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design test 3
| Question | Answer |
|---|---|
| a two-dimensional representation of form consisting of length and width, but not depth, is called | shape |
| what type of balance is created when the weight is positioned unequally from a center axis | asymmetrical balance |
| the 4 design principles are repetition, alternation, progression and | contrast |
| the arrangement of shapes, lines and ornamental effects to create an artistic whole is known as | design |
| the levels of observation used by designers for studying, catergorizing and communicating the reality around them in a common language | abstract |
| the symbol that will help you identify straight and curved lines, angles and directions is known as the | celestial axis |
| horizontal lines give the impression of | weigth |
| what terms refers to the visual perception of the reflection of light | color |
| adapting as a designer is all about | composing and personalizing |
| what is the term for any portion or part in relation to the whole | proportion |
| thinking as a designer is all about | analyzing, visualizing, and organizing |
| a series of connected points that can be straight, curved, or any combination | line |
| the design principle that refers to a gradual change in an ascending or descending scale is known as | progression |
| three primary colors | red, blue, and yellow |
| creating as a designer is all about | practicing and performing |
| colors that are neither warm or cool are referred to as | neutral |
| what lines are parallel to the horizon | horizontal |
| the visual appearance or feel of a surface that creates interest within a design is called | texture |
| what line is perpendicular to the horizon | vertical |
| what term identifies what you are observing in the basic level of observation | silhouette |
| seeing as a designer is all about | observing and connecting |
| the three major design elements | form, texture, and color |
| the state of equilibrium existing between contrasting, opposite or interacting elements refers to as | balance |
| a three-dimensional representation of shape is | form |
| when all units are identical except for position, the design principle is known as | repetition |
| the three major categories of forms and shapes are rectilinear, triangular and, | curvilinear |
| in which of the three levels of observation does the designer use qualitive analysis | detail |
| the design principles that refers to a sequential repetition in which two or more units occur in a repeating pattern is known as | alternation |
| which design principle refers to units that are opposite, creates variety and stimulates interest | contrast |
| clients in the casual clothing style category, like their clothing and environment to be comfortable | low maintenance |
| how should clients with protruding ears wear their hair if it is short | with volume and fullness around the sides |
| the standard proportion between the head and overall body height of a women that most artists use is | 1 to 7 |
| which face shape is most often elongated, with a narrower forehead and a wide jaw | pear |
| adding volume to the fringe area will visually shorten the length of the nose in which profile | convex |
| what actions should NOT be considered if the clients has a diamond face shape | adding width at the cheekbones |
| clients choosing which general clothing style have an eye for interesting detail, prefer short hair, wear small jewelry and enjoy wearing the latest looks | gamine |
| hairstyles for narrow shoulders should include design lines that imply all of the following descriptions EXCEPT | lines that create a V-shape |
| clients with this type of neck needs mass and fullness around the neck | long |
| the standard proportion between the head and overall body height of a man that most artists use is | 1 to 8 |
| place the volume either below the jawline or above the temple area with which face shape | round |
| tall and lanky clients generally need volume and/or | longer hair |
| which face shape is elongated and angular and its widest area is at the cheekbones | diamond |
| which of the following is true if the clients has a round face shape | add height to the crown |
| straight, convex, and concave are terms used in design for different types of what | profiles |
| to add softness to angular lines in the square face shape | ass curly texture and wisps of hair around the face |
| wearing a coordinated outfit would fall into which of the following clothing style categories | classic |
| three-sectioning is an effective way to measure the proportions of the | face |
| the front hairline and jawline are almost horizontal | squared face shape |
| what guidelines are true if a clients has a heart face shape | leave fullness at the nape |
| the six general clothing styles include natural, romantic, dramatic, gamine, classic, and | casual |
| clients with this type of neck should avoid volume at the neck | short |
| which clients need hair design with height and volume on top | short and sturdy |
| which face shape is long narrow and angular | ablong |
| the connect services essential involves putting clients at ease and building | rapport |
| the five sense that will ensure your clients salon visit is exceptionally memorable are sight, sound, smell, touch, and | taste |
| the four service essentials are connect, consult, create, and | complete |
| greeting the guest is an element of | connect |
| when introducing yourself to a client, use poised, calm movements to project confidence, and | competence |
| the technique that defines turning first-time clients into return clients us | prebooking |
Created by:
Brooke_Allyce