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| Question | Answer |
|---|---|
| The following is the porous processing sequence: | 1. Visual examination (ambient light, white light ~ flashlight) 2. Indanedione 3. DFO 4. Ninhydrin 5. Physical developer |
| Porous surfaces require a particular type of examination, using either; | chemicals that react to amino acids or, chemicals that are sensitive to lipids and oils, from fingerprint residue |
| Amino Acid: | organic compounds that combine to form proteins |
| Urea: | an organic compound, essential for waste production by the body after metabolizing protein |
| Sodium chloride: | natural occurring salt in the body. |
| Lipids: | organic compounds not soluble in water, but soluble in fat solvents such as alcohol. |
| Lipids are | energy reserves and are also important components of cell membranes. |
| Water soluble portion | (amino acids, urea, and sodium chloride) will absorb very quickly |
| Fatty lipids and waxes | stay on the surface |
| Lipids can be | destroyed or removed by the environment. i.e., paper getting wet |
| Amino acids tend to | bind to fibers making them stable even when dampened |
| Most chemical treatments | react to amino acids |
| How deep a latent print will penetrate depends on; | 1. How porous the surface is. 2. Environmental conditions such as the humidity level in the air. Excessive humidity or water can dilute water soluble residue |
| The application of aqueous (liquid) fingerprint reagents are similar with all chemical reagents. | Either by dipping, spraying, or brushing |
| The choice of a reagent depends on; | Colour, since different chemicals have different signatures. Has the substrate been wet. How porous is the substrate |
| 1,2-Indanedione | an amino acid visualizing compound |
| 1,2-Indanedione | Reacts with different amino acids than ninhydrin |
| 1,2-Indanedione | Fingermarks are both visible and fluorescent |
| 1,2-Indanedione | light pink colour under ambient light. |
| 1,2-Indanedione | able to develop prints on brick, cement, wood, and cotton |
| 1,2-Indanedione | Developed more latent prints than 1,8-Diazafluoren-9-one (DFO) or ninhydrin alone |
| In sequential examination | 1,2-Indanedione is always used before DFO and ninhydrin |
| Disadvantage of 1,2-Indanedione | is it may be possible to degrade/destroy DNA |
| Application of indanedione: | requires a carrier solvent, HFE7100™ (under a fume hood). |
| 1,8-Diazafluoren-9-one (DFO) | An amino acid, sensitive reagent. Developed as a highly fluorescent fingerprint reagent in the 1980s. DFO produces a strong fluorescent reaction and best viewed with an ALS. |
| 1,8-Diazafluoren-9-one (DFO) | Signature: pale purple colour. In sequential examination DFO is always used before ninhydrin |
| 1,8-Diazafluoren-9-one (DFO) applied by | dipping, spraying, or painting and saturating the substrate. Like ninhydrin, it comes in crystal form and requires HFE7100™ as a carrier solvent. The DFO process must be completed in a dry environment. Then heated in an incubator at 100°C for 20 min. |
| Alternative method; applying 1,8-Diazafluoren-9-one (DFO) | Using a heat press at 160°C for 20 - 30 seconds. Or 10 seconds at 180°C, developed twice the fingermarks with less background development. Or a heat source such as an iron. |
| Alternative method; applying 1,8-Diazafluoren-9-one (DFO) | Viewed with an ALS between 540 & 570nm, using orange or red goggles and photographed with an orange or red barrier filter. Studies have shown that DFO developed approximately twice the number of fingermarks than ninhydrin |
| Ninhydrin was discovered accidently in 1910, by chemist Siegfried Ruhemann. | Water-soluble and alcohol soluble. Comes in a solid form as a yellowish crystal. Observed to react with proteins and amino acids |
| Ninhydrin | Signature: purple color, known as “Ruhemann’s purple”. First used in the medical field to test for proteins in biological samples, finding amino acids, using chromatography |
| Ninhydrin | In 1954, a pair of chemists Odén and von Hofsten, 1st used ninhydrin as latent print reagent. Ninhydrin is a nonspecific amino acid reagent, which reacts with primary and secondary amines; amino acids, proteins, and peptides. The result is visible prints |
| Ninhydrin | could take days or weeks to develop latent prints. sped up by applying moisture and heat (ninhydrin cabinet). typically, 24 - 48 hours. developing the treated items at 80°F (26.7°C) for 5 - 10 min at 65% relative humidity in an incubator |
| Ninhydrin | Recently deposited prints may take minutes. Ninhydrin requires a carrier solution or polar solvent (HFE7100™). Ozone safe. Prevents ink from running |
| Ninhydrin | works well on older latent prints. Prints developed on notebooks after 40 years. Oldest is 50 years. |
| Ninhydrin prints enhanced with metal salt treatments; | 1. Silver nitrate, turn prints orange. 2. Cadmium nitrate, turn prints red. Advantage, not only visible but also luminesces |
| Analog: | is a chemical compound structurally like another but differs slightly in composition (as in the replacement of one atom by another atom of a different element or in the presence of a particular functional group) |
| Analog: | Like original slight difference in structure 5-methoxyninhydrin Both are amino acid specific reagents structurally like ninhydrin improved capabilities. Both visible without light source and luminesce. Cheaper to produce not as accepted as ninhydrin |
| Physical Developer (PD) was | developed in 1970 in England. Used when porous substrates have been wetted due to the environment or humidity and reacts to water-soluble sebaceous components of latent print residue |
| Physical Developer (PD) | Signature: dark gray to black images due to the deposition of silver metal along the latent print ridges |
| Physical Developer (PD) | Contains silver ions, a ferrous/ferric redox (reduction/oxidation) system, citric acid, a cationic surfactant, and a non-ionic surfactant. |
| Physical Developer (PD) | PD is also used to develop very old fingerprints. 30-year-old latent prints have been developed with PD. Oldest print developed was 50 years old. |
| Physical Developer (PD) | On wet paper or paper that has been wet, PD is one of the only techniques that can permit the satisfactory development of latent prints |
| Physical Developer (PD) | Also, the last step in sequential examination after indanedione, DFO, ninhydrin, and Oil Red O |
| Physical Developer (PD) | Processing technique adapted from photographic development reagent, when film development was done by hand. Development time is between 10 & 60 minutes. Must take care to not overdevelop, which cannot be reversed |
| Physical Developer (PD) Application | 1. Place paper in an acid (maleic acid) Removes the calcium carbonate from the paper so the silver particles can react. The acid will also ensure that the pH of the solution does not become too basic and lower the acidity of the material. |
| Physical Developer (PD) application 1. | The PD reaction works best in a neutral or slightly acidic environment resulting in more contrast between developed ridges and the background |
| Physical Developer (PD) application 2. | 2. Agitate the now acidic porous item in the PD working solution for 10 to 60 min, depending on how fast and complete the prints appear. The silver will cover the entire surface of the substrate but reacts stronger with print residue. |
| Physical Developer (PD) application 2. con'd | 2. A cationic surfactant mixes with both water and with water repelling soluble (lipid fats). This detergent also gives the reagent a longer shelf life |
| Physical Developer (PD) application 3. | 3. Separate stock solutions are made, then mixed as a working solution. When prints develop, they are rinsed either in water or a 1:1 mix of bleach and water (bleach fades background staining) allowed to dry. |
| disadvantages of Physical Developer (PD) | Long, and time consuming with several processing steps and preparation of multiple reagents. The reagent acidity weakens the paper, so paper will tear easily. Short shelf life. |
| disadvantages of Physical Developer (PD) con'd | The silver may deposit in marks, creases, or indentations on the evidence, or on scratched glassware. Permanently stains any surface with which it comes into contact. |
| disadvantages of Physical Developer (PD) con'd | Avoid creasing items, and always use clean scratch-free glassware, that has been rinsed in distilled water. |
| physical developer | when used in sequence after DFO and ninhydrin, PD improved the quality of fingermarks. 62 items treated with DFO and ninhydrin, produced 64 prints. When also treated with PD, 50% of the print’s quality improved, and 5 more prints developed. |
| The following is the wetted porous processing sequence: | 1. Visual examination (ambient light, white light ~ flashlight) 2. Indanedione 3. DFO 4. Ninhydrin 5. Oil Red O 6. Physical developer |
| Oil Red O (ORO): developed as an alternative method for developing prints on porous surfaces that have been wet. | Applied as a three-step process involving coloration, neutralization, and drying. Compared with PD, has better development on some types of paper |
| Lipophilic Stain Oil Red | Signature: red ridges against a pink background. Used in sequence, before PD |
| Lipophilic Stain Nile Red (NR) | reacts with lipids. Luminescent alternative to PD. Maximum FLS 554nm. Excellent results with fresh heavily sebaceous fingermarks, withPD being the better detection method for natural (uncharged) and aged marks |
| Lipophilic Stain Nile Red (NR) con'd | Applied after PD, in some cases there was enhancement seen. Studies showed NR best results from last step in sequence of examination. Disadvantages: expensive and dangerous. Alternative is Nile Blue, cheaper and safer |
| processing sequence that may be utilized for a nonporous | 1. Visual examination (ambient light, white light ~ flashlight) 2. Cyanoacrylate 3. Dye staining 4. Laser or alternate light source 5. Fingerprint powder 6. Vacuum metal deposition |
| Nonporous: | material that cannot absorb liquid or gas |
| Nonporous: | Mainly smooth substrate of which the latent print resides on the surface. i.e., glass, metals, and plastics |
| Semiporous: | material that allows certain liquids or gas through, usually by diffusion. |
| Examples of semiporous | magazines, waxy-coated paper products, carbon paper, photographs, glossy wall paint, wallpaper, varnished wood, and latex gloves |
| Semiporous evidentiary items are processed for latent prints using | a combination of porous and nonporous processing techniques |
| processing sequence that may be utilized for a semiporous | 1. Visual examination (ambient light, white light ~ flashlight) 2. Cyanoacrylate 3. Indanedione 4. DFO 5. Ninhydrin 6. CA dye stain 7. Vacuum metal deposition |
| When a print deposited matrix remains on the substrate. | Water evaporates, insoluble wax and lipids remain behind, such as amino acids, sodium chloride, and urea |
| Small particle reagent | Available in black, white, or fluorescent, Fine particles of powder mixed with a surfactant (weak detergent solution), Reacts with the fatty residue of latent prints, resulting in visible prints |
| Small particle reagent | Also known as wet powdering method. |
| Small particle reagent | Surfactant is a key ingredient of the SPR compositions. Surface agent (synthetic detergent containing organic compounds). Keeps fine particles suspended and evenly spreads the powder over a wet surface |
| Small particle reagent | Concentration of surfactant can affect the quality of prints. The higher the concentrate, the weaker the prints |
| Small particle reagent | Black charcoal powder or molybdenum disulphide particles are used on light surfaces (gray prints). Titanium dioxide or zinc carbonate is used on dark surfaces (white prints) |
| Small particle reagent Application | Spraying, dipping, or painting method, depending upon size and shape of the object |
| Thick powder suspension | Developed in Japan in the early 1990’s for use on the sticky side of adhesive tape. Referred to as “sticky-side powder”. Black powder suspended in a detergent solution |
| Thick powder suspension | Brushed onto the surface (consistency is too thick for a sprayer). Left on the surface for a short time, then rinsed off with water. Can be reapplied if weak prints are developed. Very effective in developing prints on adhesive surfaces. |
| Cyanoacrylate Ester (CA) (Superglue®) Fuming | Developed in the 70’s a forensic scientist with the U.S. Army Criminal Investigation Laboratory, brought the technique to the US This was a significant impact to the forensic community. Quickly became a standard procedure in all labs worldwide |
| Cyanoacrylate Ester (CA) (Superglue®) Fuming | Signature: white residue develops into a 3D friction ridge impression. |
| Cyanoacrylate Ester (CA) (Superglue®) Fuming | Surfaces: plastic bags, tape, plastic, Styrofoam™, carbon paper, firearms, metal, glass, coated papers, finished and painted wood, aluminium foil, cellophane, rubber bands, and smooth rocks. |
| Cyanoacrylate Ester (CA) (Superglue®) Fuming | CA uses vaporization and polymerization. Vaporization: the conversion of a liquid into a gas. Polymerization: occurs when individual molecules (monomers) form a long chain known as a polymer. The monomers adhere to latent print residue |
| Cyanoacrylate Ester (CA) (Superglue®) Fuming Two methods of using CA | 1. Fuming Chamber: liquid CA is heated and vaporizes. 2. Vacuum Chamber: a container that is sealed shut with a pump used to reduce the pressure in the chamber, resulting in the immediate vaporization of the CA without heat. |
| Cyanoacrylate Ester (CA) (Superglue®) Fuming | CA is always the first step in the nonporous chemical processing sequence. Most often, CA will require some form of enhancement. If latent prints become visible, should be photographed before enhancement |
| Cyanoacrylate Dye Staining | Once an item is processed with CA, it is either treated immediately with a dye stain or left to sit overnight to allow the polymerization reaction time to set |
| Cyanoacrylate Dye Staining | Applied by dipping or spraying. Rinsed with an alcohol or water solution to remove excess dye and then dried |
| Cyanoacrylate Dye Staining | Most dyes are petroleum ether-based, making them volatile and flammable. Or methanol based which makes them toxic. RCMP developed the use of ethanol and methanol-based stains, Rhodamine 6G, Ardrox, and Brilliant Yellow 40, that do not contain petroleum |
| Cyanoacrylate Dye Staining | Rhodamine 6G Signature: orange luminescence with blue-green ALS |
| Cyanoacrylate Dye Staining | Ardrox Signature: whitish yellow to yellow green depending on solvent and light source |
| Cyanoacrylate Dye Staining | Brilliant Yellow 40 Signature: fluoresces yellow |