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Literary Techniques
English Vocabulary
Term | Definition |
---|---|
Allegory | A symbolic narrative in which the surface details imply a secondary meaning. |
Alliteration | The repetition of consonant sounds, especially at the beginning of words. |
Connotation | The associations called up by a word that goes beyond its dictionary meaning. |
Emotive Language | Words that describe feelings and emotions |
Enjambment | A run-on line of poetry in which logical and grammatical sense carries over from one line into the next |
Figurative language | A form of language use in which writers and speakers convey something other than the literal meaning of their words. |
Flashback | An interruption of a work's chronology to describe or present an incident that occurred prior to the main time frame of a work's action. |
Foreshadowing | Hints of what is to come in the action of a play or a story. |
Hyperbole | A figure of speech involving exaggeration. |
Image | A concrete representation of a sense impression, a feeling, or an idea. |
Imagery | The pattern of related comparative aspects of language, particularly of images, in a literary work. |
Irony | A contrast or discrepancy between what is said and what is meant or between what happens and what is expected to happen in life and in literature. |
Metaphor | A comparison between essentially unlike things |
Narrator | The voice and implied speaker of a fictional work, to be distinguished from the actual living author |
Onomatopoeia | The use of words to imitate the sounds they describe |
Personification | The endowment of inanimate objects or abstract concepts with animate or living qualities. |
Rhyme | The matching of final vowel or consonant sounds in two or more words. |
Rhythm | The recurrence of accent or stress in lines of verse. |
Simile | A figure of speech involving a comparison between unlike things using like, as, or as though |
Symbol | An object or action in a literary work that means more than itself, that stands for something beyond itself. |
Tone | The implied attitude of a writer toward the subject and characters of a work |