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SENIORS T12 W1
SCULPTURE 105c.01-06, 105c.10, 105c.14, 105c.17
| Question | Answer |
|---|---|
| This is the foundation for other hair services | Sculpture or cut |
| The outer boundary or silhouette at the basic level of observation | Form Line |
| A smooth texture and appearance | Unactivated texture |
| This provides an abstract view of the length arrangement | Structure Graphic |
| A view, abstractly, like it is projected at a 90* angle from various curves of the head | Normal Projection |
| The concentration of length within a given area | Weight |
| The hair above the crest | Interior |
| Which form would indicate unactivated texture | Solid |
| Also known as a one-length cut, bob, Dutch boy, or a blunt cut | 0* angle cut |
| The line that divides the activated and unactivated textures in a graduated form | Ridgeline |
| Which form is color coded as yellow? | Graduated |
| This form is color coded in red | Increased layered form |
| A layered, 90* cut | Uniform |
| The shape, texture, and position of what, create a proportional relationship of each form? | Weight |
| This cutting tool creates a clean, blunt edge | Shears |
| Which finger should go into the finger grip to control the still blade? | Ring finger |
| Palm up, palm down, and what are sculpting positions? | Palm to palm |
| Taper shears are also known as what? | Thinning shears |
| Taper shears are used on the ends of the hair to create? | Mobility |
| What is the highest point on the head? | Apex |
| The area below the occipital? | Nape |
| This head position produces lengths that are shorter in the nape and longer surface lengths, creating an under-beveled effect | Forward |
| What determines the size of the partings when sculpting? | Density |
| Lines that curve outward | Convex |
| When the hair is combed out of natural distribution in any direction except perpendicular to it's base parting | Shifted distribution |
| What term , also known as elevation, is the angle at which the hair is held in relation to the curve of the head? | Projection |
| The higher the projection, the less....? | Weight build up |
| A 45* angle would be considered what type of projection? | Medium |
| This form results from using a 45* projection | Graduated form |
| The most common sectioning pattern, divides the hair into how many sections? | 4 |
| The protruding bone below the crest? | Occipital |
| The area all around the hairline? | Perimeter |
| How do we avoid misunderstandings and ensure predictable results? | Communication with the client |
| What service essential should we ask specific questions? | Consult |
| Which service essential should we teach the client how to perform at-home-care maintenance? | Create |
| To determine your client's level of satisfaction, look for verbal and non verbal clues, and? | Request feedback |
| Offer a reward, use fun language, or kneeling to make eye contact are ways to do what? | Calm a child |
| To keep a child from "squirming" remind them that "squirming" could cause what? | You to cut yourself |
| Spray, immersion, or disinfectant wipes are methods for what? | Disinfect tools and equipment |
| The first step in cleaning combs and brushes? | Remove hair and debris |
| When should we sweep and dispose of hair clippings in a sculpture service? | Before air forming |
| When sectioning for a sculpture service, consider these guidelines? | Density, positioning of clips, and natural growth patterns |
| When choosing a head position while sculpting, please consider, projection, finger position, and? | Angles of partings |
| When should we be combing the hair into the direction the hair will be parted? | Prior to parting the hair |
| When distributing textured hair.... | Use the wide teeth of the comb |
| How can projection be measured? | From the curve of the head or natural fall |
| How to we help avoid cutting the client? | Palm the shears |
| How do we establish the length guide for the design line? | In natural fall |
| After the shampoo, but before sculpting....... | Replace towel with a neck strip |
| During the sculpting procedure, cross-check for what? | Accuracy |
| After the sculpture service,.... | Wash your hands |
| Characteristics of a solid form are? | unactivated texture, max perimeter weight, and lengths fall to the same level |
| Solid form sculptures can be created along what type of lines? | Convex, diagonal, and horizontal |
| Where are the shortest lengths found in a solid form? | Exterior |
| In natural fall, all lengths fall to the same? | Level |
| Generally, the parting pattern for the solid form is parallel to what? | Design line |
| What type of distribution is used to sculpt the solid form? | Natural |
| What projection angles are used to sculpt solid form? | Natural Fall and 0* |
| Where is the weight positioned in a graduated form? | Above the perimeter form line |
| The line that visually seperates activated and unactivated textures in a graduated form? | Ridge Line |
| The visual contrast between textures in a graduated form is reduced when sculpted on what type of hair? | Textured |
| Shorter exterior lengths that gradually progress to longer interior lengths? | Graduation |
| When sculpting graduated form, Partings will generally be parallel to the intended form line unless you are using what type of partings? | Vertical |
| Natural distribution must be combined with projection from horizontal and diagonal partings, when sculpting what form? | Graduated |
| Use directional distribution to sculpt graduated forms along with what type of partings? | Vertical |
| When cutting graduation, higher projection or elevation angles create what? | High graduation |
| When sculpting graduated forms, projection angles are measured from? | Natural fall |
| What degrees of projection are used to create medium graduation? | 30*-60* |
| The angle at which the graduation progresses in length? | Line of inclination |
| When sculpting graduation from horizontal or diagonal partings, this shear/ finger position is used in most instances? | Parallel |
| Graduation can be created by using a vertical parting pattern and positioning your fingers along what? | Line of inclination |
| What design line builds weight in a graduated form? | Stationary |
| Align your fingers with the line of inclination, when cross checking? | Graduated form |
| An increased layered form creates what shape? | Oval |
| When interior increased layers are sculpted at longer lengths, the resulting texture will be? | A combination of unactivated and activated |
| Where are the shortest lengths found in an increased layered form? | The interior |
| The most common type of distribution used to sculpt increased layered forms? | Perpendicular |
| When sculpting an increased-layered form, which parting pattern positions layered texture equally around the head? | Horizontal |
| When a diagonal-forward perimeter is desired use what type of parting pattern? | Diagonal back |
| The projection angle of the stationary design line is most important because it establishes the location to which all other lengths are? | Converged |
| The most common technique used to sculpt increased-layer form? | Conversion layering |
| Conversion layering creates? | Increased-layered form |
| Directing all lengths to the stationary design line opposite the area of desired length increase? | Conversion layering |
| Sculpt the perimeter design line of an increased layered form in? | Natural fall |
| What type of distribution is used to sculpt uniform lengths? | Perpendicular |
| What projection angle is used to sculpt uniform layered form? | 90* |
| While sculpting shorter uniform lengths, to maintain equal distance from the head> | Extend little finger and rest it on the scalp |
| When sculpting uniform lengths, what design line is used? | Mobile |
| When sculpting the hair, the design line should always be what? | Visible |
| To establish more weight along the perimeter of a uniform layered form, what should be done? | Sculpt larger perimeter section in natural fall first |
| When sculpting uniform layers with tight curl patterns, how will the hair appear after sculpting? | Shorter |