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AP lit poetry vocab
| Term | Definition |
|---|---|
| Foreshadowing | to hint at or to present an indication of the future beforehand |
| Enjambment | the continuation of a sentence from one line of a poem to the next |
| Pastoral | a work that describes the simple life of country folk who live in a timeless painless life in a world full of beauty, music, and love |
| Ode | a lyric poem that is somewhat serious in subject and treatment, elevated in style and sometimes uses elaborate stanza structure which is often patterned in sets of three |
| Antithesis | the juxtaposition of sharply contrasting ideas in balanced or parallel words, phrases, grammatical structure, or ideas |
| Apostrophe | an address or invocation to something that is inanimate |
| Denotation | a direct and specific meaning, often referred to as the dictionary definition of a word |
| Blank verse | the verse form consisting of unrhymed lines in iambic pentameter |
| Caesura | pause in a line of verse, indicated by natural speech patterns rather than due to specific metrical patterns |
| Antagonist | any force that is in opposition to the main character |
| Colloquial | ordinary language |
| Theme | a generalized, abstract paraphrase of the dominant idea or concern of a work |
| Couplet | two rhyming lines of iambic pentameter that together present a single idea or connection |
| Dialect | the language and speech idiosyncrasies of a specific area, region, or group of people |
| Synecdoche | when a part is used to signify a whole |
| Diction | the specific word choice an author uses to persuade or convey tone, purpose, or effect |
| Syntax | the way words are put together to form phrases, clauses, and sentences |
| Flashback | retrospection, where an earlier event is inserted into the normal chronology of the narrative |
| Elegy | a poetic lament upon the death of a particular person, usually ending in consolation |
| Epic | a poem that celebrates, in a continuous narrative, the achievements of might heroes and heroines, often concerned with the founding of a nation or developing of a culture |
| Allusion | a reference to a literary or historical event, person, or place |
| Extended metaphor | a detailed and complex metaphor that extends over a long section of work |
| Farce | a play or scene in a play or book that is characterized by broad humor, wild antics, and often slapstick and physical humor |
| In-medis-res | refers to opening a story in the middle of the action, necessitating filing in past details by exposition or flashback |
| Formal diction | language that is lofty, dignified, and impersonal |
| Exposition | that part of the structure of a plot that sets the scene, introduces and identifies characters, and establishes the situation at the beginning of a story or play |
| Satire | a literary work that holds up human failing to ridicule |
| Alliteration | the sequential repetition of similar initial sound, usually applied to consonant, usually heard in closely proximate stressed syllables |
| Style | a distinctive manner of expression expressed through an author’s diction, rhythm imagery, and more |
| Free verse | poetry that is characterized by varying line lengths, lack of traditional meter, and non rhyming lines |
| Genre | a type or class of literature such as epic or narrative or poetry |
| Hyperbole | overstatement characterized by exaggerated language |
| Iambic | a metrical foot in poetry that consists of an unstressed syllable followed by a stressed syllable |
| Conceit | a comparison of two unlikely things that is drawn out within a piece of literature in particular, an extended metaphor within a poem |
| Motif | a recurrent device, formula, or situation that often serves as a signal for the appearance of a character or event |
| Dramatic monologue | also a soliloquy, a monologue set in a specific situation and spoken to an imaginary audience |
| Imagery | broadly defined, any sensory detail or evocation in a work, more narrowly, the use of figurative language to evoke a feeling, to call to mind an idea, or to describe an object |
| Informal diction | language that is not as lofty or impersonal as formal diction |
| Irony | a situation or statement characterized by a significant difference between what is expected or understood and what actually happens or is meant |
| Lyric | any short poem in which the speaker expresses intense personal emotion rather than describing a narrative or dramatic situation |
| Consonance | the repetition of a sequence of two or more consonants, but with a change in the intervening vowels |
| Mood | a feeling or ambiance resulting from the tone of a piece as well as the writer/ narrator’s attitude and point of view |
| Metaphor | one thing pictured as if it were something else, suggesting a likeness or analogy between them |
| Villanelle | a verse form consisting of nineteen lines divided into six stanzas- five tercets and one quatrain |
| Allegory | a prose or poetic narrative in which the characters, behavior, and even the setting demonstrates multiple levels of meaning and significance |
| Tone | the attitude a literary work takes toward its subject and theme |
| Narrative structure | a textual organization based on sequences of connected events usually presented in a straightforward, chronological framework |
| Narrator | the character who tells the story |
| Connotation | what is suggested by a word, apart from what it explicitly describes |
| Omniscient | also called unlimited focus; a perspective that can be seen from multiple characters |
| Oxymoron | a figure of speech that combines two apparently contradictory elements, sometimes resulting in a humorous image or statement |
| Parable | a short fiction that illustrates an explicit moral lesson through the use of analogy |
| Realism | the practice in literature of attempting to describe nature and life without idealization and with attention to detail |
| Juxtaposition | the location of one thing as being adjacent with another; this placement of two items side by side creates a certain effect, reveals an attitude or accomplishes some purpose of the writer |
| Anecdote | a brief story or tale told by a character in a piece of literature |
| Structure | the organization or arrangement of the various elements in a work |
| Parallel structure | the use of similar forms in writing for nouns, verbs, phrases, or thoughts |
| Persona | the voice or figure of the author who tells and structures the story and who may or may not share the values of the actual author |
| Refrain | a repeated stanza or line in a poem or song |
| Quatrain | a poetic stanza of four lines |
| Rhyme | the repetition of the same or similar sounds, most often at the end of lines |
| Simile | a direct, explicit comparison of two things, usually using like or as to draw the connection |
| Soliloquy | a monologue in which the character in a play is alone and speaking only to himself or herself |
| Protagonist | the main character in a work who may or may not be heroic |
| Assonance | repetition of identical or similar vowel sounds, usually those found in stressed syllables of close proximity |
| Personification | treating an abstraction or nonhuman objects as if it were a person by endowing it with human qualities |
| Shakespearean sonnet | a sonnet form divided into three quatrains and one couplet |
| Onomatopoeia | a work capturing the sound of what it describes |
| Speaker | the person, not necessarily the author, who is the voice of the poem |
| Symbolism | a person, place, thing, event, or pattern in a literary work that designates itself and at the same time figuratively represents something else |
| Petrachan sonnet | a sonnet form divided into an octave and a sestet |
| Setting | the time and place of the action in a story, poem, or play |
| Tragedy | a drama in which a character, usually of noble or high rank, is brought to a disastrous end in confrontation with superior force |
| Sestina | a highly structured poem consisting of six six-line stanzas followed by a tercet; the same set of six words ends the lies of each of the six-line stanzas, but in a different order each time |
| Paradox | a statement that seems contradictory but may actually be true |
| Rhythm | the modulation of weak and strong (stressed and unstressed) elements in the flow of speech |
| Terza rima | a verse form consisting of three-line stanzas in which the second line of each/ rhymes with the first and third of the next |