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AP AH 250 (depcreca)
AP AH 250
| Question | Answer |
|---|---|
| Title of the artwork (Alexander Mosaic) | Alexander Mosaic |
| Title of the artwork (House of the Vettii) | House of the Vettii |
| Title of the artwork (Augustus of Prima Porta) | Augustus of Prima Porta |
| Title of the artwork (Forum of Trajan) | Forum of Trajan |
| Title of the artwork (Head of a Roman Patrician) | Head of a Roman Patrician |
| Title of the artwork (Tomb of the Triclinium) | Tomb of the Triclinium |
| Title of the artwork (Santa Sabina) | Santa Sabina |
| Title of the artwork (Colosseum) | Colosseum |
| Title of the artwork (Sarcophagus of the Spouses) | Sarcophagus of the Spouses |
| Title of the artwork (Ludovisi Battle Sarcophagus) | Ludovisi Battle Sarcophagus |
| Title of the artwork (Catacomb of Priscilla) | Catacomb of Priscilla |
| Title of the artwork (Pantheon) | Pantheon |
| Title of the artwork (Temple of Minerva and sculpture of Apollo) | Temple of Minerva and sculpture of Apollo |
| Origin (Temple of Minerva and sculpture of Apollo) | Veii, Italy |
| Origin (Sarcophagus of the Spouses) | Cerveteri, Italy |
| Origin (Augustus of Prima Porta) | Rome, Italy |
| Origin (Ludovisi Battle Sarcophagus) | Rome, Italy |
| Origin (Colosseum) | Rome, Italy |
| Origin (Head of a Roman Patrician) | Ortricoli, Italy |
| Origin (House of the Vettii) | Pompeii, Italy |
| Origin (Tomb of the Triclinium) | Tarquinia, Italy |
| Origin (Catacomb of Priscilla) | Rome, Italy |
| Origin (Santa Sabina) | Rome, Italy |
| Origin (Pantheon) | Rome, Italy |
| Origin (Alexander Mosaic) | House of the Faun, Pompeii, Italy |
| Origin (Forum of Trajan) | Rome, Italy |
| Significant artistic movements or influences (Head of a Roman Patrician) | Veristic portraiture of the Roman Republic |
| Significant artistic movements or influences (Alexander Mosaic) | Hellenistic art, Greek influence on Roman mosaics |
| Significant artistic movements or influences (Temple of Minerva and sculpture of Apollo) | Etruscan architecture, influence of Greek temple design |
| Significant artistic movements or influences (Colosseum) | Roman innovation in public architecture and use of concrete |
| Significant artistic movements or influences (Forum of Trajan) | Combination of Roman engineering and Greek architectural elements |
| Significant artistic movements or influences (Ludovisi Battle Sarcophagus) | Roman battle relief, influence of chaotic compositions |
| Significant artistic movements or influences (Catacomb of Priscilla) | Early Christian art, influences from Roman funerary traditions |
| Significant artistic movements or influences (Augustus of Prima Porta) | Roman imperial propaganda in sculpture |
| Significant artistic movements or influences (Pantheon) | Fusion of Greek temple front and Roman dome construction |
| Significant artistic movements or influences (Santa Sabina) | Early Christian architecture, transition from Roman basilica to Christian church |
| Significant artistic movements or influences (Sarcophagus of the Spouses) | Etruscan funerary art, influence of Greek Archaic style |
| Significant artistic movements or influences (Tomb of the Triclinium) | Etruscan funerary art, influence of Greek styles |
| Significant artistic movements or influences (House of the Vettii) | Pompeian wall painting styles |
| Historical context (Pantheon) | Represents Roman innovation in architecture, particularly in dome construction |
| Historical context (Tomb of the Triclinium) | Reflects Etruscan funerary traditions |
| Historical context (House of the Vettii) | Represents a typical Roman house of wealthy merchants |
| Historical context (Ludovisi Battle Sarcophagus) | Reflects the instability of the late Roman Empire |
| Historical context (Temple of Minerva and sculpture of Apollo) | Represents Etruscan temple architecture and sculpture in terracotta |
| Historical context (Sarcophagus of the Spouses) | Reflects the Etruscan practice of burial with personal goods |
| Historical context (Santa Sabina) | Reflects the early development of Christian basilica architecture |
| Historical context (Head of a Roman Patrician) | Shows the Roman value of wisdom and experience through age |
| Historical context (Alexander Mosaic) | Depicts the military prowess of Alexander the Great |
| Historical context (Colosseum) | Built under the Flavian emperors as a gift to the Roman people |
| Historical context (Augustus of Prima Porta) | Serves as imperial propaganda, linking Augustus with divine lineage |
| Historical context (Forum of Trajan) | Built to commemorate Trajan’s victory over the Dacians |
| Historical context (Catacomb of Priscilla) | Used by early Christians as a burial site and place of worship |
| Key formal qualities (Tomb of the Triclinium) | Tufa, fresco, bright colors |
| Key formal qualities (Colosseum) | Stone and concrete, arches, elliptical shape |
| Key formal qualities (Sarcophagus of the Spouses) | Terra cotta, stylized figures, reclining position |
| Key formal qualities (Forum of Trajan) | Brick and concrete, basilica, large open spaces |
| Key formal qualities (Temple of Minerva and sculpture of Apollo) | Wood, mud brick, tufa; terra cotta sculpture |
| Key formal qualities (Augustus of Prima Porta) | Marble, contrapposto stance, idealized portrait |
| Key formal qualities (House of the Vettii) | Cut stone, Pompeian frescoes, intricate details |
| Key formal qualities (Head of a Roman Patrician) | Marble, veristic portraiture |
| Key formal qualities (Pantheon) | Concrete with stone facing, dome with oculus |
| Key formal qualities (Catacomb of Priscilla) | Excavated tufa, fresco |
| Key formal qualities (Santa Sabina) | Brick, stone, wooden roof |
| Key formal qualities (Alexander Mosaic) | Mosaic, tesserae, dynamic composition |
| Key formal qualities (Ludovisi Battle Sarcophagus) | Marble, crowded composition, high relief |
| Culture/Period (Catacomb of Priscilla) | Late Antique |
| Culture/Period (Forum of Trajan) | Imperial Roman |
| Culture/Period (Ludovisi Battle Sarcophagus) | Late Imperial Roman |
| Culture/Period (Santa Sabina) | Late Antique |
| Culture/Period (Temple of Minerva and sculpture of Apollo) | Etruscan |
| Culture/Period (Pantheon) | Imperial Roman |
| Culture/Period (Alexander Mosaic) | Republican Roman |
| Culture/Period (House of the Vettii) | Imperial Roman |
| Culture/Period (Sarcophagus of the Spouses) | Etruscan |
| Culture/Period (Head of a Roman Patrician) | Republican Roman |
| Culture/Period (Colosseum) | Imperial Roman |
| Culture/Period (Augustus of Prima Porta) | Imperial Roman |
| Culture/Period (Tomb of the Triclinium) | Etruscan |
| Artist’s name (Pantheon) | Unknown |
| Artist’s name (Forum of Trajan) | Apollodorus of Damascus |
| Artist’s name (Santa Sabina) | Unknown |
| Artist’s name (Colosseum) | Unknown |
| Artist’s name (Alexander Mosaic) | Unknown |
| Artist’s name (Augustus of Prima Porta) | Unknown |
| Artist’s name (Head of a Roman Patrician) | Unknown |
| Artist’s name (Temple of Minerva and sculpture of Apollo) | Master Sculptor Vulca |
| Artist’s name (Sarcophagus of the Spouses) | Unknown |
| Artist’s name (Catacomb of Priscilla) | Unknown |
| Artist’s name (Tomb of the Triclinium) | Unknown |
| Artist’s name (House of the Vettii) | Unknown |
| Artist’s name (Ludovisi Battle Sarcophagus) | Unknown |
| Date created (Tomb of the Triclinium) | 500 BCE |
| Date created (Head of a Roman Patrician) | 50 BCE |
| Date created (Santa Sabina) | 400 CE |
| Date created (Pantheon) | 118-125 CE |
| Date created (Alexander Mosaic) | 100 BCE |
| Date created (Colosseum) | 80 CE |
| Date created (Sarcophagus of the Spouses) | 500 BCE |
| Date created (Catacomb of Priscilla) | 400 CE |
| Date created (Temple of Minerva and sculpture of Apollo) | 500 BCE |
| Date created (Augustus of Prima Porta) | Early 1st century CE |
| Date created (Ludovisi Battle Sarcophagus) | 250 CE |
| Date created (House of the Vettii) | 80 CE |
| Date created (Forum of Trajan) | 100 CE |