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Stack #4594941
| Question | Answer |
|---|---|
| A point moving in space | Line |
| An enclosed space; shapes are limited to two dimensions length and width | Shape |
| The placement or arrangement of the visual elements | Composition |
| Lightness or darkness of a color | Value |
| Adds interest and contrast. Different visual elements next to one another | Variety |
| Impression of action in a work of art. Can apply to a single component in a composition or the whole composition at once. Visual movement is dependent on the other elements and principles of art. | Movement |
| a technique used in perspective to create the illusion of an object receding strongly into the distance or background | Foreshortening |
| The brightness or dullness of a color; the color scale is made up of hue and tone | Color intensity |
| When a color is fully saturated, meaning it has not been neutralized by it's compliment and the colors have the highest possible level of saturation are called pure hues | Hue |
| arrangement of opposite elements and effects. Creates color variety and visual interest. | Contrast |
| Repetition of a specific visual elements | Pattern |
| Emerged in the 1950s and flourished in the 1960s in America and Britian, drawing inspiration from sources in popular and commercail culture. | Pop art |
| Water soluble paint with transparent properties | Watercolor |
| Refers ti the use of visual elements to draw attention to a certain area, usually a focal point in an artwork | Emphasis |
| short for optical art, is a style of visual art that uses optical illusions normally in black and white. | Op art |
| A feeling of depth or three dimensions | Space |
| A design in which lines, shapes, forms or colors are repeated | Pattern |
| defines the outline of a form, as well as interior structure, without the use of shading | Contour line |
| An artist can make either highly detailed images or images with a sketchy quality, depending on the number and thickness of the engraving lines | Engraving |
| Made by grinding pigment, then mixing it with a binder | Colored pencils |
| A key or legend displaying what colors you used in your artwork | Color key |
| A technique of applying one layer of color over another and combining of the two or more colors together creates a new color. | Blending |
| Tortillon, solvents, erasers, colorless blender pencils, or colorless blender markers making the colors bright and vivid | What can be used to blend |
| Using light colored pencils, colorless blender pencil, or metal objects with heavy pressure over a layered or drawn surface. Blends and melds the colors while evenly filling and smoothing the surface of the paper. | Burnishing |
| the size of an object or artwork relative to another object or artwork, or to a system of measurement | Scale |
| A form of balance achieved by the use of identical balance compositional units on either side of a vertical axis within the picture plane. | Symmetry |
| Two colors that are on opposite sides of the color wheel. Are a pair of colors that contrast with each other. | Complement colors |
| One of a group of related colors that are near each other on the color wheel. Ex: red, orange, and yellow | Analogous |
| Are the tints, shades and tones of a single hue | Monochromatic |
| Primary color used with the two analogous colors to its compliment | Split compliment |
| Work that does not depict anything from the real world. Nonrepresentational art may simply depict shapes, colors, lines. | Nonrepresentational |
| an inexpensive, low-tech way to reproduce and/or enlarge an image that you want to paint or draw | Grid method |
| The relationship between the dimensions of different elements and an overall composition | Proportion |
| Breaking down objects into geometric shapes and depicting them from multiple viewpoints simultaneously | Cubism |
| This English painter born in Norwood, London who was one of the foremost Op Art artists. | Bridget Riley |
| An American commercial illustrator and artist famous for his Campbell's soup painting. He was the founder of the pop-art movement, which like all other art movements in history reflected something back on the present society. | Andy Warhol |
| was a pop artist who excerpted images from comic books using the ben-day dot system. | Roy Lichtenstein |
| Artist who used optical illusions in many of his graphic art designs, and created intricate tessellations. | M.C. Escher |
| cubism | Picasso |
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