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ANIMATIONFA1-4
| Question | Answer |
|---|---|
| M1 | |
| The Simpsons is the 1st animated series on prime time television. | False, Flintstones |
| Walt Disney Studios developed celluloid used in layers of compositing. | False, Bray and Hurd |
| A hollow drum that housed images on long interchangeable strips that spins and made the images appear to move. | Zoetrope |
| Merrie Melodies were created by Walt Disney Studio. | False, Warner Brother Cartoons |
| Willie is the 1st animated superstar. | False, Felix the Cat |
| Steamboat Willie is the 1st cartoon with audio printed on the film. | True |
| The first animated cartoon or hand-drawn animation in 1908 was Fantasmagorie. | True |
| It is a series of photographs taken in 1865. | Muybridge |
| Zoetrope is the other name for Praxoniscope. | False, Movieola |
| It is the other name for Praxinoscope. | Movieola |
| Kineograph is the other name for a Flip Book. | True |
| Snow White and the Seven Dwarfs was shown in the USA in 1930. | False, 1937 |
| The software use for animating shapes | Adobe Animate |
| It is considered to have shown the first prototypes of the animated cartoon. Invented in France in 1877 by Charles-Émile Reynaud. | Praxinoscope |
| The animation studio who developed the storyboard is ______. | Disney |
| The software use for the tradigital animation. | Toon Boom? |
| The Flintstones by Hanna-Barbera is the 1st animated series on prime time television. | True |
| It is a series of equally spaced radial slits and invented by Joseph Plateau. | Phenakistoscope |
| The first fully animated film by Disney Studios. | Snow White and the seven dwarfs |
| The longest running Animated American sitcom | The Simpsons |
| It is the star bear of the Yellow Stone Park | Yogi Bear |
| They specialize in creating inanimate objects that come to life on a 2D platform. | Animator |
| The 1st animated adult (X-rated) feature film. | Fritz The Cat |
| A bronze-age pottery bowl depicts goats leaping. | SHAHR-E SUKHTEH |
| It housed a rotating mechanism with a different picture on each side. | Thaumatrope |
| It marks the first entirely animated film, using stop motion photography to create action. | Humorous Phases of Funny Faces |
| Animation started during the Industrial Revolution. | True |
| Storyboards were created by Warner Bros. | False |
| Star of theatrical Panther series. | Pink Phink |
| The Background layer is the most bottom layer in animation. | True |
| What relies on the phi phenomenon and beta movement? | Illusion |
| The Vitruvian Man of Leonardo da Vinci shows______ that implies movement. | Multiple Angles |
| The 1st short film, fully CGI created by the Graphics Group. | THE ADVENTURES OF ANDRE & WALLY B |
| It is a series of images with minimal differences and makes it move with the overturn of images. | Thaumatrope |
| An appealing character developed in 1914 was Gertie the Dinosaur. | True |
| Bray Studios helped the animators launch Looney Tunes. | False, Mighty Mouse, Betty Boop, and Woody Woodpecker |
| M2 | |
| If the character is moving upward and gaining speed, he _________. | Gain Weight |
| More drawings means faster action. | False |
| The acceleration of gravity is constant the ball’s spacings follow a simple pattern, which is called ________. | Odd Rule |
| A 150 lbs. character can run faster than a 300 lbs. body. | True |
| In animating straight ahead action, this rule is very helpful. | Odd Rule |
| Acceleration happened when spacing change. | True |
| It is the resistance of any physical object to any change in its state of motion, including changes to its speed and direction. | Inertia |
| The human’s center of balance is in the navel. | True |
| They were the one who developed the 12 Principles of Animation. | Frank Thomas ans Ollie Johnston |
| The bigger the force, the quicker the momentum changes. | True |
| If the character is moving downward and gaining speed, he ______. | Lose Weight |
| Timing and spacing indicates _____. | Speed |
| Frankie Thomas and Ollie Johnston are the developer of the principles of animation. | False |
| If the character is moving upward and losing speed, he ______. | Lose Weight |
| Newton’s 1st law of motion is the law of speed. | False, Law of Inertia |
| It is the average location of an objects weight. | Center of Gravity |
| The principle of action-reaction, also known as Newton’s 2nd Law of motion. | False, 3rd Law |
| Less drawing means faster action. | True |
| Pose-to-pose animation should follow fourth down at half time. | True |
| if the character is carrying a heavy load on his back, he has to lean forward to achieve balance. | True |
| For every “action” force there’s an instantaneous “reaction” force that’s equal in magnitude and opposite in direction. | Third Law of Motion |
| Odd rule is the 1st law of motion by Newton. | False, Law of Inertia |
| It is the main culprit to change the character’s momentum | Unbalanced Force. |
| The change in momentum could be slowing or increasing a character’s speed or it could be a change in direction. | 2nd Law of Motion |
| When spacing change, there is _________. | Accelaration |
| To lift a heavy load, the character should crouch down a bit. | False |
| M3 | |
| Reaction is the preparation for the action. | False |
| In the application of squash and stretch always consider the _____ and mass of the object. | Weight |
| Through the classes of Frank Thomas and Ollie Johnston where the fundamentals of animation principles started. | False |
| Flatten an object or character by pressure or by its own power. | Squash |
| On bouncing ball: as the ball propels it _________ causing the ball to distort by stretching. | Accelerate |
| This principle gives weight and flexibility to drawn objects | Squash and Stretch |
| Any reaction is strengthened by being preceded by its opposite. | False, Action |
| It was the Disney classes of animators under ________ where principles of animation started after the 1930’s. | Don Graham |
| On bouncing ball: once the ball hits the ground it tends to _____. | Flatten as Squash |
| Squash and stretch principle should be applied on the whole head of the character. | False |
| On bouncing ball: as gravity pulls the ball back down the ball repeats its acceleration to the ground and _______. | Stretches |
| More drawings mean faster action. | False |
| As the ball bounces it loses its _______. | Energy |
| Animating is a precise craft that requires practice, perseverance, and a certain amount of natural flair. | True |
| The anticipation is always in the opposite direction to where the main action is going to go. | True |
| Stretch is used to prepare the audience for an action, and to make the action appear more realistic. | False |
| On bouncing ball: As the ball impacts the ground it squashes from the force of _______. | Momentum |
| Material of the object was made of is not to be considered on the squash and stretch principle. | False |
| Used to increase the sense of speed and emphasize the squash by contrast. | Stretch |
| On bouncing ball: once the ball reaches its peak it begins to ________ and return to its original form. | Slow Down |
| The technique of anticipation helps to guide the audience’s eyes to where the action is about to occur. | True |
| In squash and stretch principle the constant is ______ of the object. | Volume |
| Less drawings mean faster action. | True |
| Ultimately, the animator must have a sense of what makes an inanimate character alive. | True |
| Anticipation is the termination of the action. | False |
| On bouncing ball: the squash of the ball emphasizes a pre bounce as _____. | Anticipation |
| It is a way of deforming an object such that it shows how rigid the object is. | Squash and Stretch |
| An object that squashes and stretches, before it settles it goes _______for the natural ending. | Overshoot |
| Any action can be enhanced if there is anticipation before the action. | True |
| M4 | |
| In-betweens are the drawings between the key frames which help to create the illusion of motion. | True |
| On the bouncing ball: more drawings on what path of the ball? | Peak of the Arch |
| Motion capture and rotoscoping is pose-to-pose animation | False |
| Pose-to-pose is more planned out and charted with key drawings done at intervals throughout the scene. | True |
| More drawings mean faster actions. | True |
| In-between 15, is what type of timing? | Thirds |
| A man with a big tummy has a different walk cycle than those who are slim. | True |
| In-betweens are the drawings between the key frames which help to create the illusion of motion. | True |
| It is the brain of animation, the reason that animation comes to life naturally. | Timing |
| Pose-to-pose, creates a more fluid, dynamic illusion of movement, and is better for producing realistic action sequences. | False |
| Straight ahead, works better for dramatic or emotional scenes, where composition and relation to the surroundings are of greater importance. | False |
| If the animator provided a breakdown, the number code of the scene should be inside a _____________. | Triangle |
| In the timing grid, the main in-between has the _________. | Lopgest Stem |
| Timing is the speed and velocity of an action. | True |
| Straight ahead animation means_______. | All Images are Key Drawings |
| Pose-to-pose animation involves starting with drawing a few key frames and then filling in the ___________. | In-Betweens |
| Traditional and tradigital animation key frames or key drawings should be ________. | Encircled |
| How many drawings are there in a blink? | 3 |
| Less drawings mean faster actions. | False |
| It is the duration of an action. | Timing |
| Thirds in the timing grid means that the movement of the object is ___________ in 3 parts. | Equally Distributed |
| Number of drawings or frames on a given action which translates to the _______ of the action. | Speed |
| Key drawings should not be encircled. | False |
| If there is an imaginary in-between, it is better to ignore it. | False |
| The nature of the character, personality or weight of an object will influence the timing of the animation. | True |
| The timing for a blink has equal open, half close and close. | True |
| The ball loses its energy as it bounces, the 1st arch of its bounces is the _________. | Highest |
| A man with a big tummy has a different walk cycle than those who are slim. | True |
| Thumbnails are created by the inbetweener. | False |