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Stack #4539297
[PRELIMS] FAA
| Term | Definition |
|---|---|
| Prehistoric Era, Ancient Egypt, Ancient Greece and Rome, & China and India | Era of Ancient Civilizations (PAAC) |
| Prehistoric Era | [ANC-CIV-ERA] Early humans used animal skins and natural materials for clothing, primarily for protection. As societies evolved, clothing began to serve as a status symbol and cultural identity |
| Ancient Egypt | [ANC-CIV-ERA] Known for linen garments, elaborate jewelry, and headpieces. Clothing styles denoted social status, with pharaohs and nobility wearing intricate and luxurious fabrics |
| Ancient Greece and Rome | [ANC-CIV-ERA] Focused on draped garments like chitons, tunics, and togas. Draping techniques emphasized the aesthetics of the human form, reflecting ideals of beauty and civility. |
| China and India | [ANC-CIV-ERA] Featured silk fabrics, embroidered garments, and decorative accessories. Indian textiles like cotton and silk were highly valued, influencing trade and fashion. |
| The Medieval Period (500-1500) | When fashion was heavily influenced by social hierarchy and religion & clothing became more complex with layered garments, padded sleeves, and embroidered fabrics. |
| The Medieval Period (500-1500) | When the use of textiles like velvet, brocade, and fur indicated wealth & sumptuary laws restricted certain styles and fabrics to specific classes. |
| Renaissance and Baroque (14th-17th) | When fashion was characterized by opulence, elaborate embroidery, and rich fabrics like velvet and satin |
| Renaissance and Baroque (14th-17th) | When power and wealth were expressed through intricate designs, ruffs, farthingales, and ornate accessories. |
| Renaissance and Baroque (14th-17th) | When men's fashion included doublets, hose, and waistcoats; women's fashion featured corseted bodices and full skirts. |
| 18th Century (Enlightenment & Rococo) | When emphasis on elaborate opulence, with pastel colors, lace, and silk & women wore wide panniers to expand the hips, and men wore frock coats and waistcoats |
| 18th Century (Enlightenment & Rococo) | When the influence of court fashion (e.g., Louis XVI and Marie Antoinette) set trends across Europe |
| 19th Century (Industrial Revolution) | When the advent of mass production led to more accessible clothing for the middle class |
| 19th Century (Industrial Revolution) | When structured silhouettes, corsets, crinolines, and bustles were introduced. |
| Sewing machines | What major technological advancement occurred in the 19th Century that made more garments more affordable and varied. |
| 19th Century (Industrial Revolution) | When fashion began to reflect societal shifts, including a focus on modesty and practicality. |
| 1920s, 1930s, Word War II, & Post-war fashion (1950s) | Eras of the Early 20th Century |
| 1920s | [20T-CEN-ERA] Flapper dresses, shorter hemlines, and liberated styles symbolized women's changing roles |
| 1930s | [20T-CEN-ERA] Hollywood glamour influenced fashion with bias-cut gowns and elegant suits. |
| World War II | [20T-CEN-ERA] Fabric rationing led to simplified styles and functional clothing |
| Post-war fashion (1950s) | [20T-CEN-ERA] Emphasized femininity with Dior’s “New Look,” featuring cinched waists and full skirts |
| The 1960s–1980s (Modern Fashion Explosion) | When the “Youthquake” culture brought bold patterns, miniskirts, bell-bottoms, and psychedelic designs |
| The 1960s–1980s (Modern Fashion Explosion) | When fashion became more democratic, influenced by music, movies, and social movements. |
| The 1960s–1980s (Modern Fashion Explosion) | When utility and sportswear gained prominence, exemplified by brands like Nike and Adidas. |
| Contemporary Fashion (21st Century) | When fashion is characterized by diversity, globalization, and technological innovation. |
| Contemporary Fashion (21st Century) | When sustainable fashion and ethical practices are gaining importance |
| Spinning Jenny, Power loom, & Sewing Machine | What key inventions revolutionized the textile production. |
| Fashion Design Process | A creative and technical journey that transforms an idea into a final garment ready for consumers. It is not a single-step activity but rather a series, interconnected stages that require a balance of imagination, craftsmanship, and industry knowledge. |
| Inspiration and Concept Development | [FAS-DES-PRO] The process often begins with inspiration—from art, culture, history, nature, current trends, or even personal experiences. Designers translate these inspirations into a concept or theme that will guide the collection. |
| Research and Market Awareness | [FAS-DES-PRO] Conducting market research in understanding consumer preferences, lifestyle changes, target demographics, an current fashion trends. |
| Sketching and Design Development | [FAS-DES-PRO] Once the concept and research are clear, designers translate ideas into ______ |
| Sketching and Design Development | [FAS-DES-PRO] During this stage, designers experiment with shapes, silhouettes, textures, and colors to bring their vision to life, while making it structurally possible. |
| Fabric Selection and Material Sourcing | [FAS-DES-PRO] When designers consider textiles for these influence not only the appearance, but also the movement, durability, and comfort while wearing the garment. |
| Fabric Selection and Material Sourcing | [FAS-DES-PRO] When designers balance their aesthetic goals with practical considerations such as cost, sustainability, and availability of materials. |
| Pattern Making and Draping | [FAS-DES-PRO] Transforming sketches into wearable garments by involving flat pattern making or draping fabric on a mannequin. |
| Prototyping and Sample Creation | [FAS-DES-PRO] When designers test how designs work in real life. Sometimes multiple samples are made before the final version is approved |
| Fittings and Refinements | [FAS-DES-PRO] Models or mannequins are used for fittings to check the garment’s comfort, functionality, and appearance. |
| Fittings and Refinements | [FAS-DES-PRO] The step where it is iterative by ensuring that the final garment reflects both the creative vision and technical requirements. |
| Final Garment and Production | [FAS-DES-PRO] This may involve small-scale atelier crafting or large-scale factory manufacturing. The focus here is on consistency, quality control, and efficiency. T |
| Presentation & Marketing | [FAS-DES-PRO] When designers present their work through fashion shows, look-books, campaigns, and digital platforms. |
| Presentation & Marketing | [FAS-DES-PRO] This stage highlights the importance of market awareness and consumer engagement. |
| Creativity | fuels innovation and distinguishes one designer’s work from another |
| Technical skills | These ensure that designs are not only beautiful but also functional, durable, and producible |
| Market awareness | This guarantees garments resonate with consumers and succeed in a competitive industry |
| Art & Science | Fashion is a fuel of ____ & ____ |
| Natural Fibers | What fibers give breathability, moisture absorption, comfort. |
| Plant-based & Animal-based | What are the types of natural fibers? |
| Plant-based | [NAT-FIB] Cotton, linen (flax), jute |
| Animal-based | [NAT-FIB] Wool, silk, alpaca, mohair |
| Synthetic Fibers | What fibers give durability, elasticity, resistance to wrinkles and shrinking. |
| Simple yarns | Yarn type: Spun, filament. |
| Fancy yarns | Yarn type: Tweed, boucle |
| Woven Fabrics | This fabric: Stability, durability; suitable for trousers, jackets |
| Denim, twill, & Satin | Examples of: Woven Fabrics |
| Knitted Fabrics | This fabric: Stretchy, comfortable; used in t-shirts, activewear |
| Jersey, ribbing | Examples of: Knitted Fabrics |
| Non-woven Fabrics | This fabric: Quick production; applications in accessories and linings |
| Felt, interfacing | Examples of: Non-woven Fabrics |
| Garment Production Process | Involves multiple interconnected stages, transforming raw materials into finished apparel. |
| Overview of Garment Production Process | [GAR-PRO-STE] Introduction to the complete lifecycle of garment manufacturing |
| Sourcing Materials | [GAR-PRO-STE] Selection of fabrics, notions, and trims |
| Design & Pattern Development | [GAR-PRO-STE] Converting design concepts into technical patterns by using CAD technology in modern pattern making |
| Fabric Cutting | [GAR-PRO-STE] Cutting layouts and fabric nesting to reduce waste, and aid in quality control. |
| Sewing & Assembly | [GAR-PRO-STE] Designers consider types of sewing machines, techniques, stitch types, assembly of such garments, and quality checkpoints during sewing. |
| Finishing & Quality Control | [GAR-PRO-STE] Designers consider types of processes such as pressing, trimming, labeling |
| Production timeline and planning, Cost management, & Ethical and sustainable practices in manufacturing. | What are the additional considerations in the Garment Production Process |
| Manual Cutting | [FAB-CUT-TEC] Using scissors and knives—best for small batches. |
| Die Cutting | [FAB-CUT-TEC] Using hydraulic or electric dies—speed and consistency. |
| Computer-Aided Cutting (CAD/CAM) | [FAB-CUT-TEC] Automated cutting machines for precision |
| Cutting Layout Optimization | [FAB-CUT-TEC] Strategies to minimize fabric waste. |
| Types of Sewing Machines | [SEW-ASS-PRO] Flat-bed, overlock, cover stitch, and specialized machines |
| Seam Types | [FAB-CUT-TEC] Plain seams, French seams, flat-felled seams |
| Sewing Sequence | [FAB-CUT-TEC] Step-by-step assembly flow. |
| Automation vs. Hand Sewing | [FAB-CUT-TEC] Efficiency considerations |
| In-line Inspection | [QUA-CON-PRO] Monitoring during production |
| Final Inspection | [QUA-CON-PRO] Checking for defects, measurement accuracy, and finishes |
| Common Defects | [QUA-CON-PRO] Puckering, mismatched seams, fabric runs |
| Rework and Repair Protocols | [QUA-CON-PRO] Ensuring standards are met.. |
| Pressing/Steaming | [FIN-TEC] Removing wrinkles and shaping |
| Trimming and Tracing | [FIN-TEC] Removing excess threads. |
| Labeling and Packaging | [FIN-TEC] Branding and presentation |
| Scheduling | [PRO-PLA-MAN] Sequencing tasks to meet deadlines. |
| Cost Control | [PRO-PLA-MAN] Material waste reduction, labor efficiency. |
| Sustainability Practices | [PRO-PLA-MAN] Waste management, eco-friendly processes. |
Created by:
RamRamRam