It is the digital camera with the features of a single lens reflex. It has a wide range of lens selection that varies in function.

DSLR (DIGITAL SINGLE LENSE REFLEX)

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FUNDA FILM

sdefoehfnsnkjbfb finals

Question	Answer
The art, science and practice of creating durable images by recording light or other electromagnetic radiation.	PHOTOGRAPHY
Which button do you need to press so that sensor measures the light striking it and creates a digital image much in the same way a photocopier makes a copy of a document?	SHUTTER
T/F?: Camera User Settings: It lets you configure the camera to your liking and then store the settings under ‘C’ on the mode dial.	TRUE
T/F: Bulb: This mode is similar to Manual exposure, in that it lets you control both shutter speed and lens aperture independently. It also allows long exposures for as long as you hold the Shutter button down.	TRUE
T/F: Manual: Sets the aperture (f-stop) and the camera will attempt to deliver a good exposure.	FALSE
T/F: Aperture Priority: This mode lets you set all the camera's values yourself, e.g., ISO, aperture, shutter speed, metering mode, white balance, metering and flash or no flash.	FALSE
T/F: Shutter Priority: Photographer sets the shutter, and the camera will attempt to deliver a good exposure. Some cameras use an "S" icon instead of "Tv".	TRUE
T/F: Full Automatic: Just point and shoot. Unlike full auto mode, you can usually control flash and a few other camera settings.	FALSE (PROGRAM)
T/F: Program: The camera will completely control flash and exposure. On most cameras this is labelled "auto", on others simply "A".	FALSE (FULL AUTO)
T/F: Flash Off: This mode disables both the internal flash head and any external flash unit connected.	TRUE
T/F: Portrait: To attempt to blur out the background, camera will try to use the fastest available lens setting (aperture). TRUE	TRUE
This type of photographer takes pictures that are used in books, advertisements, catalogs and online marketing purposes.	COMMERCIAL
T/F: Landscape: Camera will attempt capture detail in foreground and background by using high f-stop (aperture) settings.	TRUE
They capture images of newsworthy people and events.	PHOTOJOURNALIST
This type of photographer takes pictures of people, either individually or in groups, in studios or at events such as weddings or religious ceremonies.	PORTRAIT
They capture landscapes and scenery.	LANDSCAPE (pero portrait s FA)
It is an inexpensive, easy-to-load cameras. Also, it was immensely successful, introducing a generation to low-cost photography.	INSTAMATIC CAMERA
This type of camera transforms the image into electronic data to be processed and transported through a computer.	POINT-AND-SHOOT CAMERA
It is the digital camera with the features of a single lens reflex. It has a wide range of lens selection that varies in function.	DSLR (DIGITAL SINGLE LENSE REFLEX)
A type of camera that works without a reflex mirror.	MIRRORLESS CAMERA
A cinematography technique whereby frequency at which film frames are captured is much lower than that used to view the sequence.	TIMELAPSE
T/F: If you are attempting to take a photo in low-light, you may benefit from an aperture that is able to let more light in.	TRUE
T/F: The higher the f-number, the more light the lens lets in.	FALSE (LOWER F-NUMBER)
T/F Image stabilization reduces blurriness caused by movement of the camera.	TRUE
T/F: Almost all camera phones nowadays can shoot at least 8K videos.	FALSE (4K)
T/F: If you choose a more popular phone, you'll have less options when it comes to apps and accessories.	FALSE (MORE OPTIONS)
T/F: Apple has an exceptional "ecosystem".	TRUE
T/F: The better the camera features, the less expensive the phone will be.	FLASE (MORE EXPENSIVE)
T/F: Rappler is the leading source of independent image quality measurements and ratings for smartphone, camera and lens since 2008.	FALSE (DXOMARK)
T/F: Many apps are now available for both iOS and Android mobile devices that extend the functionality of the video camera.	TRUE
T/F: t is recommended to use landscape orientation and not portrait orientation while recording.	TRUE
This can be used to capture interesting movements that we skip with our eyes.	SLOW MOTION
T/F: Better photo requires completely filling the frame with your subject.	TRUE
This type of shot is great in slow motion, but someone writing a message with a pencil might not be so interesting.	ACTION SHOTS
It is designed to give you an optical zoom effect, zooming in without losing detail.	TELEPHOTO LENSE
Ideal space storage of mobile devices.	64GB
T/F: More megapixels can be equate to better quality photos. TRUE	FALSE
T/F: Bigger sensors are better because they allow for bigger pixels.	TRUE
T/F: By increasing sensor size and pixel size, manufacturers are able to make a big difference to low light sensitivity and noise.	TRUE
T/F: The shutter is the opening through which the camera lets in light.	FALSE (APERTURE)
It enables you to shift the camera from left to right with fluidity and stability.	SLIDER
The art and science of placing subjects in your shots.	CAMERA SHOT FRAMING
A camera shot with two characters featured in the frame.	TWO-SHOT
Shows your subject from behind the shoulder of another character.	OVER THE SHOULDER SHOT
lets you have the access of handheld, but the stability of the slider or tripod.	STEADICAM
type of shot allows the rotation of the camera on a single axis.	GIMBAL SHOT
type of shot adds size and scope and can take you from the top floor to the bottom with ease.	CRANE SHOT
type of shot allows you to go from roof to floor or follow someone at foot level and end on their face.	JIB SHOT
type of shot captres still images and video by a remotely-operated or autonomous unmanned aerial vehicle (UAV), also known as an unmanned aircraft system (UAS) or, more commonly, as a drone.	DRONE SHOT
A demanding process that requires maximum attention and effort.	FILM PRODUCTION
The editors assembles footage, music, sound, and visual effects to create multi-sensory experience	OVERALL EDITING
T/F: Filmmaking deals with different tasks at different times with superior coordination to give the best output.	TRUE
T/F: There are nine key stages that take place in the production of any film.	FALSE (3)
T/F: A line manager or production manager is usually hired during the post-production phase to create a schedule and manage the budget for the film.	FALSE (PRE-PROD)
T/F: Raw footage and other visual elements for the film are recorded during the production stage.	TRUE
T/F: The point of no return in filmmaking is the point during the pre-production phase when it becomes cheaper to follow through to the end than to dip out early.	FALSE (PRODUCTION)
T/F: While the film is being edited, the executive producer may decide to reshoot or film additional scenes.	FALSE (DIRECTOR)
T/F: Any computer-graphic visual effects/CGI are digitally added by an artist during the overall editing stage.	FALSE (VISUAL EDITING STAGE)
T/F: Sound effects are designed and recorded during the sound editing stage.	TRUE
stage of production includes planning.	PRE-PRODUCTION
The footage filmed in the production stage will be evaluated and screened during footage review.	TRUE
stage of production includes filming. FILMING	PRODUCTION
stage of production includes editing, color grading and visual effects.	POST-PRODUCTION
stage is when a production company and office is established.	PRE-PRODUCTION
role is being assigned during pre-production to create a schedule and manage the budget for the film.	LINE MANAGER
stage is when shooting begins.	PRODUCTION
is where you want to ensure you have all the shots you will need in post.	PRINCIPAL PHOTOGRAPHY
is the stage where audio and visual materials are put together.	POST-PRODUCTION
Production phase where you create a vision for your film, a plan for production and secure all the resources you will need to complete your film.	PRE-PRODUCTION
This exposes the important elements of your screenplay— main character, setup, central conflict, antagonist — into a clear, concise teaser.	LOGLINE
T/F: The production stage of the filmmaking production process is where you create a vision for your film.	FALSE (PRE-PRODUCTION)
T/F: You can make storyboards to help plan how you’re going to film a scene.	TRUE
T/F: Scriptwriting will help you film shots that make sense together.	FASLE (STORYBOARD)
T/F: For a drama film, you’ll need to choose your actors.	TRUE
T/F: A sequence treatmenr is a detailed description of the story and how it will look and sound on film.	TRUE
T/F: A logline is a one-page summary or description of a movie.	FALSE (ONE SENTENCE)
This can help you plan how you’re going to film a scene.	STORYBOARDING
T/F: Using metaphor is one of the best methods to make an interesting logline.	FALSE
Recce is another term for what?	LOCATION VISIT
This list includes people and things you need during shooting.	CALL SHEET
A detailed description of the story and how it will look and sound on film.	TREATMENT
This can be useful for developing the style of your movie.	MOODBOARD
In this document, the dialogue is written a particular way, and descriptions of settings and action are abbreviated.	SCREENPLAY
An important part of the preproduction process and consists of a series of images that show everything that’s going to happen in your finished piece.	STORYBOARD
T/F: A screenplay is a visual outline of a film or animation.	FALSE (NOT VISUAL)
T/F: Many storyboards are hand-drawn, but some creators or animators choose to use storyboarding software.	TRUE
T/F: Mapping out your shot list helps you resolve a complex story.	FALSE (COMPLEX SHOOT)
T/F: Theatrical feature-film storyboards resemble a square, only slightly wider.	FALSE (RECTANGLE)
T/F: In a storyboard, the dialogue is written a particular way, and descriptions of settings and action are abbreviated.	FALSE (SCREENPLAY)
T/F: The screenplay has scene headings, stage directions and dialog.	TRUE
T/F: A feature screenplay is a document you can create in 3 days.	FALSE (21)
A single statement that summarizes the idea of your screenplay.	PREMISE
T/F: Storyboard also contains any important dialogue, camera directions, scene numbers, or special-effects instructions.	TRUE
A simple statement of the main character/s, and their dilemma.	PREMISE
About 3 paragraphs long, and reflects the beginning, middle and end of the story.	SYNOPSIS
One or three pages, describing the setup, development, resolution and sketching the details of the characters.	OUTLINE
Outlines the different characters, and their backstories.	CHAARACTER NOTES
A beat sheet or list of points, outlining the key event/s of each scene. Can also be done on approx. 60 index cards.	SCENE BREAKDOWN
Contains no direct dialog and is written in the third-person present tense.	TREATMENT
Has scene headings, stage directions and dialog.	SCREENPLAY
It is the heart of any good film. STORY	STORY
the part where it brings some kind of catharsis in the story.	RESOLUTION
This is the big moment to which you’ve been building up all along – the final battle.	FINALE
The study, interpretation, and evaluation of a film and its place in cinema history.	FILM CRITICISM
This usually offers interpretation of its meaning, analysis of its structure and style, judgement of its worth by comparison with other films, and an estimation of its likely effect on viewers.	FILM CRITICISM
A range of different tools that you can use to explain how film works	FILM THEORY
The idea that the director is the single misunderstood artistic genius responsible for creating a movie, instead of the thousands of other people typically involved.	AUTEUR THEORY
Using science such as neuroscience and psychology to help explain how audiences watch and understand films.	COGNITIVE THEORY
Not simply dismantling films but dismantling the ways you think about and interpret them.	DECONSTRUCTION
Study of film as an element of patriarchy, or structural male superiority over women.	FEMINISM
Focusing on the formal properties of film to understand how it’s different from other artistic media.	FORMALISM
Part of the story where characters, setting and genre established.	SET UP
he study of how film works like a language, using signs symbols and formal structures to convey meaning.	SEMOITICS
Part of the story where problems are encountered.	MIDDLE
Part of the story where the problems are solved, and equilibrium is resolved.	END
An old principle widely adhered to in storytelling today.	3-ACT STRUCTURE
Production phase where you create a vision for your film, a plan for production and secure all the resources you will need to complete your film.	PRE-PRODUCTION
This exposes the important elements of your screenplay— main character, setup, central conflict, antagonist — into a clear, concise teaser.	LOGLINE
T/F: The production stage of the filmmaking production process is where you create a vision for your film.	FALSE (PRE-PRODUCTION)
T/F: You can make storyboards to help plan how you’re going to film a scene.	TRUE
T/F: Scriptwriting will help you film shots that make sense together.	FASLE (STORYBOARD)
T/F: For a drama film, you’ll need to choose your actors.	TRUE
T/F: A sequence treatmenr is a detailed description of the story and how it will look and sound on film.	TRUE
T/F: A logline is a one-page summary or description of a movie.	FALSE (ONE SENTENCE)
This can help you plan how you’re going to film a scene.	STORYBOARDING
T/F: Using metaphor is one of the best methods to make an interesting logline.	FALSE
Recce is another term for what?	LOCATION VISIT
This list includes people and things you need during shooting.	CALL SHEET
A detailed description of the story and how it will look and sound on film.	TREATMENT
This can be useful for developing the style of your movie.	MOODBOARD
In this document, the dialogue is written a particular way, and descriptions of settings and action are abbreviated.	SCREENPLAY
An important part of the preproduction process and consists of a series of images that show everything that’s going to happen in your finished piece.	STORYBOARD
T/F: A screenplay is a visual outline of a film or animation.	FALSE (NOT VISUAL)
T/F: Many storyboards are hand-drawn, but some creators or animators choose to use storyboarding software.	TRUE
T/F: Mapping out your shot list helps you resolve a complex story.	FALSE (COMPLEX SHOOT)
T/F: Theatrical feature-film storyboards resemble a square, only slightly wider.	FALSE (RECTANGLE)
T/F: In a storyboard, the dialogue is written a particular way, and descriptions of settings and action are abbreviated.	FALSE (SCREENPLAY)
T/F: The screenplay has scene headings, stage directions and dialog.	TRUE
T/F: A feature screenplay is a document you can create in 3 days.	FALSE (21)
A single statement that summarizes the idea of your screenplay.	PREMISE
T/F: Storyboard also contains any important dialogue, camera directions, scene numbers, or special-effects instructions.	TRUE
A simple statement of the main character/s, and their dilemma.	PREMISE
About 3 paragraphs long, and reflects the beginning, middle and end of the story.	SYNOPSIS
One or three pages, describing the setup, development, resolution and sketching the details of the characters.	OUTLINE
Outlines the different characters, and their backstories.	CHAARACTER NOTES
A beat sheet or list of points, outlining the key event/s of each scene. Can also be done on approx. 60 index cards.	SCENE BREAKDOWN
Contains no direct dialog and is written in the third-person present tense.	TREATMENT
Has scene headings, stage directions and dialog.	SCREENPLAY
It is the heart of any good film. STORY	STORY
the part where it brings some kind of catharsis in the story.	RESOLUTION
This is the big moment to which you’ve been building up all along – the final battle.	FINALE
The study, interpretation, and evaluation of a film and its place in cinema history.	FILM CRITICISM
This usually offers interpretation of its meaning, analysis of its structure and style, judgement of its worth by comparison with other films, and an estimation of its likely effect on viewers.	FILM CRITICISM
A range of different tools that you can use to explain how film works	FILM THEORY
The idea that the director is the single misunderstood artistic genius responsible for creating a movie, instead of the thousands of other people typically involved.	AUTEUR THEORY
Using science such as neuroscience and psychology to help explain how audiences watch and understand films.	COGNITIVE THEORY
Not simply dismantling films but dismantling the ways you think about and interpret them.	DECONSTRUCTION
Study of film as an element of patriarchy, or structural male superiority over women.	FEMINISM
Focusing on the formal properties of film to understand how it’s different from other artistic media.	FORMALISM
Part of the story where characters, setting and genre established.	SET UP
he study of how film works like a language, using signs symbols and formal structures to convey meaning.	SEMOITICS
Part of the story where problems are encountered.	MIDDLE
Part of the story where the problems are solved, and equilibrium is resolved.	END
An old principle widely adhered to in storytelling today.	3-ACT STRUCTURE
Production phase where you create a vision for your film, a plan for production and secure all the resources you will need to complete your film.	PRE-PRODUCTION
This exposes the important elements of your screenplay— main character, setup, central conflict, antagonist — into a clear, concise teaser.	LOGLINE
T/F: The production stage of the filmmaking production process is where you create a vision for your film.	FALSE (PRE-PRODUCTION)
T/F: You can make storyboards to help plan how you’re going to film a scene.	TRUE
T/F: Scriptwriting will help you film shots that make sense together.	FASLE (STORYBOARD)
T/F: For a drama film, you’ll need to choose your actors.	TRUE
T/F: A sequence treatmenr is a detailed description of the story and how it will look and sound on film.	TRUE
T/F: A logline is a one-page summary or description of a movie.	FALSE (ONE SENTENCE)
This can help you plan how you’re going to film a scene.	STORYBOARDING
T/F: Using metaphor is one of the best methods to make an interesting logline.	FALSE
Recce is another term for what?	LOCATION VISIT
This list includes people and things you need during shooting.	CALL SHEET
A detailed description of the story and how it will look and sound on film.	TREATMENT
This can be useful for developing the style of your movie.	MOODBOARD
In this document, the dialogue is written a particular way, and descriptions of settings and action are abbreviated.	SCREENPLAY
An important part of the preproduction process and consists of a series of images that show everything that’s going to happen in your finished piece.	STORYBOARD
T/F: A screenplay is a visual outline of a film or animation.	FALSE (NOT VISUAL)
T/F: Many storyboards are hand-drawn, but some creators or animators choose to use storyboarding software.	TRUE
T/F: Mapping out your shot list helps you resolve a complex story.	FALSE (COMPLEX SHOOT)
T/F: Theatrical feature-film storyboards resemble a square, only slightly wider.	FALSE (RECTANGLE)
T/F: In a storyboard, the dialogue is written a particular way, and descriptions of settings and action are abbreviated.	FALSE (SCREENPLAY)
T/F: The screenplay has scene headings, stage directions and dialog.	TRUE
T/F: A feature screenplay is a document you can create in 3 days.	FALSE (21)
A single statement that summarizes the idea of your screenplay.	PREMISE
T/F: Storyboard also contains any important dialogue, camera directions, scene numbers, or special-effects instructions.	TRUE
A simple statement of the main character/s, and their dilemma.	PREMISE
About 3 paragraphs long, and reflects the beginning, middle and end of the story.	SYNOPSIS
One or three pages, describing the setup, development, resolution and sketching the details of the characters.	OUTLINE
Outlines the different characters, and their backstories.	CHAARACTER NOTES
A beat sheet or list of points, outlining the key event/s of each scene. Can also be done on approx. 60 index cards.	SCENE BREAKDOWN
Contains no direct dialog and is written in the third-person present tense.	TREATMENT
Has scene headings, stage directions and dialog.	SCREENPLAY
It is the heart of any good film. STORY	STORY
the part where it brings some kind of catharsis in the story.	RESOLUTION
This is the big moment to which you’ve been building up all along – the final battle.	FINALE
The study, interpretation, and evaluation of a film and its place in cinema history.	FILM CRITICISM
This usually offers interpretation of its meaning, analysis of its structure and style, judgement of its worth by comparison with other films, and an estimation of its likely effect on viewers.	FILM CRITICISM
A range of different tools that you can use to explain how film works	FILM THEORY
The idea that the director is the single misunderstood artistic genius responsible for creating a movie, instead of the thousands of other people typically involved.	AUTEUR THEORY
Using science such as neuroscience and psychology to help explain how audiences watch and understand films.	COGNITIVE THEORY
Not simply dismantling films but dismantling the ways you think about and interpret them.	DECONSTRUCTION
Study of film as an element of patriarchy, or structural male superiority over women.	FEMINISM
Focusing on the formal properties of film to understand how it’s different from other artistic media.	FORMALISM
Part of the story where characters, setting and genre established.	SET UP
he study of how film works like a language, using signs symbols and formal structures to convey meaning.	SEMOITICS
Part of the story where problems are encountered.	MIDDLE
Part of the story where the problems are solved, and equilibrium is resolved.	END
An old principle widely adhered to in storytelling today.	3-ACT STRUCTURE
This involves introduction of the characters, their story world, and some kind of inciting incident.	SET UP
This is the MAIN CHUNK of the story and often leads us to the worst possible thing that can happen to the character.	CONFRONTATION
This character comes into focus on the 2nd act then will later help the protagonist to learn the theme.	B STORY CHARACTER
T/F: Action and movement inconsistencies are the most common continuity errors in film and TV.	FALSE (PROPS AND COSTUMES)
T/F: Acting continuity include actors using a different hand when picking up a prop or looking in a slightly different direction in each take when delivering lines to an off-camera character, creating a fluctuating point-of-view.	TRUE
T/F: Examples of errors in time continuity include significant changes in weather or season, or different lengths of shadows between shots.	TRUE
T/F: Technically, any film shorter than 30 minutes will qualify as a short film for the film festivals, such as Sundance, whilst any film with a run-time under 20minutes is eligible for the shorts categories at the Academy Awards.	FALSE (SHORTER THAN 50 MINS WILL BE QUALIFY AS SHORT FILM/ UNDER 20 MINS)
T/F: The 10-minute range is just enough to allow for the audience to get to know the personalities for the characters involved, and to allow for character development and for detailed storylines to play out.	TRUE
Examples of errors between takes include different color mugs being used throughout a scene, or different numbers of buttons being buttoned on an actor’s coat.	PROPS AND COSTUME CONUITY
Filmmakers often shoot several takes of the same shot to give editors as many options as possible during post-production.	ACTING CONTINUITY
This type of continuity includes significant changes in weather or season, or different lengths of shadows between shots.	TIME CONTINUITY
Filmmakers need to take special care to ensure they’re using the same equipment and correct settings for each shot in a scene	CAMERA AND AUDIO CONTINUITY
T/F: Production designers prepare a continuity breakdown during pre-production; this is a document which analyses the script in terms of cast, actions, wardrobe and props in scenes and story days.	FALSE(SCRIPT SUPERVISORS)
lapse in the self-consistency of the scene or story being portrayed.	CONTINUITY ERROR
T/F: script’s bible is a log of everything filmed on set, shot by shot, with various notes.	TRUE
T/F: Front page is an overview of all the notes that relate to every shot that was done as well as every take for a specific scene.	FALSE (FACING PAGE)
T/F: Log line is a reference of the shots taken on any given day, in the order they were shot in.	FALSE (EDITORS LOG)
T/F Most production reports will also contain information from the previous day as well as what still needs to be done.	TRUE
T/F: A continuity error is a lapse in the self-consistency of the scene or story being portrayed.	TRUE

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