dramatic content |
| Which element of mise-en-scène includes action and visual rhythms, point of view, motifs, and visual or aural metaphors? | Dramatic content |
| He logs all the words that the actors use. | Script supervisor |
| Who is the major responsibility of the director? | Cast |
| He provides a verbal image for the character to spontaneously see or react to, or an idea considers, and gets an immediacy or reaction. | Director |
| He uses a stopwatch to time every take of every shot in every scene. | Script supervisor |
| Seeing film dailies until the wrap up to check on film without video feed, digital video or film with video feed, and quality of the edited piece – this activity is part of which role of the director? | Monitoring dramatic quality |
| Continuity work begins as soon as a finished script exists, but comes into its own during shooting. | True |
| A character cannot change his pants while stepping from one room to another, what types of continuity? | direct |
| When actors become critical or hostile to each other or supposed to be lovers take a visceral aversion to each other. | Handling Criticism and feedback |
| It gives each bracket a shot description to avoid ambiguity | Shooting script |
| A Film stock and processing, or color settings. | Video |
| It is a French term which literally means, “putting into the scene” or “placing on stage”. | Mise-en-scene |
| Action in relation to set or location in what aspects of directing that take place during shooting? | Blocking |
| All are the following visual designs, except. | Script |
| Which of these is shown on a shooting script? | brackets designating camera shot and description |
| The __________logs all the words that the actors use. | Script supervisor |
| Directing a film effectively is not, has not been, and will never be democratic, | From the crew |
| __________should compute from day to day where the production stands in relation to its project budget. | Production manager |
| The ______________makes a chronology for the story that will have time lapses. | Script supervisor |
| The director must be willing to give technicians and production personnel control of their areas. | True |
| What is most useful to facilitate the director’s task of monitoring progress of production? | Keep a checklist |
| Which elements of mise-en-scene tell us something about a character? | All of the mentioned |
| A depth, perspective, treatment of space. | Composition |
| All are the following continuity breakdown, except | Director |
| After the take what does print means? | Acceptable take |
| Which of the following shooting script that the most useful editing overlaps occur on strong actions? | Bracket each intended shot |
| It is a relation to actors and special set features. | Camera placement |
| If a man goes to the woods on a rainy day and we next see him hours later, he wears the same clothes, but they are now rumpled, wet and stained, and his face and hair dripping wet, what types of continuity? | Indirect |
| Which of the shooting that Cam A, Cam B, Cam C, and so on, to show which camera position it will be shot from? | Designate each bracket |
| A lamp or bed that are part of the environment and may be related to one of the characters, in which classes of properties? | Stage props |
| What is the Director's Job? | To bring their vision of the film to life |
| The script supervisor may note the relative pacing, subtext, and feeling from take to take. | True |
| No matter the size of the production the Director always has to yell "Action" or "Cut". | False |
| Where is the script supervisor usually positioned? | Beside the camera |
| Point of view in what aspects of directing that take place during shooting? | Dramatic content |
| A ________should, in turn, understand the rudiments of each technician’s craft and be able to communicate in the craft’s special term. | Director |
| He/she is usually the driving artistic source behind the filming process, and communicates to actors the way that he/she would like a particular scene played. | Director |
| What does point of view mean? | whose consciousness the audience should identify |
| What does CS stand for? | Close shot |
| Pick which of these is not part of the director’s tasks at the end of the production’s working day. | making sure that call sheets are issued to cast and crew |
| What does it mean when a sound is said to be non diegetic? | It does not have a source on-screen. |
| The producer may note the relative pacing, subtext, and feeling from take to take. | False |
| The Assistant director must read, analyze, break down, and reread the script until its very need is committed to memory | False |
| Define Mise-en-Scene. | overall look and feel of a movie |
| All are the following that describes the aspects of directing that take place during shooting, except | Set design |
| What does a rhythm mean? | Action and visual |
| This refers to the positions of actors, actions, and camera placement in relation to other characters, locations, and other special set features. | Blocking |
| All are the following visual designs, except. | Sound design |
| Rhythms in what aspects of directing that take place during shooting? | Dramatic content |
| Settings can inform an audience of the character's background and their motivations. | False |
| The ___________ make a last check that all lights are on and everything is ready. | DOP |
| The ________needs to know editing and dramaturgic structure because both can be in flux during shooting. | Script supervisor |
| The ______________ may decide to take the actors aside to rest them if the crew is roaring into action changing the camera, set, lights, everything. | Assistant director |
| The call sheet specifies the following, except | costumes |
| Standing by the camera and spontaneously feel what the audience is going to feel. | Dramatic clarity |
| To direct a film means starting out with a detailed movie in your head. | True |
| The Director must steer the actor in the right direction for the actor to portray the character correctly. | True |
| The _______gets a warning if the film is lagging its schedule or exceeding its length | Producer |
| Mary doesn't know that the axe murderer is stalking her. What Mise en Scene feature allows the audience to know she is in danger and unaware? | Non-diegetic sound |
| A comb or diary that the characters handle, in which classes of properties? | Hand props |
| It is a French term which literally means, “putting into the scene” or “placing on stage”. | mise-en-scene |
| All are the following visual designs, except. | Script |
| What does point of view mean? | whose consciousness the audience should identify |
| Before shooting begins, each crew member should have read and questioned the script and contributed ideas in his or her own specialty. A director should, in turn, understand the rudiments of each technician’s craft and be able to communicate in the craft’ | Directing the crew |
| The first rule of storyboarding is to | keep it simple |
| The sound of the storyboard needs to be fully developed by using ________. | script |
| All are the information includes in storyboard. | images |
| Visual storyboard can be very effective in locations that do not lend themselves to floor plans. | False |
| Which of the following BEST describes why sketching is an effective communication tool? | Designers can use them to communicate details with lots of information |
| The benefit of a visual storyboard is that it gets thinking about the visual aspects of a film | False |
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