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Chapter 8 Paintings
| Question | Answer |
|---|---|
| Painting | The application of a pigment to a surface; a work of art created in this manner. |
| Vehicle | A liquid such as water or oil with which pigments are mixed for painting. |
| Mural | Image or images painted directly on a wall or intended to cover a wall completely - from muralis -Latin for “of a wall” |
| Fresco | A type of painting in which pigments are applied to a fresh, wet plaster surface or wall and thereby become part of the surface or wall -from Italian -for “fresh” |
| Fresco secco | Dry fresco; painting executed on dry plaster. Contrast with buon fresco. |
| Buon fresco | True fresco, executed on damp lime plaster. Contrast with fresco secco. |
| Encaustic | A method in painting in which the colors in wax medium are burned into a surface with hot irons. |
| Tempera | A kind of painting in which pigments are mixed with casein, size, or egg - particularly egg yolk - to create a dull finish. |
| Gesso | Plaster of Paris that is applied to a wooden or canvas support and used as a surface for painting or as the material for sculpture -from Italian -for “gypsum” |
| Oil Paint | Paint in which pigments are combined with an oil medium. |
| Impasto | Application of a medium such as oil. |
| Watercolor | A paint with a water medium. Watercolors are usually made by mixing pigments with a gum binder and thinning the mixture with water. |
| Aquarelle | A watercolor technique in which a transparent film of paint is applied to a white, absorbent surface. |
| Gouache | Watercolor paint that is made opaque by mixing pigments with a particular gum binder. |
| Gallery | A building or room in which works of art are displayed or sold; also a space referring to the business in which works of art are sold. |
| Collage | An assemblage of two-dimensional objects to create an image; works of art in which materials such as paper, cloth, and wood are pasted to a two-dimensional surface, such as a wooden panel or canvas - from coller - French for “to paste” |