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Chapter 11
Sculpture and Installation
| Question | Answer |
|---|---|
| Sculpture | Involves works of art dealing with three-dimensional space, involving height, width, and death |
| "In the Round" | Freestanding artwork that can be viewed from any angle; completed on all sides |
| In Relief | Forms project from but remain attached to a background surface; meant to be viewed frontally |
| Low Relief | The design projects only slightly from the ground and there is little or no undercutting of outlines. |
| High Relief | Forms dramatically project from the background by generally at least half their depth. |
| Modeling | Is an additive process, the sculptor begins with a framework or nothing at all and adds material until the sculpture is finished, direct method of working |
| Clay | Also known as terracotta, is the most common modeling material |
| Casting | A very indirect method of working. It involves a mold of some kind into which liquid or semi liquid is poured and allowed to harden. |
| Bronze | Common casting material |
| Lost-Wax | Most common method for casting,. The wax original is destroyed in the process making each sculpture cast unique |
| Synthetic Resin | Are named for their resemblance to the natural resins secreted by plants such as pine trees and by certain insects |
| Resin | is cast in a rubber mold that has been sprayed with a release agent - a chemical that ensures that the resin will not stick to the mold as it hardens. |
| Casting Mixture | liquid resin, catalyst and any colorants or fillers is prepared at the last moment and poured into the mold, where it immediately begins to cure Sculpture and Installation |
| Carving | A subtractive process that occurs when the sculptor begins with a block of material and cuts, chips, and gouges away until the form emerges |
| Wood and Stone | Are the principle materials historically used for the carving process |
| Assembling | Individual pieces, segments, or objects are brought together to form a sculpture. It is an additive process. |
| Human Figure | Is a basic subject for sculpture throughout time |
| "Presence" | Sculpture exists in three dimensions. To portray a being in sculpture is to bring it into the world, to give it presence that is close to life itself. |
| Contrapposto | Meaning counterpoise or counterbalance; sets the body in a gentle S-shaped curve that implies the potential for human motion. |
| Earthwork | A work of art made for a specific place using natural materials found there, especially the earth itself. |
| Installation | An artist modifies a space in some way and asks us to enter, explore, and experience it |