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MIL
FML
| Question | Answer |
|---|---|
| can be categorized based on its origin, proximity to the event, and purpose. | information |
| exists naturally; specific region/environment | INDIGENOUS SOURCES |
| belong to ethnic groups that have preserved and continue to practice the culture and traditions of their ancestors. | INDIGENOUS PEOPLE |
| A fictional narrative that explains the origin of something. | Legend |
| A story that reflects the characteristics of the time and place | Folktale |
| A long narrative that tells the heroic adventures of a main character, often with extraordinary powers | EPIC |
| Similar to legends and folktales but focuses more on creation stories | MYTHOLOGY |
| Firsthand accounts that bring readers as close as possible to the original event, subject, or idea. | primary sources |
| Analyze, comment on, or interpret primary sources reviewed organized, or explained, often using other secondary sources | Secondary sources |
| Refer to primary or secondary sources | tertiary sources |
| classified based on the form and technology used to deliver information | TYPES OF MEDIA |
| The oldest form of media, closely linked to the invention of the printing press. | PRINT MEDIA |
| Uses airwaves or satellite technology Originally limited by geography but now capable of worldwide reach. | BROADCAST MEDIA |
| TV & MOVIE CLASSIFICATION RATINGS | Movie and television review and classification board (MTRCB) |
| regulated to protect audiences, especially children, through these classification systems. | Movie and television review and classification board (MTRCB) |
| Use digital technologies, primarily the internet. Supports interactivity and faster information dissemination. | New Media |
| Group of spectators in a public event. | Audience |
| Produce quality TV programs, films, and radio shows Deliver accurate information, organize content Eliminate grammatical and content errors | producers |
| sharing common interests of concern | group of organizations |
| stakeholders because they are direct beneficiaries of media products | Media Audiences |
| introduced a creative and positive approach to media influence | DAVID GAUNTLETT |
| Uses signs and symbols to convey meaning | Media language |
| Canadian philosopher | Marshall mcluhan |
| Camera angles, shot types, lightning | Technical codes |
| Background music, sound effect, voice-overs | Audio codes |
| Headlines, captions, titles, writing style | Written codes |
| Convey symbolic or implied meanings | Symbolic codes |
| Different media deliver messages differently | Messages |
| Imagination/interpretation | fiction |
| concrete visuals | Film and tv |
| interpret messages using Dialogue, actions, clothing, setting, time | Viewers |
| Languages include: Written, verbal, non-verbal, visual, aural. | Media |
| How media portrays groups, ideas, experiences, and topics reflects ideology, not reality. | Viewers |
| Languages include: Written, verbal, Non-verbal, visual, aural | media |
| How media portrays groups, ideas, experiences and topics; reflects ideology, not reality | Media representation |
| How media material | construct |
| process content undergoes before reaching the audience | mediation |
| choosing what content is included | selection |
| words that gives images meaning | Anchorage |
| oversimplified representation | stereotype |
| beliefs expressed in media | ideology |
| communication with oneself. | intrapersonal communication |
| thinking about decisions and actions | deliberation |
| Helps one understand oneself better organized thoughts provides emotional healing | benefits |
| involves more than one person | interpersonal communication |
| Involves two participants forming a dyad One speaker, one listener exchange thoughts | Dyadic communication |
| Involves 3 to 15 people | Small group communication |
| well-prepared, delivered by an appropriately dressed speaker | Public communication |
| Human verbal interactions carried out with the aid of mass media technology | Mass communication |
| interaction among members following the links of an organizational structural | organizational communication |
| Exhange of concepts, traditions, values, practices | Intercultural communication |
| Particular conventions of content | Genre |
| The front page of newspapers; headlines | Hard News |
| Also called human interest stories | Soft news |
| Considered an extension of soft news | Features |
| Argue for a specific issue; call on a person or entity to act or respond. | Editorials and opinion |
| SPECIAL FORMS OF EDITORIAL: Used to highlight or underscore misdemeanors of individuals or institutions | PARODY TONE |
| SPECIAL FORMS OF EDITORIAL: Media organizations convene and present a unified editorial to the public. | Pooled editorial |
| Discovering, reporting, presenting information that authorities attempt to conceal | INVESTIGATIVE REPORT |
| ADVEERTISEMENT: Explicit messages; urges consumers to buy | HARD-SELL ADVERTISEMENT |
| ADVEERTISEMENT: Associtiave in nature Relies on emotions, lifestyle, or image rather than direct selling | Soft-sell advertisement |
| ADVEERTISEMENT: Educates or informs; intends to sell a product | infomercial |
| capture audience attention, provide pleasure and satisfaction | entertainment |
| Provides data about the world | information |
| derived from web and log | blogs |
| applications that allow modification, revision, extension, deletion of content | WIKI'S |
| is an encyclopedia projects collaborative | wikipedia |
| Visual language used in films and media. | Camera grammar |
| anger, passion, rage, desire, excitement, energy | RED |
| love, innocence, romance, femininity | PINK |
| wisdom, relaxation, joy, hazard | YELLOW |
| – humor, energy, warmth, flamboyant | ORANGE |
| – healing, soothing, good luck, jealousy | GREEN |
| – faith, contentment, technology, depression | BLUE |
| – erotic, royalty, nobility, spirituality | PURPLE/VIOLET |
| – materialistic, sensation, earth, home, | BROWN |
| – power, sexuality, sophistication, evil, remorse | BLACK |
| protection, love, reverence, purity, winter, marriage (Western cultures), death (Eastern cultures), cold, clinical, sterile | WHITE |
| – riches, glamorous, distinguished, earthy, natural, sleek, elegant, high-tech | SILVER |
| precious, riches, extravagance, warm, wealth, prosperity, grandeur | GOLD |
| based on a single hue; darker and ligther tints | monochromatic color palette |
| corresponding colors beside one another | analogous color palette |
| colors that conflict with one another; opposite | complimentary color palette |
| dominant color: two complementary | triadic palette |
| Use of one primary color; three accent colors | tetradic color palette |
| let an object stand out; refocuses attention | discordant colors |
| emotional connection; links color to character | associative colors |
| produces a change in a character/theme | transitional color |
| warmth, energy coziness | warm colors |
| isolation, apathy, serenity | COOL COLORS |
Created by:
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