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christine_
PH ART
| Question | Answer |
|---|---|
| practical value for the early Filipinos, such as pots for cooking and large vases for storing. | Pottery |
| One of the most prominent artifacts related to pottery is the _______ ___ found in Palawan. | Manunggul Jar |
| They are known for their colorful woven cloth, which is also known for their women abaca cloth called? | Weaving ; t’nalak |
| Depicts animals like birds, which are representation of their religious beliefs. According to the local stories, birds serve as the messenger of the people to the heaven and vice versa. | WOODCARVINGS |
| In Mindanao, Tausug and Maranao people are know for their ? , which are designs applied to their woodcarvings. There common subjects include the sarimanok naga and the pako rabong. | okir |
| The naga forms an S-shaped, depicting and elaborate figure of a mythical dragon or serpent. The numerous curved lines serving as detail for the figure depicts the scales. | SARIMANOK AND NAGA |
| The merging of these things ancient styles produces a unique artwork characterized by delicate swirling and interwoven lines, multi-layered texture and an illusion of three-dimensional space. | KUT-KUT ART |
| Santos were used primarily for the church altars and retablos. It also replaced the anitos in the altars of the native homes. | Modern sculptures |
| sculptor and silversmith | Juan de los Santos (ca. 1590 ca. 1660) of San pablo, Laguna. |
| Bonifacio Monument | Guillermo Tolentino (1890-1976) |
| a group sculpture composed of numerous figures massed around a central obelisk. - leader of the revolution against Spain in 1896 | Bonifacio Monument |
| • the pioneering modernists in sculpture. • he use various media • one of Tolentino's pupil | Napoleon Abueva (born 1930) |
| Fredesvinda | Napoleon Abueva (born 1930) |
| • which was included in the First ASEAN • sculpture Symposium held in Fort Canning Hill, Singapore, From March 27 to April 26, 1981 shows the vitality of primitive forms | Fredesvinda |
| He won a silver medal for his entry in large canvas, Christian Virgins Exposed to the Populace at the Madrid Exposition of Fine Arts | Felix Resurreccion Hidalgo (1855-1913) |
| Won a Gold medal in the 1948 Madrid Exposition Stayed on a apartment close to the Hidalgo’s | Juan Luna (1857-1899) |
| The Artist’s Mother (1888) | Felix Resurreccion Hidalgo |
| •The Dream of Love •The Celebrated Tampuhan | Juan Luna |
| Was a National Artist Awardee. 1920-1945: golden years Went to Madrid year 1917 | Fernando Amorsolo (1892-1972) |
| • THE BLIND MAN •THE BURNING OF MANILA • ANTIPOLO • DALAGANG BUKID | Fernando Amorsolo |
| Most popular progressive artist Recognized as National Artist year 1982 | Vicente Manansala (1910-1981) |
| Give me this diary | Vicente Manansala |
| One of the best mural artist in the Philippines Stayed in Agono Had his own version of Post - Impresionism | Carlos “Botong” V. Francisco (1912-1969) |
| Illustrator-catoonist Abstract painting | Mauro “Malang” Santos (1928-2017) |
| Ang Kiukok | Mauro “Malang” Santos |
| Magna Cum Laude at the University of the Philippines in 1953 Cranbook Academy of Art in 1957 | Jose Joya (1931-1955) |
| Space Transfiguration | Jose Joya |
| He obtained a teacher’s diploma in composition and conducting from UP. Became a faculty member of the UP Conservatory of Music. In 1987 he was commissioned into the military service and later became music and band conductor of the PMA in Baguio City. | Col. Antonio Buenaventura |
| He conducted the Musical Philippines Philharmonic Orchestra and a Musical Presented at the Metropolitan Theatre. He was connected with major conservatories in the country and wrote sacred and secular vocal music, overtures, tones. | Lucio D. San Pedro (1912-2002) |
| He married Gertudes Dias with 5 children. During his graduation in grade VII He played the poet and peasant Overture on banjo. He started composing song in College. He was assistant conductor to Conductor | Lucio D. San Pedro |
| A composer, conductor and a former student at UP Conservatory of Music. appointed assistant instructor at the UP Dept. of Science and Composition He became a technical assistant on cultural affairs in the office of the President of the Philippines. | Felipe Padilla De Leon |
| He was a president of the Filipino Society of Composer, Authors and Publisher. He was a President of the Pambansang Samahan ng mga Banda sa Pilipinas and the Diwa ng Nuweba Esiha. | Felipe Padilla De Leon |
| A trustee of the Music Promotion Foundation of the Philippines. Director of the SONGFEST Philippines and Felin Institute of the Philippines. | Felipe Padilla De Leon |
| Mariang Makiling Overture (1939) Roca Encantada, symphonic legend (1950) Maynila Overture (1976) Orchesterstuk(1981) Choral music like, Payapang Daigdig, Ako’y Pilipino, Lupang Tinubuan, Ama Namin. Songs like Bulaklak, Alitaptap, and Mutya ng Lahi. | Felipe Padilla De Leon |
| Obtained a Music Teacher’s Diploma major in Piano from St. Scholastica’s University She was a scholar grantee of Fullbright Foundation at the Eastern School of music degree major in theory and minor composition. | Lucrecia R. Casilag |
| Versatile musician, composer and music educator. A faculty member of the UP Consevatory of Music. He was a conductor in the concert stage of various schools, church, choirs, orchestra, bands and rondallas | Antonio Molina |
| Folksongs and Dances and a Secretary of the Conservatory of Music. Molina’s most familiar composition is Hatinggabi, a serenade for solo violin and piano accompaniment. | Antonio Molina |
| works are (orchestral music) Misa Antoniana Grand Festival Mass, Ang Batingaw, Kundiman- Kundangan; (chamber music) Hating Gabi, String Quartet, Kung sa Iyong Gunita, Pandangguhan; (vocal music) Amihan, Awit ni Maria Clara, Larawan Nitong Pilipinas. | Antonio Molina |
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christine_