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Stack #4546990
| Question | Answer |
|---|---|
| Apostrophe | addressing someone or something, usually not present, as though present |
| Assonance | Similarity or repetition of a vowel sound in two or more words, especially in a line of verse |
| Aubade | A poem about morning |
| Caesura | A pause for effect in the middle of a line of poetry; (period, dash, semicolon, etc.) it may or may not affect the meter |
| Conceit | An extended metaphor - two unlike things are compared in several different ways |
| Enjambment | Line of verse that carries over into next line without a pause of any kind |
| Epic | A long narrative, usually written in elevated language, which related the adventures of a hero upon whom rests the fate of a nation |
| Euphony | A quality of style marked by pleasing, harmonious sounds, the opposite of cacophony |
| Paralipsis | the suggestion, by deliberately concise treatment of a topic, that much of significance is being omitted |
| Periodic Sentence | Saves the subject and verb of the independent clause until the end of the sentence |
| Round Character | A fully developed character; character who is complex, multi-dimensional, and convincing |
| satire | A piece of literature designed to ridicule the subject of the work. While satire can be funny, its aim is not to amuse, but to arouse contempt |
| simile | A figure of speech which takes the form of a comparison between two unlike quantities for which a basis for comparison can be found, and which uses the words "like" or "as" in the comparison |
| Synecdoche | A figure of speech in which a part of something stands for the whole or the whole for a part |
| Villanelle | a poem with five triplets and a final quatrain; |