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Makeup Ch 12
| Question | Answer |
|---|---|
| Out of all the colors in the universe, only 3 are pure; they are yellow, red, blue and referred to as primary colors | Law of color |
| When primary colors are mixed together in varying proportions they produce the 3 | Secondary colors: Orange, green, violet |
| Result of mixing primary colors with their neighboring secondary colors in varying proportions | Tertiary colors - 6 of them Yellow-orange; yellow-green; blue-green; blue-violet;red-violet; red-orange |
| A tool in which the 12 colors are positioned in a circle. Position on wheel demonstrates the relationship of each color to the primary colors | Color Wheel |
| Color schemes use colors that are directly across from each other on the color wheel in order to achieve the greatest amount of contrasts | Complementary color |
| Another term for color | Hue |
| Hue with white added | Tint |
| Hue with black added | Shade |
| The lightness or darkness of a color | Value |
| refers to the vibrancy of a color | Intensity |
| Refers to the warmth or coolness of a color | Tone |
| Warm colors contain | Red or yellow undertones |
| Cool colors contain | Blue undertones |
| Tones that are heighten warm nor cool are considered | Neutral |
| Color schemes use the same color with variations in value and intensity throughout the entire makeup design | Monochromatic |
| Color schemes use 3 colors that are adjacent to each other on the color wheel. These color combinations are often used for daytime makeup designs | Analogous |
| Color schemes use 3 colors located in a triangular position on the color wheel. Because this combination is more dramatic than monochromatic or analogous color schemes, designs using this are often used for more vibrant effects | Triadic |
| Face Shapes: | Oval Round Oblong Pear-shaped Square Heart Shaped Diamond |
| Also known as shading means to clean an outline, especially of a curving or irregular figure or shape. General rule, dark colors appear to recede, define and diminish the appearance of features or areas | Contouring |
| Dark colors appear to | Recede or diminish |
| Lighter colors will enhance features, making features or areas appear larger or more prominent | Highlighting |
| Highlighting the protruding bones can | Bring out these features |
| Contouring of the cavities or recessed areas can | Add depth to the face |
| Oily skin types usually look best when ______ are used | Powders |
| Dry skin types can benefit from the moisturizing properties found in | Liquid or creme foundations |
| Face that is the most symmetric and balanced. Width of face is approximately 3/4 its length and the eyes are perfectly spaced with he width of one eye between them | Oval Face |
| Face that is circular. Appears to be short and wide. Characterized by a rounded hairline and chin line. *To create a longer look, contouring is blended down from the cheekbone to the lower portion of the face to diminish the fullness of the jaw | Round Face |
| Face that tends to be long, narrow and angular. Can be visually shortened by applying deeper tones under the chin and horizontally at the hairline and temples. Horizontal lines should be emphasized whenever possible in eyebrow, cheek, and lip shape. | Oblong or Rectangular Face *Highlight can be used to add width when possible. Contour directly below the cheekbone can add dimension to the middle of the face |
| Face with narrow forehead and a wide jawline. Adding width to the forehead can be achieved with highlighting. Contouring can be used to reduce the width at the bottom of the face. Add shading directly to cheekbone and deepen the natural fullness of sides | Pear-Shaped Face |
| Face with broad, straight forehead and hairline, with a broad, square jawline. Shading the area directly below the cheekbones and blending toward the center of the jawline aids in reducing width | Square Face |
| Face with wider forehead and narrow jaw and chin line. Width across the forehead can be minimized by contouring or shading. While the jawline can be widened with highlighting. Due to the wideness of forehead, contouring along temples will reduce the width | Heart-Shaped Face |
| Face with predominant width through the cheekbones that is contrasted by a narrow forehead, chin, and jaw area. Width of cheekbones minimized with contouring. Highlight jaw and forehead. | Diamond-shaped face *Contouring is necessary to reduce the high points of the forehead and the extended portion of the chin to create balance |
| Face appears expressionless - brows | No Eyebrows |
| Appear dramatic and eyes seem close-set, depending on the position of brows - creates mean or angry facial expression | Thin, sculpted eyebrows |
| Brow shape with well-positioned arches helps create balance and symmetry while framing the eyes. Shape is suitable regardless of changing trends | Classic eyebrow |
| Brows-have an overall horizontal quality often with a slight downward slant toward the outside edge. Creates a sad,worried look. Often positioned too far apart | Horizontal eyebrows |
| Brows-cause the forehead to appear narrow because they are positioned higher up. Often very rounded, they create a surprised facial expression | Thin, High Eyebrows |
| Brows-heaviness, accentuate the qualities of the line and position in which they are created | Full eyebrows |
| Brows-Placed far apart, make the eyes appear farther apart and can make the forehead or brow seem wider | Placed Far Apart Brows |
| Brows-Generally have stray hairs and do not create a definaite line or effect. Grow naturally below the arch, making the eye area appear closed off | Natural eyebrows |
| Eyes-Require very little contouring, as they are more recessed. Light and bright shadows help to bring the recessed area forward. Eyeliners that are rich in color also add definition | Deep-Set Eyes |
| Eyes-Can be lifted by applying darker shadows and eyeliners that move in an upward motion away from the outer edges of the eyes. Eyeliner on the top and bottom should connect to lift drooping outer edges. Balancing the inner corners with deep shadow | Drooping eyes |
| Eyes-Classic shaped eyes, almond eyes can be enhanced by defining the natural shape with a smudgy eyeliner application over the entire upper and lower lids. Apply neutral shadow on the lids into the natural crease adds structure that enhances the eyes | Almond Eyes |
| Eyes-Wide set eyes appear deeper and closer together by concentrating & blending the shadows and eyeliners near the inner corners of the eyes, softly blend towards the bridge of the nose | Wide-set Eyes |
| Eyes-close set eyes can be drawn toward the outer area of the face by applying eyeliner to the outer edges of the top and bottom lids and extending the lines outward. Leave inner corners void of heavy color. Extend outer edges of eyebrows | Close-Set Eyes |
| Eyes-Benefit from brighter colors and soft shading of the upper and lower lids which help define the eyes without closing them off. Contouring above the natural eyelid crease to leave the eyelid free of shading creates an open spacious feeling | Small Eyes |
| Benefit from contouring the protruding lid. Lower lids and tops of lids can be lined with very deep eyeliner of the same color then connected at inner corners. Shadow then graded from card at lids to light as approach browbone. Blend in horizontal | Bulging Eyes |
| Enhanced by adding a deep eyeliner along the base of the lash line, where thickness increases toward the inner part of the eye. Neutral contour color to inner corners just above iris can create dimension | Asian Eyes |
| Enhanced by causing the fleshy areas of the upper lids to recede by using a medium shading color in the inner eye area. Color blended up to inner portion of the eyebrows. add contour to the outer portions of eyes and upper portion of hoods. | Hooded Eyes |
| Method of applying individual eyelashes is also known as | Tabbing |
| Makeup application is ______% art and _____% Science | 80%, 20% |
Created by:
Ingabrown