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Comm sci exam 3

QuestionAnswer
Boyle's law: air flows from area of greater density to area of lower density
Boyle's law: relationship of volume and pressure volume and pressure are inversely related, inc of one leads to a dec of the other
the two components of pleural linkage parietal pleura (lines ribcage & diaphragm) visceral pleura (lines the lungs)
intrapleural space contains the "lung juice" that creates suction between the pleuras, allowing the lungs and ribs to move together
pneumothorax Air trapped between lungs and chest wall, can lead to a collapsed lung
Actions of the diaphragm and intercostal muscles when inhaling + effect on thoracic cavity & air Diaphragm & intercoastals contract, thoracic cavity expands, air rushes into lungs from an area of high density to lower density
Actions of the diaphragm and intercostal muscles when exhaling + effect on thoracic cavity & air Diaphragm & intercoastals relax, thoracic cavity constricts, air rushes out of lungs from an area of high density to lower density
Four Lung Volumes Tidal volume Residual volume Inspiratory Reserve volume Expiratory Reserve volume
Four Lung Capacities Vital capacity Functional Residual capacity Total Lung capacity Inspiratory capacity
Tidal inspiration vs forced inspiration resting/quiet breathing is passive (tidal volume) and forced breathing takes effort, is an active process (inspiratory reserve volume)
Primary and accessory muscles of inhalation Primary: Intercoastal, extracoastal, & diaphragm Accessory: other muscles attached to the ribcage/back/neck/abdomen; help with more demanding breathing needs like speaking/singing/etc; push the diaphragm upward
How does vital capacity change over the lifetime vital capacity inc from birth to puberty, then stays pretty stable throughout adulthood
Major differences in breathing for life vs for speech air intake location (nose v mouth) inhale exhale time (40/60 v 10/90) vital capacity used (10% v 20-25%) Muscle activity for exhale (passive: gravity, muscle relax, tissue elasticity v active: intercostal muscles & diaphragm)
Recoil forces Passive: gravity, muscle relaxation, tissue elasticity Active: intercostal muscles & diaphragm balancing with the thoracic & abdominal muscles
Resting expiratory level around 38-40% vital capacity, point where the lungs and thorax's desire to stay at rest is balanced with the chest wall's desire to spring outward
Difference between obstructive and restrictive lung diseases Obstructive: narrowing or blocking of the airways due to inflammation, presence of a foreign body, or spasms of smooth muscle Restrictive: hinders lung expansion & causes loss of lung elasticity, pleura/chest wall disease, neurouscular dysfunction
Symptoms of dyspnea and stridor Dyspnea: Discomfort in breathing Stridor: Audible sound occuring during inspiration and/or expiration
Source and filter independence Source: vocal folds Filter: vocal tract work independently of each other
Phonation definition Voicing (when the vocal folds vibrate)
Abduction vs adduction Abduction: vocal folds coming apart Adduction: vocal folds coming together
Glottal, supraglottal, subglottal regions Glottal: area where the vocal folds are located Supraglottal: above the vocal folds Subglottal: below the vocal folds
Intrinsic muscles of the larynx: what is involved in ab/adduction and tensing the vocal folds? * Posterior cricoarytenoids: abduct VF, rotate arytenoids * Lateral cricoarytenoids: adduct VF, move forward & lower arytenoids * Interarytenoids: Adduct VF, move arytenoids together * Cricothyroid: tense VF, changing the pitch, rocks throid forward
Histology of vocal folds: epithelium, lamina propria, thyroarytenoid Epithelium: stratified squamous cell Lamina Propria: 3 levels Superficial: elastic fibers Intermediate: elastic fibers & some collagen fibers Deep: collagen Thyroarytenoid: main mass of the vocal folds, muscle
Myoelastic Aerodynamic Theory physical/aerodynamic forces set the VF into motion Muscles adduct VF Elasticity allows VF to contract & come together each cycle Subglottal pressure from the lungs drives each cycle
Principle of the Bernoulli effect Description of fluids in motion Gas/liquid flowing through a constricted passage has increased velocity (ex: jet stream setting on hose) Causes a decrease in pressure on the inner sides of the constriction
Cycle of vocal fold vibration (involving subglottal pressure and Bernoulli effect) VF adducted by muscle movement Subglottal pressure builds-up Subglottal > supraglottal pressure Pressure causes vocal folds to slightly part Pressure drops as air flows through glottis Bernouli effect draws VF together Releases air that is resonated
Vertical phasing, Anterior-posterior phasing Vertical: bottom to top Anterior-posterior: front to back
Abduction/Adduction Vocal folds come apart/together
Glottal spectrum – what does the spectral graph show? in a glottal spectrum the spectral graph shows harmonics on the x-axis and amplitude on the y-axis
What contributes to changes to phonation fundamental frequency? anatomy of vocal folds & # of vibrations per second
What contributes to changes to phonation intensity? subglottal pressure
What layers form the cover vs body in the cover-body model/theory
Why is the cover-body model/theory important in phonation
Valves of the vocal tract
Consonants vs Vowels Vowels: unconstricted airflow Consonants: airflow constricted in some way
Consonant classifications: Place, Manner, Voicing distinctions place: manner: voicing:
Vowel classifications: Tongue height vs tongue advancement
Acoustic Theory of Speech Production (Source-Filter Theory of Speech Production)
Independence of source/filter, source periodicity
Laryngeal (Glottal) source & spectral characteristics
Supraglottic source
Resonance of the vocal tract Transfer function Function as a filter
Formants Including rules: natural resonant frequency wavelength for a tube odd-number multiple of lowest frequency, Changes to formant frequency with length (including lip rounding)
Production & Perception of Vowels Differences between vowels & consonants
Sources of speech sounds vocal fold vibration rapid pressure change turbulent flow through a constriction
Nearly periodic (vowels and some consonants), continuous aperiodic (consonants), transient aperiodic (consonants)
Relationships of resonating cavities & volume(s) of air F1 relationships & F2 relationships, lip rounding effect F1: controlled by tongue height (inverse) F2: controlled by tongue advancement (direct) Lip rounding lowers formants
Relationship of key formants for front vowels & back vowels
Monothongs vs dipthongs Monothongs: Dipthongs: two vowels with the same syllabic nuclei, smooth transition from one to the next
Onglide & offglide Onglide: starting atriculation for diphthong Offglide: ending articulation for diphthong
Consonants Key differences in production from vowels Potential sources of sound in consonants Consonants: constriction of air depends on articulators
Stops - 4 acoustic cues: silence, release burst, aspiration, voice onset time Time (be able to ID stop gap, release burst in spectrogram) voicebar on voiced stops voiceless: gap of complete silence aperiodic sound after silence prevoicing, simultaneous,short or long lag
Fricatives – key acoustic markers Frication, source of sound voiced vs voiceless wide range of frequencies frication noise
Affricates – acoustic features combination of stops and fricatives frication noise, silent gap & voiced noise, release burst with fuzzy voice bar
Approximates Nasals – nasal murmur Nasal murmur: very low F1, all formants low energy
Identify vowels vs consonants in spectrograms (key features) Vowels: formants are wide & dark horizontal strips
Coarticulation: anticipatory & retentive
Speaking Rate
Suprasementals - definition
Pitch – f0 contour Question vs statement contour Question: f0 goes up at the end (y/n, wh- usually goes down) Statement: f0 goes down
Stress Duration Syllabic stress – acoustic aspects of stressed syllables Phrase prominence
Physiological Measures of Speech Ultrasound Electropalatography Electromagnetic midsagittal articulograph Optoelectric Tracking
Created by: 1763
 

 



Voices

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