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Mus. Ch. 25 #1
| Question | Answer |
|---|---|
| General term for several romantic styles that succeed the dominance of German Romanticism and preceded the return of Classicism to the arts. | Post-Romanticism |
| Literary movement sharing the ideal of the Impressionists | Symbolism |
| Style of painting and music that avoids explicit statement, instead emphasizing suggesting and atmosphere | Impressionism |
| Indonesia percussion ensemble | Gamelan |
| Style inspired by primitive works of art and by the relaxed life of unsophisticated cultures | Primitivism |
| Highly emotional style in art that sought to express disturbed states of mind | Expressionism |
| Composers who sought entirely new means of music expression | Revolutionaries |
| Composers who found 20-21st century ways to adapt traditional music techniques | Evolutionaries |
| 3 styles that bridge turn of the 19th century to the 20th century: | Impressionism; Primitivism; Expressionism |
| Leader of the Post-Romantic composers | Richard Strauss |
| Richard Strauss was a fan of _______ and Wagner | Mozart |
| Symbolism represented______ in the 1860s anti-romantic movement that began in France | Literary |
| Impressionism represented ______ and ______ in the 1860s anti-romantic movement that began in France | Painting; Music |
| Symbolists and Impressionists were not ______ and their works reflected their personal ________ and perceptions of reality. | Objective; Observations |
| Impressionism Painter: | Monet |
| Impressionist painters liked to paint the ______. | Outdoors |
| First Impressionist musician | Claude Debussy |
| Style that Debussy liked that came from Indonesia orchestra | Gamelan |
| Gamelan used mostly _______ instruments (gongs, drums) with some wind and ______ instruments | Percussion; String |
| Gamelan instrument with metal keys suspended over a bonze or wooden frame and struck with a mallet | Metallophones |