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English exam
| Term | Definition |
|---|---|
| Leo Tolstoy | After the Ball |
| Sophocles | Antigone |
| Stephen Crane | Do not weep, Maiden, For War is Kind |
| Jeanne and James Houston | Farewell to Manzanar |
| William Shakespeare | Julias Caesar |
| EE Cummings | look at this) |
| Tim Obrien | On the rainy river |
| Sir Thomas Malory | Sir Launcelot Du Lake |
| John Steinback | The acts of K. Arhur & his noble knights |
| Watt Whitman | The Artilleryman's Vision |
| Sir Thomas Malory | The Crowning of Arthur |
| Marion Zimmer Bradley | The mists of Avalon |
| Edgar Allen Poe | The Pit and the Pendulum |
| Bessie Head | The Prisoner who wore glasses |
| Guy De Maupassant | Two Friends |
| alliteration | the occurrence of the same letter or sound at the beginning of adjacent or closely connected words. |
| assonance | in poetry, the repetition of the sound of a vowel or diphthong in nonrhyming stressed syllables near enough to each other for the echo to be discernible (e.g., penitence, reticence ). |
| audience | the assembled spectators or listeners at a public event, such as a play, movie, concert, or meeting. |
| author's perspective | how the author feels about the subject |
| autobiography | an account of a person's life written by that person |
| bias | prejudice in favor of or against one thing, person, or group compared with another, usually in a way considered to be unfair. |
| biography | account of a person's life written by another person |
| characterization | the creation or construction of a fictional character. |
| Climax | the most intense, exciting, or important point of something; a culmination or apex. |
| external conflict | refer to the types of conflicts within literature that occur outside of the main character |
| internal conflict | a struggle within a person's mind over a problem or question. |
| connotation | an idea or feeling that a word invokes in addition to its literal or primary meaning. |
| consonance | the recurrence of similar sounds, especially consonants, in close proximity (chiefly as used in prosody). |
| couplet | two lines of verse, usually in the same meter and joined by rhyme, that form a unit. |
| denotation | the literal or primary meaning of a word, in contrast to the feelings or ideas that the word suggests. |
| dialect | a particular form of a language which is peculiar to a specific region or social group. |
| dynamic character | a character who undergoes some important change in the course of the story. |
| exposition | the background information on the characters and setting explained at the beginning of the story. |
| expository | writing that exposes facts. |
| falling action | everything that takes place immediately after the climax. |
| farce | a comic dramatic work using buffoonery and horseplay and typically including crude characterization and ludicrously improbable situations.` |
| foreshadowing | a warning or indication of (a future event). |
| free verse | poetry that does not rhyme or have a regular meter. |
| hyperbole | exaggerated statements or claims not meant to be taken literally. |
| imagery | visually descriptive or figurative language, especially in a literary work. |
| inference | a conclusion reached on the basis of evidence and reasoning. |
| memoir | a historical account or biography written from personal knowledge or special sources. |
| metaphor | a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. |
| monologue | a long speech by one actor in a play or movie, or as part of a theatrical or broadcast program. |
| mood | a temporary state of mind or feeling. |
| narrative poetry | a type of poem which tells a story. |
| onomatopoeia | the formation of a word from a sound associated with what is named (e.g. cuckoo, sizzle ) |
| personification | the attribution of a personal nature or human characteristics to something nonhuman, or the representation of an abstract quality in human form. |
| plot | the main events of a play, novel, movie, or similar work, devised and presented by the writer as an interrelated sequence. |
| omniscient | most open and flexible POV available to writers. |
| limited omniscient | when an author sticks closely to one character but remains in third person. |
| objective | the narrator reports the events that take place without knowing the motivations or thoughts of any of the characters |
| 1st person | the narrator is a person in the story, telling the story from their own point of view. |
| quatrain | a stanza of four lines, especially one having alternate rhymes. |
| rising action | a related series of incidents in a literary plot that build toward the point of greatest interest. |
| sarcasm | a literary device that uses irony to mock someone or something or convey contempt |
| sequence | the identification of the components of a story — the beginning, middle, and end — and also to the ability to retell the events within a given text in the order in which they occurred |
| setting | the time and place in which a story is told. |
| simile | a figure of speech that compares two unlike things using the words “like” or “as.” |
| sonnet | A 14-line poem with a variable rhyme scheme originating in Italy and brought to England by Sir Thomas Wyatt and Henry Howard, earl of Surrey in the 16th century |
| speaker | the voice of the poem, similar to a narrator in fiction |
| stanza | a division of a poem consisting of two or more lines arranged together as a unit. |
| static character | one that does not undergo important change in the course of the story, remaining essentially the same at the end |
| style | a manner of doing something. |
| summary | a brief statement or account of the main points of something. |
| symbol | an object, a person, a situation, or an action that has a literal meaning in a story but suggests or represents other meanings |
| theme | the main subject that is being discussed or described in a piece of writing, a movie, etc. |
| tone | the attitude that a character or narrator or author takes towards a given subject. |