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Stack #3796510
| Question | Answer |
|---|---|
| Who was NEVER a member of the Beatles? | Cliff Richards |
| "Beatlemania" refers to the | frenzy created by fans at the Beatles' live performances. |
| In the late 1950s and early 1960s, the British music industry was dominated by | large companies and major labels. |
| "Rock Island Line" as recorded by "Lonnie" Donegan is an example of | skiffle |
| The original name for the Beatles when they started as a skiffle band was | The Quarry Men |
| The Beatles were regular performers at which Liverpool venue? | the Cavern club |
| The Beatles' first song was released by Parlophone was | "Love Me Do" |
| Which other Beatles-type Liverpool band was managed by Brian Epstein? | Gerry and the Pacemakers |
| All of the following features classify "Tomorrow Never Knows" as a work of art EXCEPT | structural format found in American pop. |
| In the early years of the Rolling Stones, the group was led by | Brian Jones |
| The Animals' break in the music industry came after a UK tour with which musical act? | Chuck Berry |
| The Beatles were formed in which UK city? | Liverpool |
| The Beatles arrived in the United States in which year? | 1964 |
| The Animals were fronted by the powerful blues singing of | Eric Burdon |
| The early songs in the Rolling Stones' career were primarily | blues-inspired cover songs |
| The individual responsible for changing the image of the Rolling Stones was | Andrew Loog Oldham |
| Which song solidified the Rolling Stones' image as rock music's bad boys? | " (I Can't Get No) Satisfaction" |
| "Rave-ups" was/ were | improvisatory passages performed by the Yardbirds |
| All of the following were guitarists for the Yardbirds EXCEPT | John Mclaughlin |
| Georgie Fame and the Blue Flames featured which future Jimi Hendrix dummer? | Mitch Mitchell |
| The Kinks featured the songwriting of | Ray Davies |
| The Detours was the original name of which band? | the Who |
| All of the following are true regarding Mod culture EXCEPT that followers | wore leather jackets |
| From the perspective of American youth, the British invasion was centered on | nonmusical matter such as a band's image and its members' accents |
| The Beatles' first original song from their initial 1958 recording was | "That'll Be the Day." |
| The first Beatles song to break through to number one in the United States was | "I Want to Hold Your Hand." |
| The subject matter of the Beatles' "Eleanor Rigby" is | existential alienation |
| Peter Noone was the lead singer of which of the following British bands? | Herman's Hermits |
| The Rolling Stones were regulars at which of the following clubs? | the Crawdaddy Club |
| Who was responsible for songwriting for the Who? | Pete Townshend |
| Who was the host of a U.S. variety show on which the Beatles first appeared in 1964 | Ed Sullivan |
| The subject matter of the Beatles' "Norwegian Wood" is | a failed one-night stand |
| Graham Nash was a lead vocalist for which of the following groups? | the Holllies |
| The ________ style of music was made popular by Lonnie Donegan. | Skiffle |
| The song "Living Doll" was the only British record by ________ to cross over the Atlantic prior to 1964. | Cliff Richard |
| How did the Beatles hone their craft as performing musicians? | Live performances at Hamburg |
| Ringo Starr replaced ________ as the Beatles' drummer. | Pete Best |
| The music of folk musician ________ significantly influenced the lyrics written by the Beatles. | Bob Dylan |
| List two Manchester bands that were part of the British invasion. | Herman's Hermits, Freddy and the Dreamers |
| "Slowhand" was the nickname given to guitarist ________. | Eric Clapton |
| Jimmy Page's new band, ________, performed the remaining dates booked by the Yardbirds after the group disbanded. | Led Zeppelin |
| The ________ and the ________ were two British youth cultures of the 1960s that differed in lifestyle and appearance. | Mods, rockers |
| In the United States, why was the British invasion believed to be a fad? | Music was only one factor, image appearance, acts with accents |
| The name of the label that initially passed on the Beatles in 1962 was ________. | Decca |
| Explain two reasons why the Beatles decided to stop playing in public in 1966. | John Lennon controversial comments and tired from overwork |
| When the Rolling Stones stopped playing regularly at the Crawdaddy Club in 1963, which group took their place? | The Yardbirds |
| List three of the major record labels that were in Britain. | EMI, Decca, Phillips, Pye |
| Why did it take the Rolling Stones longer to catch on in the United States? | Their bad boy image |
| a British government-owned radio station | BBC |
| a venue in Hamburg, Germany, where the Beatles performed | Star CLub |
| a producer who worked with the Beatles | George Martin |
| the first film featuring the Beatles | A Hard Day's Night |
| a musical structure employed by the Beatles in songwriting | AABA |
| the lead vocalist for the Animals | Eric Burdon |
| the center of the UK blues revival | London |
| an early hit written by Mick Jagger and Keith Richards | "The Last Time" |
| the guitarist who replaced Eric Clapton in the Yardbirds | Jeff Beck |
| Bo Diddley song covered by the Yardbirds | " I'm a Man" |
| "Please Please Me" was the song that finally broke the Beatles into the American pop market in late 1963. | false |
| Initially, the Rolling Stones did NOT write their own music and preferred covering songs. | true |
| The Rolling Stones typically avoided AABA song forms that the Beatles frequently used. | true |
| The first Beatles hits in the United States were released on independent record labels. | true |
| Beatles-type bands included the Animals and the Yardbirds. | false |
| The Beatles played their last public concert at Yankee Stadium in 1966. | false |
| Both the Kinks and the Who represent bands that defy Stones-type and Beatles-type categorizations. | true |
| The Animals found popularity in the United States with the "Manchester sound." | false |
| The music from rock's first wave from the United States in the 1950s had only a small impact on British rock in the 1960s. | false |
| Even though British bands flooded the pop charts in the United States in the mid-1960s, American groups continued to have chart success after the British arrived. | true |
| The British had a long-standing infatuation with American folk and jazz that dated back to pre-World War II. | true |
| The group that was referred to as the anti-Beatles was the Yardbirds. | false |