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PLAYS & PLAYWRIGHTS
| Question | Answer |
|---|---|
| IT'S ALWAYS THE "AGE OF AQUARIUS" IN THIS MUSICAL THAT LETS THE SUN SHINE | HAIR |
| THE ORIGINAL RAN FOR 2 YEARS, BUT THE REVIVAL OF THIS ILLINOIS-SET MUSICAL HAD A 12-YEAR ANNIVERSARY PARTY IN 2008 | CHICAGO |
| THIS CLASSIC RODGERS & HAMMERSTEIN SHOW SET IN WWII POLYNESIA CAME BACK TO BROADWAY IN 2008 | SOUTH PACIFIC |
| IN THIS BROADWAY MUSICAL, JULIE ANDREWS GOT FRISKY SINGING ABOUT "THE LUSTY MONTH OF MAY" | CAMELOT |
| IN 2002, SALLY FIELD MADE HER BROADWAY DEBUT IN THIS PLAYWRIGHT'S "THE GOAT, OR WHO IS SYLVIA?" | EDWARD ALBEE |
| IN HIS BROADWAY DEBUT IN 2008, TERRANCE HOWARD WAS SOLID AS BRICK IN THIS TENNESSEE WILLIAMS PLAY | CAT ON A HOT TIN ROOF |
| PRINCESS FIONA IS A MAJOR CHARACTER IN THIS MUSICAL | SHREK |
| DOLLY PARTON WROTE THE MUSIC & LYRICS FOR THIS SHOW, BROADWAY-BOUND IN 2009 | 9 TO 5 |
| THIS MUSICAL, CO-WRITTEN BY A GUY NAMED BJORN, IS ABOUT A WEDDING ON A TINY GREEK ISLAND | MAMMA MIA! |
| IN 1942 THIS COMPOSER MET ALAN LERNER; THE NEXT YEAR, THE 2 OPENED THEIR FIRST BROADWAY SHOW | FREDERICK LOEWE |
| KATIE HOLMES MADE HER BROADWAY DEBUT IN A 2008 REVIVAL OF THIS PLAYWRIGHT'S "ALL MY SONS" | ARTHUR MILLER |
| ELTON JOHN WROTE THE MUSIC FOR THIS SHOW IN WHICH A WORKING-CLASS BRITISH LAD DREAMS OF BEING A BALLET DANCER | BILLY ELLIOT |
| MANY YOUNGSTERS ARRIVE IN GRAND CENTRAL STATION TO MAKE IT IN NEW YORK AND EXIT TO THIS STREET. YOU'RE GOING OUT A YOUNGSTER AND YOU'VE GOT TO COME BACK A STAR | 42ND STREET |
| THIS EXISTENTIALIST DRAMA CLOSED AFTER JUST A FEW WEEKS IN 1946, THUS DISPROVING ITS OWN TITLE | NO EXIT |
| WHEN "THE DIARY OF ANNE FRANK" DEBUTED IN 1955, DAVID LEVIN PLAYED THIS BOY WHO'S IN HIDING WITH ANNE | PETER |
| THIS TITLE LINE PRECEDES "REMEMBER ME TO HERALD SQUARE" | "GIVE MY REGARDS TO BROADWAY" |
| IN 1983 NOEL COWARD'S "PRIVATE LIVES" WAS REVIVED ON BROADWAY WITH THIS DIVORCED COUPLE PLAYING A DIVORCED COUPLE | ELIZABETH TAYLOR & RICHARD BURTON |
| MICHAEL DOUGLAS WON AN OSCAR FOR PRODUCING A FILM BASED ON THIS PLAY THAT HIS DAD KIRK HAD STARRED IN ON BROADWAY | ONE FLEW OVER THE CUCKOO'S NEST |
| RIFF, NIBBLES, AND OFFICER KRUPKE ARE CHARACTERS IN THIS PLAY | WEST SIDE STORY |
| INGA, FRAU BLUCHER, AND IGOR ARE CHARACTERS IN THIS PLAY | YOUNG FRANKENSTEIN |
| THE FRENCH TAUNTER, TIM THE ENCHANTER, AND CONCORDE ARE CHARACTERS IN THIS PLAY | SPAMALOT |
| PROFESSOR CALLAHAN & ELLE WOODS ARE CHARACTERS IN THIS PLAY | LEGALLY BLONDE |
| SQUEAKY FROME, LEE HARVEY OSWALD, AND LEON CZOLGOSZ ARE CHARACTERS IN THIS PLAY | ASSASSINS |
| SIERRA BOGGESS PLAYED CHRISTINE IN "PHANTOM" IN VEGAS BEFORE SHE SWAM ONTO BROADWAY AS THIS FISH-TAILED DISNEY HEROINE | THE LITTLE MERMAID (ARIEL) |
| THIS ONE-NAMED SINGER MADE HIS BROADWAY DEBUT IN "CHICAGO" IN 2006 | USHER |
| MAX CRUMM WON THE ROLE OF DANNY ZUKO IN THE REVIVAL OF THIS MUSICAL ON A TV REALITY SHOW | GREASE |
| MARIO LOPEZ KICKED UP HIS HEELS IN THIS HIT REVIVAL IN 2008 | A CHORUS LINE |
| IN 2007 THIS "LEAVE IT TO BEAVER" STAR TURNED 59 AND PLAYED WILBUR TURNBLAD IN "HAIRSPRAY" | JERRY MATHERS |
| A ROCKIN' BROADWAY MUSICAL ABOUT TEENS | SPRING AWAKENING |
| THIS MAY BE THE MOST FAMOUS AMERICAN MUSICAL SET IN RUSSIA | FIDDLER ON THE ROOF |
| IN "CURTAINS", IT'S CURTAINS FOR A LEADING LADY WHO ENDS UP DEAD IN THIS NEW ENGLAND CITY DURING A PRE-BROADWAY RUN | BOSTON |
| 4 BLUE-COLLAR GUYS WORK THEIR WAY UP FROM THE STREETS OF NEWARK TO THE HEIGHTS OF STARDOM IN THIS 2005 SMASH | JERSEY BOYS |
| WHEN WE FIRST MEET HORACE VANDERGELDER IN "HELLO, DOLLY!", HE'S IN THIS NY CITY AND FEELING A LITTLE "LOST" IN IT | YONKERS |
| THE UNDERGROUND LAIR IN WHICH THE PHANTOM LURKS IS BASED ON FACT; THERE REALLY IS A LAKE BENEATH THIS FAMOUS BUILDING | PARIS OPERA HOUSE |
| IN 1985 NEIL SIMON'S "BILOXI BLUES" PREMIERED ON BROADWAY AT THIS THEATER | NEIL SIMON THEATER |
| CAROL CHANNING LET PEARL BAILEY PLAY THIS PART IN 2 BROADWAY REVIVALS, BUT RETURNED IN 1995 | DOLLY |
| FOR A BALLET OR A BROADWAY PLAY, THIS PERSON CREATES AND ARRANGES THE DANCES | CHOREOGRAPHER |
| THE FRENCH PLAY "THE MADWOMAN OF" THIS PLACE INSPIRED JERRY HERMAN'S MUSICAL "DEAR WORLD" | CHAILLOT |
| THIS COMEDIENNE'S ONE-WOMAN SHOW MADE HER A STAR ON BROADWAY IN 1985 | WHOOPI GOLDBERG |
| THIS ENTERTAINMENT INDUSTRY ANTHEM WAS WRITTEN FOR THE BROADWAY MUSICAL "ANNIE GET YOUR GUN" | THERE'S NO BUSINESS LIKE SHOW BUSINESS |
| THIS "DIMINUTIVE" EDWARD ALBEE PLAY WAS FIRST PRODUCED ON BROADWAY IN 1964 | TINY ALICE |
| PRIVATE 4-YEAR WOMEN'S COLLEGE LOCATED AT 3009 BROADWAY IN MANHATTAN | BARNARD |
| THIS DANCER & CHOREOGRAPHER TURNED DIRECTOR FOR THE BROADWAY MUSICAL "REDHEAD", WHICH STARRED GWEN VERDON | BOB FOSSE |
| A 1903 BROADWAY MUSICAL VERSION OF "THE WIZARD OF OZ" FEATURED THIS FARM GIRL SINGING ABOUT MILKING COWS | DOROTHY |
| IN A 1941 FILM, HEDY LAMARR STARRED WITH LANA TURNER AND JUDY GARLAND AS 3 YOUNG WOMEN WHO JOIN THESE FABLED BROADWAY "FOLLIES" | ZIEGFIELD FOLLIES |
| THIS MARK TWAIN TALE ABOUT A RICH KID & A POOR KID WHO TRADE PLACES INSPIRED A MUSICAL THAT OPENED OFF BROADWAY IN 2002 | THE PRINCE & THE PAUPER |
| HE WAS A ROMAN ASSASSIN IN 2005'S "JULIUS CAESAR"; IN 2007, HE TAUGHT THE "GREAT DEBATORS" | DENZEL WASHINGTON |
| SHE WAS STILL MRS. TOM CRUISE WHEN SHE ENTERED "THE BLUE ROOM" ON STAGE BACK IN 1998 | NICOLE KIDMAN |
| THIS MAN OF MANY NAMES STARRED IN "A RAISIN IN THE SUN" IN 2004 | SEAN COMBS |
| IN 2003 HE WAS "WOLVERINE" ON SCREEN AND "THE BOY FROM OZ" ON STAGE | HUGH JACKMAN |
| HE STARRED IN "CUBA AND HIS TEDDY BEAR" IN 1986; IN 2000, HE'D DEAL WITH FOCKER ON SCREEN | ROBERT DENIRO |
| AT AGE 13, CHRISTIAN SLATER WAS ON BROADWAY PORTRAYING A YOUTHFUL VERSION OF THIS ARTHURIAN WIZARD | MERLIN |
| THE BRIGHT LIGHTS OF BROADWAY GIVE THE THEATRE DISTRICT THIS NICKNAME | THE GREAT WHITE WAY |
| 2 SNUGGLY, CUTE CHARACTERS IN "AVENUE Q" AREN'T CALLED THE "BAD NEWS" THESE, BUT THE "BAD IDEA" THESE | BEARS |
| MANY OF THIS JONATHAN LARSON MUSICAL'S FAMOUS FANS HAVE GONE BACKSTAGE TO ADD THEIR NAMES TO A LONG GRAFFITI WALL | RENT |
| IN 2007 FANTASIA TOOK OVER THE ROLE OF CELIE IN THE MUSICAL BASED ON THIS ALICE WALKER NOVEL | THE COLOR PURPLE |
| "SPRING AWAKENING" IS AN ALT-ROCK MUSICAL BASED ON AN 1891 PLAY THAT FRANK WEDEKIND ORIGINALLY WROTE IN THIS LANGUAGE | GERMAN |
| HUEY LEWIS, HARRY HAMELIN, AND GEORGE HAMILTON HAVE ALL BEEN TAPPED TO PLAY TAP-DANCING LAWYER BILLY FLYNN IN THIS MUSICAL | CHICAGO |
| THE MUSICAL "LES MISERABLES" DEBUTED IN THIS CITY, ITS SETTING | PARIS |
| IN 1940 THIS DUTCH ABSTRACT ARTIST MOVED TO NYC, WHICH INFLUENCED HIS MASTERPIECE "BROADWAY BOOGIE-WOOGIE" | PIET MONDRIAN |
| SHE PLAYED A LADY-IN-WAITING, NOT A FIRST LADY, IN THE BROADWAY MUSICAL "LUTE SONG" | NANCY REAGAN |
| BURGESS MEREDITH RE-CREATED HIS BROADWAY ROLE IN THIS 1936 FILM BASED ON A MAXWELL ANDERSON PLAY | WINTERSET |
| DONNA MEKECHNIE KICKED UP HER HEELS AS CASSIE IN THIS SHOW IN 1975; CHARLOTTE D'AMBOISE RECENTLY PLAYED THE PART | A CHORUS LINE |
| A CHARACTER KNOWN AS "MAN IN CHAIR" PLAYS THE LP OF A 1928 MUSICAL AND VOILA! IT COMES TO LIFE IN THIS "SLEEPY" HIT | THE DROWSEY CHAPERONE |
| HE MADE HIS DEBUT AS KATHERINE HEPBURN'S GRANDSON IN "A MATTER OF GRAVITY" BEFORE FLYING HIGH AS SUPERMAN | CHRISTOPHER REEVE |
| JOELY FISHER MADE HER DEBUT IN 1995 AS RIZZO IN THIS MUSICAL | GREASE |
| HE MADE HIS DEBUT STARRING OPPOSITE NATASHA RICHARDSON IN "ANNA CHRISTIE"; THEY WERE MARRIED SOON AFTER | LIAM NEESON |
| IN 2006 HIS 1935 PLAY, "AWAKE AND SING!" RETURNED TO BROADWAY | CLIFFORD ODETS |
| THE MASK FOR THIS LITTLE HERO OF "THE LION KING" WAS DESIGNED WITHOUT A LOWER JAW, LIKE A ROMAN HELMET | SIMBA |
| ALAN PAUL PLAYED A TEEN ANGEL IN THE ORIGINAL BROADWAY CAST OF THIS MUSICAL; FRANKIE AVALON DID IT ON FILM | GREASE |
| IN 1964 LOUIS ARMSTRONG TOPPED THE POP MUSIC CHARTS WITH THIS TITLE SONG FROM A BROADWAY MUSICAL | HELLO, DOLLY |
| THIS AFRICAN-AMERICAN SOPRANO SANG ON BROADWAY AND TV BEFORE HER OPERA STAGE DEBUT IN 1957 | LEONTYNE PRICE |
| "THE COLOR PURPLE" TAKES PLACE IN THIS SOUTHERN STATE AND IT PREMIERED THERE BEFORE IT CAME TO BROADWAY | GEORGIA |
| LAURENCE FISHBURNE PLAYED HENRY II IN THIS "LEONINE" PLAY | THE LION IN WINTER |
| TROUBLED PIANO PLAYER COALHOUSE WALKER IS A CHARACTER IN THIS MUSICAL BASED ON A NOVEL BY E.L. DOCTOROW | RAGTIME |
| FAMED FOR PLAYING FRASIER'S FATHER, THIS ACTOR CAME BACK TO BROADWAY IN 2007, IN "PRELUDE TO A KISS" | JOHN MAHONEY |
| "I DON'T KNOW HOW TO LOVE HIM, WHAT TO DO, HOW TO MOVE HIM" | JESUS CHRIST SUPERSTAR |
| "KISS TODAY GOODBYE AND POINT ME T'WARD TOMORROW, WE DID WHAT WE HAD TO DO" | A CHORUS LINE |
| "HIGH FLYING, ADORED, THAT'S GOOD TO HEAR BUT UNIMPORTANT...LOCAL GIRL MAKES GOOD WEDS FAMOUS MAN" | EVITA |
| "525,600 MINUTES...HOW DO YOU MEASURE, MEASURE A YEAR?" | RENT |
| "THE ACCURACY OF THE DREAMS WE BROTHERS DO NOT KNOW...ONE THING WE ARE SURE ABOUT THE DREAMER HAS TO GO" | JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT |
| LIKE A DOOR, A BROADWAY SHOW DOES THESE 2 THINGS | OPEN AND CLOSE |
| THIS COMPOSER'S "ANNIE GET YOUR GUN" PREMIERED ON BROADWAY MAY 16, 1946 | IRVING BERLIN |
| FANTINE, JAVERT, JEAN VALJEAN | LES MISERABLES |
| MRS. POTTS, BELLE, GASTON | BEAUTY & THE BEAST |
| BUSTOPHER JONES, OLD DEUTERONOMY, MISTOFFELEES | CATS |
| VELMA VON TUSSLE, TRACY TURNBLAD, CORNY COLLINS | HAIRSPRAY |
| MEMORIES OF WATERGATE INFUSE THE PLAY INSPIRED BY DAVID FROST'S 1977 INTERVIEW WITH THIS EX-PRESIDENT | NIXON |
| QUIRKY KIDS LIKE WILLIAM MORRIS BARFEE COMPETE IN "THE 25TH ANNUAL PUTNAM COUNTY" ONE OF THESE CONTESTS | SPELLING BEE |
| WHEN IN NYC, TAKE THE "BEHIND THE EMERALD CURTAIN" TOUR, A BEHIND-THE-SCENES LOOK AT THIS BEWITCHING MUSICAL | WICKED |
| ANGELA LANSBURY RETURNED TO B'WAY IN 2007 AS A FORMER CHAMPION IN THIS SPORT IN TERRANCE MCNALLY'S "DEUCE" | TENNIS |
| REVIVED IN 2007, IT'S ERIC BOGOSIAN'S PLAY ABOUT AN ACID-TONGUED TALK SHOW HOST | TALK RADIO |
| "GREY GARDENS" IS A MUSICAL ABOUT EDITH BOUVIER BEALE AND "LITTLE EDIE", ECCENTRIC RELATIVES OF THIS FIRST LADY | JACQUELINE KENNEDY |
| THE LADY OF THE LAKE AND THE KNIGHTS OF THE ROUND TABLE SING THE SHOWSTOPPING NUMBER "FIND YOUR GRAIL" IN THIS TONY-WINNING MUSICAL | SPAMALOT |
| "HERE HUGO AGAIN" QUIPPED PLAYBILL WHEN THIS LONG-RUNNING MUSICAL RETURNED TO BROADWAY IN 2006 | LES MISERABLES |
| THIS ACTOR WON THE TONY FOR PLAYING THE PHANTOM | MICHAEL CRAWFORD |
| "THE LADIES WHO LUNCH" LOVE THIS COMPOSER'S "COMPANY", WHICH BEGAN KEEPING COMPANY ON B'WAY AGAIN IN 2006 | STEPHEN SONDHEIM |
| AFTER MAKING A DEAL WITH THE DEVIL IN THIS 1968 FILM, JOHN CASSAVETES GETS A BROADWAY ROLE | ROSEMARY'S BABY |
| THIS DANCE NAMED FOR A CITY BECAME THE RAGE AFTER IT WAS FEATURED IN THE 1923 B'WAY MUSICAL "RUNNIN' WILD" | CHARLESTON |
| IN 1951 HE WAS "THE KING"; GERTRUDE LAWRENCE WAS THE "I" | YUL BRYNNER |
| IN 2002 THIS "NOTES ON A SCANDAL" DAME WENT "INTO THE WOODS" AS GIANT (WELL, HER RECORDED VOICE DID ANYWAY) | JUDI DENCH |
| IN 1968, BEFORE THE FORCE WAS WITH HIM, HE LANDED THE LEAD IN "THE GREAT WHITE HOPE" | JAMES EARL JONES |
| IN "CHICAGO", THIS DANCER IS VELMA'S RIVAL | ROXIE |
| IN 1948 HE WAS DRAFTED TO PLAY "MISTER ROBERTS" | HENRY FONDA |
| THE BROADWAY SHOW "CHARLY" WAS BASED ON THE JOURNALS IN THIS DANIEL KEYES NOVEL | FLOWERS FOR ALGERNON |
| IF YOU KNOW THE NAME FOR A GROUP OF LIONS, YOU CAN GUESS THE NAME OF THIS FAMOUS ROCK IN "THE LION KING" | PRIDE ROCK |
| BRECHT PLAY FEATURING MACK THE KNIFE | THE THREEPENNY OPERA |
| GASTON PLOTS TO KILL THE HULKING, HAIRY HERO OF THIS MUSICAL | BEAUTY & THE BEAST |
| THE SEXIEST MURDERESSES ON B'WAY HAVE BEEN STRUTTING THEIR STUFF IN THIS MUSICAL REVIVAL SINCE 1996 | CHICAGO |
| APPROPRIATELY, "DIRTY ROTTEN NUMBER" IS A SONG IN THIS CON MAN MUSICAL | DIRTY ROTTEN SCOUNDRELS |
| HOPE SPRINGS ETERNAL AS MAX & LEO SCHEME TO MAKE THIS GERMAN-THEMED SHOW A FLOP IN "THE PRODUCERS" | SPRINGTIME FOR HITLER |
| BRIAN F. O'BYRNE PLAYED THE PRIEST WHOM CHERRY JONES SUSPECTED OF IMPROPRIETIES IN THIS TONY-WINNING DRAMA | DOUBT |
| THIS STEPHEN SONDHEIM MUSICAL THAT GRACED B'WAY IN 1994 WAS BASED ON THE ITALIAN FILM "PASSIONE D'AMORE" | PASSION |
| HAL PRINCE TOOK HOME TONYS FOR PRODUCING & DIRECTING THIS 1966 JOEL GREY MUSICAL | CABARET |
| THIS 1957 URBAN MUSICAL FEATURED A COLLABORATION OF ROBBINS, BERNSTEIN, AND HAL PRINCE | WEST SIDE STORY |
| IN 1988, HAL PRINCE DIRECTED THIS MUSICAL SET IN 19TH-C. PARIS | THE PHANTOM OF THE OPERA |
| IN 1962 HAL PRINCE PRODUCED THIS COMEDY WITH CHARACTERS NAMED PSEUDOLUS, ERRONIUS, AND HYSTERIUM | A FUNNY THING HAPPENED ON THE WAY TO THE FORUM |
| HAL PRINCE PRODUCED THIS 1955 MUSICAL ABOUT A BIG WASHINGTON SENATORS FAN | DAMN YANKEES |
| "IMMIGRANT GOES TO AMERICA, MANY HELLOS IN AMERICA; NOBODY KNOWS IN AMERICA, PUERTO RICO'S IN AMERICA!" | WEST SIDE STORY |
| "HE HAD IT COMIN', HE HAD IT COMIN', HE ONLY HAD HIMSELF TO BLAME" | CHICAGO |
| "I CAN SMILE AT THE OLD DAYS, I WAS BEAUTIFUL THEN, I REMEMBER THE TIME I KNEW WHAT HAPPINESS WAS" | CATS |
| "WHATEVER LOLA WANTS, LOLA GETS, AND LITTLE MAN, LITTLE LOLA WANTS YOU" | DAMN YANKEES |
| "ALL I NEED IS ONE MORE TRY, GOTTA GET THAT KITE TO FLY" | YOU'RE A GOOD MAN, CHARLIE BROWN |
| IT'S NOT EASY FOR THIS "BEAUTY AND THE BEAST" HEROINE TO TRIP THE LIGHT FANTASTIC; HER BALL GOWN WEIGHS MORE THAN 40 POUNDS | BELLE |
| IN 2005 DENZEL WASHINGTON TOOK A STAB AT THIS ROLE IN "JULIUS CAESAR" | BRUTUS |
| "HAIRSPRAY" IS SET IN THIS MARYLAND CITY THAT JOHN WATERS CALLED "THE HAIRDO CAPITAL OF THE WORLD" | BALTIMORE |
| A 2007 TV REALITY SHOW LETS VIEWERS PICK THE NEW SANDY AND DANNY FOR THE REVIVAL OF THIS MUSICAL | GREASE |
| "THE SOUND OF MUSIC" JUST WOULDN'T BE THE SAME WITHOUT THE SOUND OF THIS BROADWAY DUO'S MUSIC AND LYRICS | RODGERS & HAMMERSTEIN |
| THE VILLAGE VOICE SPONSERS THE OBIES FOR THESE PRODUCTIONS | OFF-BROADWAY |
| HIS FIRST B'WAY PLAY, "THE MAN WHO HAD ALL THE LUCK", HAD NONE, CLOSING AFTER 4 SHOWS IN 1944; IT WAS FAR FROM HIS LAST PLAY | ARTHUR MILLER |
| THEATERS IN THE DISTRICT NAMED FOR THIS NYC ROAD INCREASED FROM ABOUT 20 IN 1900 TO AN ALL-TIME HIGH OF 80 IN 1925 | BROADWAY |
| "JERSEY BOYS" TELLS THE RAGS-TO-ROCK-TO-RICHES STORY OF THIS LEGENDARY GROUP | THE FOUR SEASONS |
| MUSICAL THAT OPENS WITH THE SONG, "NO ONE MOURNS THE WICKED" | WICKED |
| THIS WOMAN SAYS, "THE COLOR PURPLE" CHANGED HER LIFE; SHE LOVED THE NOVEL, ACTED IN THE FILM, AND IS ONE OF THE PRODUCERS OF THE BROADWAY MUSICAL | OPRAH WINFREY |
| CALLING ALL SWINGERS, YOU'LL GO APE OVER THIS MUSICAL | TARZAN |
| THIS PLAY HAS BEEN A REAL TEASE SINCE 2002 | HAIRSPRAY |
| "A CHORUS LINE" IS "ONE SINGULAR SENSATION" AGAIN ON B'WAY WITH THE MUSIC OF THIS TONY-WINNING COMPOSER | MARVIN HAMLISCH |
| "DANCING QUEEN" IS ONE OF MANY HIT SONGS IN "MAMMA MIA!" THAT WERE ORIGINALLY MADE FAMOUS BY THIS SWEDISH GROUP | ABBA |
| THE MUSICAL ABOUT A FLYING NANNY | MARY POPPINS |
| "WICKED" IS BASED ON A MODERN NOVEL INSPIRED BY THIS CLASSIC | THE WIZARD OF OZ |
| THIS MUSICAL ABOUT 18 DANCERS TRYING OUT FOR 8 SPOTS IN A BROADWAY SHOW ENDED ITS ORIGINAL 15-YEAR BROADWAY RUN IN 1990 | A CHORUS LINE |
| JANE SINGS "WAITING FOR THIS MOMENT" IN THIS SWINGING DISNEY MUSICAL THAT OPENED ON BROADWAY IN 2006 | TARZAN |
| IN 1966 THIS EX-WIFE OF LAURENCE OLIVIER APPEARED ON BROADWAY FOR THE LAST TIME, AS JOHN GIELGUD'S WIFE IN "IVANOV" | VIVIAN LEIGH |
| THERE'S NO BUSINESS LIKE SHOW BUSINESS AND AFTER HER DEATH IN 1984, HER ASHES MADE A FINAL APPEARANCE ON BROADWAY | ETHEL MERMAN |
| "SPAMALOT" TAKES PLACE IN THE YEAR 932 A.D. IN THIS COUNTRY | ENGLAND |
| THE PIAZZA WHERE THE YOUNG LOVERS MEET IN "THE LIGHT IN THE PIAZZA" IS IN THIS ROMANTIC CITY ON THE ARNO | FLORENCE |
| "BEAUTY & THE BEAST" TAKES PLACE IN AND AROUND A QUIET PROVINCIAL VILLAGE IN THIS COUNTRY | FRANCE |
| LIKE "THE MUSIC MAN", "THE PAJAMA GAME" TAKES PLACE IN THIS U.S. STATE | IOWA |
| COME & SIT FOR A SPELL AT "THE 25TH ANNUAL" SPELLING BEE IN THIS TITLE COUNTY | PUTNAM |
| IT WAS TEMPTING TO GO SHOELESS TO THE 2006 REVIVAL OF THIS NEIL SIMON COMEDY ABOUT NEWLYWEDS | BAREFOOT IN THE PARK |
| A REAL ACCIDENT AT THE PARIS OPERA HOUSE IN 1896 INSPIRED THE FAMOUS FALLING CHANDELIER IN THIS MUSICAL | THE PHANTOM OF THE OPERA |
| THERE ARE GORY GOINGS-ON IN "THE LIEUTENANT OF INISHMORE", A BLACK COMEDY SET IN THIS COUNTRY'S ARAN ISLANDS | IRELAND |
| HARRY CONNICK, JR. DONNED SLEEPWEAR FOR THE 2006 REVIVAL OF THIS HIT MUSICAL | THE PAJAMA GAME |
| WHEN NYC WAS A DUTCH SETTLEMENT, THIS STREET GOT ITS NAME BECAUSE IT WAS A WIDE THOROUGHFARE FOR WAGONS | BROADWAY |
| TONY DANZA'S ROLE OF ROCKY IN THIS MAN'S "THE ICEMAN COMETH" IN 1999 WON HIM SOME BROADWAY RAVES | EUGENE O'NEILL |
| IN "SOUTH PACIFIC" NELLIE FORBUSH SINGS THAT SHE'S "A COCK-EYED" ONE OF THESE | AN OPTIMIST |
| THIS SONG FROM "FIDDLER ON THE ROOF" BEGINS, "IS THIS THE LITTLE GIRL I CARRIED? IS THIS THE LITTLE BOY AT PLAY?" | SUNRISE, SUNSET |
| "ISN'T IT RICH? ARE WE A PAIR? ME HERE AT LAST ON THE GROUND, YOU IN MID-AIR" | SEND IN THE CLOWNS |
| "CLIMB EVERY MOUNTAIN, FORD EV'RY STREAM, FOLLOW EV'RY RAINBOW, TILL YOU FIND" THIS | YOUR DREAM |
| "GETTING TO KNOW YOU, PUTTING IT MY WAY, BUT NICELY, YOU ARE PRECISELY" THIS | MY CUP OF TEA |
| "RED LIGHT WINTER" CENTERS ON A LOVE TRIANGLE THAT BEGINS IN THE FAMOUS RED LIGHT DISTRICT OF THIS EUROPEAN CITY | AMSTERDAM |
| WE'D LIKE TO "ENLIGHTEN" YOU ABOUT THE MUSICAL "SIDD"; IT'S BASED ON THIS NOVEL | SIDDHARTHA |
| A NAUGHTY 18TH-C. NOVEL ORIGINALLY TITLED "MEMOIRS OF A WOMAN OF PLEASURE" INSPIRED THE 2006 MUSICAL NAMED FOR HER | FANNY HILL |
| IN 2006 THE CAST OF THIS LONG-RUNNING HIT EMBARKED ON AN EXUBERANT & NOISY CAMPAIGN TO CLEAN UP NYC | STOMP |
| THIS OPERA COMPANY'S HOME WAS ORIGINALLY ON BROADWAY AT 39TH ST.; IT MOVED TO LINCOLN CENTER IN 1966 | METROPOLITAN OPERA |
| NEIL SIMON'S BROTHER DANNY ROOMED WITH A FRIEND AFTER A DIVORCE, INSPIRING A BROADWAY HIT AND THIS SITCOM | THE ODD COUPLE |
| WHEN TOM HEWITT PLAYED THIS VAMPIRE IN A 2004 MUSICAL, HE HAD TO GET OVER A BIG FEAR; NOT OF GARLIC, BUT OF FLYING | DRACULA |
| SOME OF THE REVELLERS ARE REAL DUMMIES IN THE "PHANTOM OF THE OPERA" SCENE SET AT THIS 10-LETTER TYPE OF PARTY | MASQUERADE |
| ACCORDING TO HER DAUGHTER, MARLENE DIETRICH SECRETLY ROMANCED THIS MAN BETWEEN MATINEES & EVENING SHOWS OF "THE KING & I" | YUL BRYNNER |
| BROADWAY BUFFS KNOW THAT THEATERS ALWAYS KEEP THIS SPECTRAL ILLUMINATION BURNING | GHOST LIGHT |
| HE WALKED OPRAH WINFREY TO THE OPENING OF "THE COLOR PURPLE" | DAVID LETTERMAN |
| "TALE AS OLD AS TIME/TRUE AS IT CAN BE..." | BEAUTY & THE BEAST |
| "BIG GIRLS DON'T CRY" IS A FOUR SEASONS' HIT FROM THIS MUSICAL | THE JERSEY BOYS |
| THE CREATORS OF "SPAMALOT" PROUDLY PROCLAIM THAT IT IS "LOVINGLY RIPPED OFF" FROM THIS BE-KNIGHTED BRITISH FILM | MONTY PYTHON AND THE HOLY GRAIL |
| IN 2000 SHE RETURNED TO BROADWAY TO AGAIN "SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE" | LILY TOMLIN |
| FRANCES FARMER HAD A DISASTROUS AFFAIR WITH THIS PLAYWRIGHT WHILE APPEARING ON BROADWAY IN HIS PLAY "GOLDEN BOY" | CLIFFORD ODETS |
| IN 2004 HE WON AN OSCAR FOR "MYSTIC RIVER" AND APPEARED OFF-BROADWAY IN HIS OWN PLAY "EMBEDDED" | TIM ROBBINS |
| SHE WAS 13 WHEN SHE BECAME BROADWAY'S ORIGINAL "ANNIE" IN 1977 | ANDREA MCARDLE |
| "IMAGINE" 9 DIFFERENT ACTORS PLAYING THIS MAN AND SINGING HIS SONGS AND YOU'VE GOT THE 2005 MUSICAL NAMED FOR HIM | LENNON |
| THIS "FRASIER" CO-STAR APPEARED KNIGHTLY AS SIR ROBIN IN "MONTY PYTHON'S SPAMALOT" | DAVID HYDE PIERCE |
| "THE LIGHT IN THE PIAZZA" FEATURES A TONY-WINNING SCORE BY ADAM GUETTEL, GRANDSON OF THIS "CAROUSEL" COMPOSER | RICHARD RODGERS |
| ANDREW LLOYD WEBBER'S NEW MUSICAL IS CALLED "THE WOMAN IN WHITE" AND IS BASED ON A 19TH-C. NOVEL BY THIS AUTHOR OF "THE MOONSTONE" | WILKIE COLLINS |
| ALBIN SINGS "A LITTLE MORE MASCARA" WHILE TRANSFORMING HIMSELF INTO ZAZA IN THIS JERRY HERMAN MUSICAL | LA CAGE AUX FOLIES |
| IN 1996 HE WAS "LIVIN'S LA VIDA LOCA" ON BROADWAY, PLAYING MARIUS IN "LES MISERABLES" | RICKY MARTIN |
| THIS TROUBLED CHARACTER IN "AVENUE Q" HAS THE SAME NAME AS AN IVY LEAGUE UNIVERSITY | PRINCETON |
| JULIE TAYMOR AND MICHAEL CURRY DESIGNED PUPPETS LIKE ZAZU FOR THIS 1998 TONY-WINNING MUSICAL | THE LION KING |
| RAFREAKY THE BABOON AND A 30-YEAR-OLD ANNIE HAVE APPEARED IN THIS NYC THEATER SPOOF THAT DEBUTED IN 1982 | FORBIDDEN BROADWAY |
| THESE CARAMEL CANDIES DEBUTED IN 1935, LONG BEFORE ANN MILLER'S BROADWAY MUSICAL OF THE SAME NAME | SUGAR BABIES |
| "45 SECONDS FROM BROADWAY" IS A PLAY BY THIS MAN | NEIL SIMON |
| THE TITLE OF A CLASSIC CHRISTMAS FILM, REFERS TO MACY'S LOCATION ON HERALD SQUARE AT THE INTERSECTION OF BROADWAY AND THIS STREET | 34TH |
| THE TIMES SQUARE SUBWAY STATION IS BETWEEN BROADWAY AND 7TH AVENUE ON THIS ROAD, ALSO THE NAME OF A HIT BROADWAY MUSICAL | 42ND ST |
| THURBER JOINED THE CAST AS HIMSELF FOR 88 PERFORMANCES OF THE BROADWAY PLAY "A THURBER" THIS | CARNIVAL |
| THE VERDICT IS IN : A DOZEN UNNAMED & NOTABLY INDIGNANT JURORS GAVE THIS DRAMA ITS TITLE | 12 ANGRY MEN |
| THE PHANTOM OF THE OPERA CALLS CHRISTINE A LITTLE VIPER WHEN SHE DOES THIS TO HIM IN HIS UNDERGROUND LAIR | SHE UNMASKS HIM |
| A FLAME DEVICE THAT USES LIQUID BUTANE IS PART OF THIS "BEAUTY & THE BEAST" CHARACTER'S COSTUME | LUMIERE |
| THIS MUSICAL FEATURES VAUDEVILLE CUTIE BABY JUNE, WHO, IN REAL LIFE, GREW UP TO BE ACTRESS JUNE HAVOC | GYPSY |
| THE NAME "ELPHABA", THE LEADING CHARACTER IN "WICKED", IS DERIVED FROM THE INITIALS OF THIS FAMOUS AUTHOR | L. FRANK BAUM |
| HALF A CENTURY AGO, THIS "60 MINUTES" ICON WAS STARRING ON BROADWAY IN THE 1954 COMEDY "RECLINING FIGURE" | MIKE WALLACE |
| THIS STAR OF "WHOSE LINE IS IT ANYWAY" HAD TO LEARN SOME NEW LINES TO PLAY BILLY FLYNN IN "CHICAGO" IN 2004 | WAYNE BRADY |
| TIM CURRY AND DAVID HYDE PIERCE STARRED IN THIS MONTY PYTHON INSPIRED SHOW | SPAMALOT |
| AN OFF-BROADWAY HIT IN 1987 AND THEN A FILM, THIS PLAY SET IN A LOUISIANA BEAUTY PARLOR FINALLY BLOSSOMED ON BROADWAY IN 2005 | STEEL MAGNOLIAS |
| IN THE B'WAY HIT "AVENUE Q", NICKY SINGS ABOUT THIS GERMAN WORD THAT MEANS HAPPINESS AT THE MISFORTUNE OF OTHERS | SCHADENFREUDE |
| HIS FIRST PLAY WAS "THE ZOO STORY" | EDWARD ALBEE |
| "WHO'S AFRAID OF VIRGINIA WOOLF?" WAS WRITTEN BY ... | EDWARD ALBEE |
| MORE THAN 2,000 YEARS AFTER THIS ARISTOPHANES COMEDY DEBUTED IN ATHENS, A MUSICAL VERSION HOPPED ONTO BROADWAY | THE FROGS |
| SHUBERT ALLEY IS THE SETTING FOR BOTH THE OPENING AND CLOSING SCENES OF THIS SMASH HIT THAT DEBUTED IN 2001 | THE PRODUCERS |
| THE CAST OF "WICKED" SINGS ABOUT SPENDING ONE SHORT DAY IN THIS PLACE, A MAJOR METROPOLIS IN THE LAND OF OZ | THE EMERALD CITY |
| ACT 1, SCENE 1, OF THIS SONDHEIM MUSICAL INTRODUCES US TO "NIPPON : THE FLOATING KINGDOM" | PACIFIC OVERTURES |
| BROADWAY MUSICAL ABOUT CHARLEMAGNE'S SON | PIPPIN |
| THE CARNEGIE DELI IS THE LOCATION WHERE SEVERAL COMICS REMEMBER THIS DISMAL FAILURE OF A MANAGER IN A 1984 MOVIE | BROADWAY DANNY ROSE |
| COSTUME DESIGNERS WIN AWARDS NAMED FOR IRENE SHARAFF, WHO DESIGNED JET & SHARK COSTUMES FOR THIS 1957 MUSICAL | WEST SIDE STORY |
| PAUL HUNTLEY IS B'WAY'S MASTER OF THESE; YOU MIGHT FLIP YOURS OVER THE ONES HE DESIGNED FOR "HAIRSPRAY" | WIGS |
| THE NEW AMSTERDAM THEATRE IS A FINE EXAMPLE OF THIS ART STYLE THAT FEATURES VINES, FLOWERS, AND FLOWING HAIR | ART NOUVEAU |
| PETER FOY REVOLUTIONIZED STAGE FLYING WITH THE "INTER-RELATED PENDULUM" HE DESIGNED FOR THIS 1954 MUSICAL | PETER PAN |
| THE DRAMA BOOK SHOP MOVED FROM THIS SQUARE TO W.40TH ST. IN 2001 | TIMES SQUARE |
| THESE PROGRAMS HAVE BEEN GIVEN OUT IN BROADWAY THEATERS SINCE 1884 | PLAYBILL |
| IN 2004 ALFRED MOLINA STARRED IN THE FOURTH BROADWAY REVIVAL OF THIS MUSICAL | FIDDLER ON THE ROOF |
| ON A BROADWAY MUSICAL'S OPENING NIGHT, THE GYPSY ROBE IS PRESENTED TO A CHORUS MEMBER BY THIS ACTOR'S UNION | EQUITY |
| BROADWAY'S LIGHTS ARE DIMMED TO HONOR LATE, GREAT LUMINARIES, SUCH AS THIS LYRICIST PARTNER OF JOHN KANDER | FRED EBB |
| THIS SINGER WHO'S THE VOICE OF TV'S "KIM POSSIBLE", WAS THE BEAUTY IN "BEAUTY & THE BEAST" IN 2004 | CHRISTY CARLSON ROMANO |
| R&B SENSATION DEBORAH A. COX REIGNED ON BROADWAY IN 2004 AS THIS TITLE AFRICAN PRINCESS | AIDA |
| A BROADWAY ACTRESS FOR DECADES, SHE ALSO PLAYED "WEEZIE" ON "THE JEFFERSONS" | ISABEL SANFORD |
| WALTER WINCHELL & GEORGE M. COHAN HAVE EACH BEEN CALLED THE "KING" OF THIS THOROUGHFARE | BROADWAY |
| FITTINGLY, O.J. GUDE, WHO DESIGNED MANY TIMES SQUARE ELECTRIC SIGNS, COINED THIS TERM FOR BROADWAY | THE GREAT WHITE WAY |
| THE FIRST ACT OF THIS EVER-POPULAR MUSICAL ENDS WITH A RESOUDING CRASH | THE PHANTOM OF THE OPERA |
| HIS NOVEL ABOUT THE EARLY YEARS OF THE WITCHES OF OZ INSPIRED "WICKED" | GREGORY MAGUIRE |
| SHE WAS THE FIRST WOMAN TO WIN A TONY FOR BEST DIRECTOR OF A MUSICAL WHEN SHE WON IN 1998 FOR "THE LION KING" | JULIE TAYMOR |
| IN "THE PRODUCERS" ZERO MOSTEL PLAYED THIS MAN ON FILM; NATHAN LANE AND BRAD OSCAR HAVE PLAYED HIM ON BROADWAY | MAX BIALYSTOCK |
| THIS DAIRYMAN PONDERS WHAT IT WOULD BE LIKE "IF I WERE A RICH MAN" | TEVYE |
| THIS INSPECTOR RELENTLESSLY PURSUES LE MISERABLE JEAN VALJEAN | JAVERT |
| THIS "BEAUTY & THE BEAST" CHARACTER IS AN ENCHANTED CANDLESTICK PLAYED BY PETER FLYNN | LUMIERE |
| MARTIN DYSART PSYCHOANALYZES A BOY WHO'S BEEN RE-CREATING THE CENTAUR MYTH IN THIS DRAMA | EQUUS |
| DON QUIXOTE, THE "MAN OF LA MANCHA", WORSHIPS HER AS "DUNCINEA" | ALDONZA |
| IT'S A MEMORABLE MOMENT IN "THE LION KING" WHEN THIS BABY LION CUB IS PRESENTED TO THE WORLD ATOP PRIDE ROCK. | SIMBA |
| EDDIE FISHER HAD A BIT ROLE AS A STAGE MANAGER IN THIS BETTE DAVIS FILM ABOUT A BROADWAY STAR AND HER YOUNG RIVAL | ALL ABOUT EVE |
| THIS PLAYWRIGHT'S "THE SISTERS ROSENSWEIG" OPENED OFF-BROADWAY IN 1992 | WENDY WASSERSTEIN |
| IN 1985 THIS PLAYWRIGHT'S "REQUEIM FOR A HEAVYWEIGHT" CAME TO BROADWAY STARRING JOHN LITHGOW | ROD SERLING |
| IN 1948 HE HAD 3 PLAYS ON BROADWAY: "JOHN BULL'S OTHER ISLAND", "YOU NEVER CAN TELL", AND "MAN & SUPERMAN" | GEORGE BERNARD SHAW |
| MARILYN McCOO SANG THE CLASSIC SONG "BILL" WHEN SHE MADE HER BROADWAY DEBUT AS JULIE IN THIS REVIVAL IN 1995 | SHOW BOAT |
| THIS "DRIVING MISS DAISY" STAR WAS THE ORIGINAL BLANCHE DUBOIS IN "A STREETCAR NAMED DESIRE" ON BROADWAY | JESSICA TANDY |
| IN 1996 SARAH JESSICA PARKER JOINED MATTHEW BRODERICK IN THE CAST OF THIS HIT MUSICAL | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING |
| THE ORIGINAL ANITA IN BROADWAY'S "WEST SIDE STORY", SHE LATER TURNED INTO A "SPIDER WOMAN" | CHITA RIVERA |
| TENNESSEE WILLIAMS BROKE ONTO BROADWAY IN 1945 WITH THIS PLAY WITH A "BREAKABLE" TITLE | THE GLASS MENAGERIE |
| IN 1988 THIS DAVID HENRY HWANG PLAY DEBUTED ON BROADWAY | M. BUTTERFLY |
| HER 1984 ONE-WOMAN SHOW MADE HER A BROADWAY STAR AND SHE'S GIVEN US "COMIC RELIEF" EVER SINCE | WHOOPI GOLDBERG |
| EDDIE RICKENBACKER SCATTERED THIS "GUYS & DOLLS" AUTHOR'S ASHES OVER BROADWAY | DAMON RUNYON |
| A 1996 PRODUCTION OF "BURIED CHILD" MARKED THIS PLAYWRIGHT'S FIRST BROADWAY SHOW AFTER 3 DECADES IN THE THEATER | SAM SHEPARD |
| HE PLAYED MALCOLM X IN "WHEN THE CHICKENS COME HOME TO ROOST" ON BROADWAY AND IN A 1992 FILM | DENZEL WASHINGTON |
| LEN CARIOU, BROADWAY'S ORIGINAL SWEENEY TODD, PLAYS THIS AUTHOR IN THE ONE-MAN SHOW "PAPA" | ERNEST HEMINGWAY |
| GARBO SPOKE THE IMMORTAL WORDS "I WANT TO BE ALONE" IN THIS 1932 FILM THAT BECAME A 1989 BROADWAY MUSICAL | GRAND HOTEL |
| HIS PLAY "BUS STOP" WAS REVIVED ON BROADWAY IN 1996 | INGE |
| ALTHOUGH HIS 1975 PLAY "SEASCAPE" HAD ONLY A BRIEF BROADWAY RUN, IT WON THE PULITZER PRIZE FOR DRAMA | EDWARD ALBEE |
| BROADWAY COMPOSER WHOSE WEBSITE NAME IS "REALLY USEFUL" | ANDREW LLOYD WEBBER |
| MIKE NICHOLS DIRECTED THE ORIGINAL PRODUCTION OF THIS PLAYWRIGHT'S "PLAZA SUITE" | NEIL SIMON |
| IN 1995 SHE REPRISED HER ROLE OF VICTOR/VICTORIA FOR THE B'WAY STAGE | JULIE ANDREWS |
| THE PLAY "LITTLE JOHNNY JONES" INTRODUCED HIS "GIVE MY REGARDS TO BROADWAY" | GEORGE M. COHAN |
| FOR 15 YEARS, 1946-1961, THIS SHOW SET IN INDIAN TERRITORY WAS BROADWAY'S LONGEST-RUNNING MUSICAL | OKLAHOMA! |
| HE PLAYED JIMMY SHINE ON B'WAY IN 1968, THE YEAR AFTER HE PLAYED "THE GRADUATE" ON FILM | DUSTIN HOFFMAN |
| MUSICAL BASED ON A NIKOS KAZANTZAKIS BOOK | ZORBA THE GREEK |
| BASED ON THE FILM "THE APARTMENT", THIS BURT BACHARACH-HAL DAVID MUSICAL OPENED IN 1968 | PROMISES, PROMISES |
| "IN SHORT, THERE'S SIMPLY NOT, A MORE CONGENIAL SPOT FOR HAPPILY EVER AFTERING THAN HERE IN" THIS PLACE | CAMELOT |
| IN A JERRY HERMAN SONG, THIS WOMAN'S NAME FOLLOWS "YOU CHARM THE HUSK RIGHT OFF THE CORN" | MAME |
| "TRACK DOWN THIS MURDERER" IS SUNG NEAR THE END OF THIS ANDREW LLOYD WEBBER MUSICAL | THE PHANTOM OF THE OPERA |
| IN A SONG FROM "OKLAHOMA!", THIS TITLE LINE FOLLOWS, "SWEETHEART, THEY'RE SUSPECTING THINGS" | PEOPLE WILL SAY WE'RE IN LOVE |
| THE 2 MEN WHO WROTE THE LYRICS FOR THE SONGS IN "WEST SIDE STORY" | SONDHEIM & BERNSTEIN |
| IN THIS 1936 FILM, HUMPHREY BOGART RECREATED HIS BROADWAY ROLE AS GANGSTER DUKE MANTEE | THE PETRIFIED FOREST |
| THIS RODGERS & HAMMERSTEIN MUSICAL OPENED ON BROADWAY ON "SOME ENCHANTED EVENING" IN 1949 | SOUTH PACIFIC |
| THEATRE WORLD SAID THIS 1960 MUSICAL ABOUT KING ARTHUR "COULDN'T TOUCH 'MY FAIR LADY'" | CAMELOT |
| DIANE KEATON PLAYED A WAITRESS AND A PARENT IN THIS "AMERICAN TRIBAL-LOVE ROCK MUSICAL" | HAIR |
| THIS MUSICAL WITH ROBERT MORSE OPENED IN 1961 AND CLOSED IN 1965 AFTER 1,415 PERFORMANCES | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING |
| "SLAUGHTER ON ..." THIS AVENUE BY BALANCHINE WENT FROM BROADWAY TO THE NYC BALLET REPERTORY | 10TH AVENUE |
| THE ORIGINAL BROADWAY CAST OF THIS PLAY INCLUDED WALTER MATTHAU AND ART CARNEY | THE ODD COUPLE |
| DOGPATCH IS ALMOST HIT BY AN ATOM BOMB IN THIS 1956 MUSICAL | L'IL ABNER |
| THE MUSICAL "FIVE GUYS NAMED" THIS WAS INSPIRED BY JAZZMAN LOUIS JORDAN, NOT BY THE THREE STOOGES | MOE |
| "UN VIOLON SUR LE TOIT" WAS A FRENCH VERSION OF THIS BROADWAY SMASH | FIDDLER ON THE ROOF |
| MICHAEL J. POLLARD PLAYED TEENAGER HUGO PEABODY IN THIS MUSICAL ABOUT A ROCK STAR WHO GETS DRAFTED | BYE BYE BIRDIE |
| MAC DAVIS HAD TO LEARN TO TWIRL A ROPE BEFORE HE TOOK OVER THE ROLE OF THIS COWBOY HUMORIST IN 1992 | WILL ROGERS |
| LOTS OF PEOPLE TOOK TAXIS TO SEE THIS "TAXI" STAR IN "CONVERSATIONS WITH MY FATHER" | JUDD HIRSCH |
| "SIX DEGREES OF SEPARATION" WAS INSPIRED BY A MAN WHO PASSED HIMSELF OFF AS THIS ACTOR'S SON | SIDNEY POITIER |
| IN 1991 CYD CHARISSE MADE HER BROADWAY DEBUT AS THE BALLERINA IN THIS MUSICAL SET IN GERMANY | GRAND HOTEL |
| SHE WAS NOMINATED FOR A 1962 TONY FOR HER BROADWAY MUSICAL DEBUT IN "I CAN GET IT FOR YOU WHOLESALE" | BARBRA STREISAND |
| SHE WAS 80 WHEN THE BROADWAY MUSICAL ABOUT HER PREMIERED IN 1969 | COCO CHANEL |
| "CHICKS AND DUCKS AND GEESE BETTER SCURRY WHEN I TAKE YOU OUT IN" THIS | THE SURREY WITH THE FRINGE ON TOP |
| THIS SONG FROM "THE MUSIC MAN" SAYS, "THERE WERE BELLS ON THE HILL, BUT I NEVER HEARD THEM RINGING" | TIL THERE WAS YOU |
| IT BEGINS, "ISN'T IT RICH? ARE WE A PAIR? ME HERE AT LAST ON THE GROUND, YOU IN MID-AIR" | SEND IN THE CLOWNS |
| "EVERYONE IS BEAUTIFUL AT THE BALLET/ EVERY PRINCE HAS GOT TO HAVE HIS SWAN/ YES, EVERYONE... | A CHORUS LINE |
| THE OBIE AWARDS FOR OFF-BROADWAY THEATRE ARE SPONSORED BY THIS WEEKLY NEW YORK PAPER | THE VILLAGE VOICE |
| AS THE WITCH, PHYLICIA RASHAD WENT "INTO THE WOODS" ON BROADWAY TO SING THIS COMPOSER'S DITTIES | STEPHEN SONDHEIM |
| THE ORIGINAL CAST ALBUM OF THIS BROADWAY MUSICAL FEATURES A ROSE & A MASK ON THE COVER | THE PHANTOM OF THE OPERA |
| THIS SONG FROM "THE SOUND OF MUSIC" ENDS WITH "BLESS MY HOMELAND FOREVER" | EDELWEISS |
| "IT'S SURELY NOT HIS BRAIN THAT MAKES ME THRILL, I LOVE HIM BECAUSE HE'S JUST" THIS MAN | MY BILL |
| IRVING BERLIN'S 1946 BROADWAY HIT, IT FEATURED THE SONGS "THE GIRL THAT I MARRY" AND "I'M AN INDIAN TOO!" | ANNIE GET YOUR GUN |
| THIS PRODUCER OF "HELLO, DOLLY!" HAS BEEN CALLED "THE BARNUM OF BROADWAY PRODUCERS" | DAVID MERRICK |
| BRANDO'S BRAVURA PERFORMANCE IN THIS BRUTISH ROLE MADE HIM A BROADWAY STAR IN 1947 | STANLEY KOWALSKI |
| GREAT BROADWAY COMPOSER WHO WROTE THE MUSIC FOR THE DOCUMENTARY SERIES "VICTORY AT SEA" | RICHARD RODGERS |
| HE'S THE ONLY SONGWRITER TO HAVE BROADWAY PREMIERES IN EVERY DECADE FROM THE '50S TO THE PRESENT: HIS FIRST WAS IN 1957 | STEPHEN SONDHEIM |
| THE ORIGINAL 1994 B'WAY CAST OF THIS MUSICAL BASED ON A FILM FEATURED ALAN OPPENHEIMER AS CECIL B. DEMILLE | SUNSET BOULEVARD |
| IN 2006, THIS SHOW BASED ON A 1911 WORK, BECAME THE LONGEST-RUNNING SHOW IN BROADWAY HISTORY (2006) | THE PHANTOM OF THE OPERA |
| "NO MATTER HOW HOPELESS, NO MATTER HOW FAR, TO FIGHT FOR THE RIGHT WITHOUT QUESTION" IS FROM THIS SHOW | MAN OF LA MANCHA |
| THE ONLY OSCAR WINNER ALSO TO WIN A NOBEL PRIZE, THIS EUROPEAN WON A 1938 OSCAR FOR ADAPTING HIS OWN PLAY | GEORGE BERNARD SHAW |
| THIS TONY-WINNING ACTOR WITH THE REAL NAME JOSEPH, TOOK PART OF HIS STAGE NAME FROM A ROLE IN "GUYS AND DOLLS" | NATHAN LANE |
| IN 1949 THIS SHAKESPEARE-BASED SHOW WON THE 1ST TONY FOR BEST MUSICAL; IN 2000 IT WON FOR BEST MUSICAL REVIVAL | KISS ME, KATE |
| 1960 MUSICAL THAT CONTAINS THE LINE: "YOUR TABLE IS CRACKING...CAN YOU HEAR THE TIMBERS SPLIT?" | CAMELOT |
| THE LONDON THEATRE'S EQUIVALENT OF BROADWAY'S TONY AWARDS ARE NAMED FOR HIM | SIR LAURENCE OLIVIER |
| THE 1961 COMEDY "COME BLOW YOUR HORN" WAS HIS 1ST BROADWAY PLAY | NEIL SIMON |
| "WHATEVER LOLA WANTS, LOLA GETS..." | DAMN YANKEES |
| 1968 MUSICAL THAT FEATURED "45 MINUTES FROM BROADWAY", "YANKEE DOODLE DANDY", AND "HARRIGAN" | GEORGE M! |
| AUDREY HEPBURN, NOT LESLIE CARON, WAS THE 1ST TO PLAY THIS COLETTE HEROINE ON BROADWAY | GIGI |
| THIS PRESIDENT, BORN JUST OFF BROADWAY, WAS THE SUBJECT OF THE BROADWAY MUSICAL "TEDDY AND ALICE" | THEODORE ROOSEVELT |
| MILWAUKEE NATIVE WHO MET HIS BRITISH-BORN WIFE, LYNN FONTANNE, IN 1917 ON BROADWAY | ALFRED LUNT |
| IN 1935, A YOUNG VINCENT PRICE PLAYED THIS ROYAL ROLE ON BROADWAY IN "VICTORIA REGINA" | PRINCE ALBERT |
| HE WAS GERALDINE PAGE'S SWEETIE IN BOTH THE BROADWAY AND FILM VERSIONS OF "SWEET BIRD OF YOUTH" | PAUL NEWMAN |
| HE DIRECTED HIMSELF IN THE NATIONAL TOUR OF "CAMELOT" IN 1986, 19 YEARS AFTER STARRING IN THE FILM | RICHARD HARRIS |
| THIS LITTLE GIRL PLAYED "THE LITTLE COLONEL", "LITTLE MISS BROADWAY", AND "LITTLE MISS MARKER" | SHIRLEY TEMPLE |
| GERALDINE PAGE'S LAST BROADWAY ROLE WAS THE HAPPY MEDIUM IN THIS NOEL COWARD PLAY | BLITHE SPIRIT |
| LATER MADE INTO A MOVIE, THIS OFF-BROADWAY PLAY BY BETH HENLEY WON A PULITZER PRIZE | CRIMES OF THE HEART |
| SIDNEY POITIER CO-STARRED IN THIS 1959 DRAMA, THE 1ST PLAY BY A BLACK WOMAN PRODUCED ON BROADWAY | A RAISIN IN THE SUN |
| IN THIS SHOW, THE HERO SELLS HIS SOUL TO THE DEVIL SO THE WASHINGTON SENATORS CAN WIN THE PENNANT | DAMN YANKEES |
| "1776" CLIMAXES WITH THIS HISTORICAL EVENT | SIGNING OF THE DECLARATION OF INDEPENDENCE |
| FLORENZ ZIEGFELD WAS THE ORIGINAL PRODUCER OF THIS 1927 MUSICAL, WHICH FEATURED THE FOLLOWING: "FISH GOTTA' SWIM, BIRDS GOTTA' FLY..." | SHOW BOAT |
| MRS. ANDREW LLOYD WEBBER, SHE STARRED ON BROADWAY IN "PHANTOM OF THE OPERA" | SARAH BRIGHTMAN |
| "LITTLE JOHNNY JONES" WAS THE FIRST PLAY HE WROTE EXPRESSLY FOR BROADWAY, NOT FOR VAUDEVILLE | GEORGE M. COHAN |
| THIS "FELINE" STARRED ON BROADWAY IN "TIMBUKTU", A BLACK VERSION OF "KISMET" | EARTHA KITT |
| REX HARRISON'S "FAIR LADY" AND BURTON'S "GUINEVERE" | JULIE ANDREWS |
| 1931'S "THE BAND WAGON" WAS THE LAST TIME THIS BROTHER & SISTER SHARED THE DANCING SPOTLIGHT | ASTAIRES |
| MUSICAL IN WHICH LESTER BILLIS WAS NELLIE FORBUSH'S "HONEY BUN" | SOUTH PACIFIC |
| REJECTED AS A MOVIE SCRIPT, BROADWAY LOVED THIS FRAGILE TENNESSEE WILLIAMS' DRAMA | THE GLASS MENAGERIE |
| SHE WAS "THE MIRACLE WORKER" FOR PATTY DUKE'S HELEN KELLER | ANNE BANCROFT |
| LERNER & LOEWE'S "ONE BRIEF SHINING MOMENT" WHICH RAN FROM 1960-1963 | CAMELOT |
| HIS 1ST STAGE HIT WAS "I REMEMBER MAMA" BUT HE'S BETTER REMEMBERED FOR SHOUTING "STELLA!" | BRANDO |
| WINNER OF TONY & OSCAR FOR ROYAL ROLE HE'S BEEN IDENTIFIED WITH SINCE 1951 | YUL BRYNNER |
| ROGERS AND HAMMERSTEIN'S "AWAY WE GO" RAN A RECORD-BREAKING 2,248 PERFORMANCES UNDER THIS NEW NAME | OKLAHOMA! |
| "THE AVENUE WE'RE TAKEN TO" IN THIS LONG-RUNNING TOE-TAPPER | 42ND STREET |
| NICKNAME OF THE AMERICAN THEATRE WING'S ANTOINETTE PERRY AWARD | TONY |
| 2-TIME ACADEMY AWARD WINNER WHO REPRISED "LITTLE FOXES" IN 1980 | ELIZABETH TAYLOR |
| BROADWAY HIT THAT TAKES FELLINI FILM A 1/2 STEP FURTHER | NINE |
| THIS SWEDISH DRAMATIST DREW CHARGES OF BLASPHEMY FOR HIS 1884 COLLECTION OF SHORT STORIES "MARRIED" | STRINDBERG |
| FRANCE'S GREATEST COMIC DRAMATIST | MOLIERE |
| THIS DUBLIN-BORN DRAMATIST WON A NOBEL PRIZE IN 1925 | SHAW |
| "DE PROFUNDIS" WAS A LETTER HE WROTE WHILE IN READING GAOL TO LORD ALFRED DOUGLAS, WITH WHOM HE'D HAD AN AFFAIR | OSCAR WILDE |
| THE ONLY KNOWN SURVIVING EXAMPLE OF HIS HANDWRITING IS HIS SIGNATURE ON A 1585 WILL; HIS NAME AS WRITTEN WAS MARLEY | CHRISTOPHER MARLOWE |
| A YEAR AFTER HE WROTE "CANDIDA" HE BECAME A DRAMA CRITIC FOR THE SATURDAY REVIEW, A JOB HE HELD FOR 3 1/2 YEARS | GEORGE BERNARD SHAW |
| WILLIAM SHAKESPEARE ACTED IN ONE OF THIS "TO CELIA" POET'S FIRST PLAYS, "EVERY MAN IN HIS HUMOUR" | BEN JONSON |
| HIS 1697 TRAGEDY "THE MOURNING BRIDE" CONTAINS THE WELL-KNOWN LINE "MUSIC HAS CHARMS TO SOOTHE A SAVAGE BREAST" | WILLIAM CONGREVE |
| IN A WORK BY THIS DRAMATIST, TREPLIOV KILLS A SEA GULL, THE SYMBOL OF HIS BROKEN DREAMS | CHEKHOV |
| BRITANNICA SAYS THAT IN HIS TIME, AFTER SHAW AND SHAKESPEARE, THIS DRAMATIST WAS THE MOST TRANSLATED AND PRODUCED | O'NEILL |
| THIS "BETRAYAL" DRAMATIST ADAPTED JOHN FOWLES' NOVEL "THE FRENCH LIEUTENANT'S WOMAN" FOR THE SCREEN | HAROLD PINTER |
| IN 1935 THIS DRAMATIST STOPPED "WAITING FOR LEFTY" AND IN 1937 MARRIED ACTRESS LUISE RAINER | CLIFFORD ODETS |
| "THE DOCTOR'S DILEMMA" DRAMATIST | SHAW |
| HIS TRILOGY, "MOURNING BECOMES ELECTRA", IS BASED ON AESCHYLUS' "ORESTEIA" | O'NEILL |
| THIS "SAINT JOAN" PLAYWRIGHT USED THE PSEUDONYM CORNO DE BASSETTO WHEN HE WROTE MUSIC CRITICISM | SHAW |
| PEOPLE TURN INTO RHINOCEROSES IN AN ALLEGORICAL PLAY BY THIS ABSURD DRAMATIST | IONESCO |
| SWEDISH DRAMATIST | STRINDBERG |
| NORWEGIAN DRAMATIST | IBSEN |
| THE PLAYS OF FRANZ GRILLPARZER, CALLED THIS COUNTRY'S GREATEST DRAMATIST, INCLUDE "FAMILY STRIFE IN HAPSBURG" | AUSTRIA |
| BECKETT IS A MAJOR DRAMATIST OF THE "THEATER OF" THIS, WHICH PORTRAYS A BEWILDERED AND ANXIOUS HUMANITY | THE ABSURD |
| THIS ANCIENT DRAMATIST IS KNOWN FOR HIS INNOVATIVE USE OF A SECOND ACTOR IN HIS PLAYS | AESCHYLUS |
| A COMEDIC DRAMATIST: 445-385 B.C. | ARISTOPHANES |
| ELIZABETHAN DRAMATIST WHO WROTE "THE ALCHEMIST" | BEN JONSON |
| FOR PLAYING CHUCK YEAGER IN "THE RIGHT STUFF", THIS DRAMATIST GOT AN OSCAR NOMINATION AS BEST SUPPORTING ACTOR | SAM SHEPARD |
| MANY OF HIS PLAYS ARE SET IN CHICAGO, INCLUDING "AMERICAN BUFFALO" AND "GLENGARRY GLEN ROSS" | DAVID MAMET |
| HIS FIRST MAJOR WORK, "MA RAINEY'S BLACK BOTTOM" RECIEVED A 1985 NY DRAMA CRITIC'S CIRCLE AWARD FOR BEST PLAY | AUGUST WILSON |
| 1953 WAS HIS YEAR; HE WON BOTH THE NY DRAMA CRITICS' CIRCLE AWARD AND THE PULITZER PRIZE FOR "PICNIC" | WILLIAM INGE |
| UNTIL THIS WWI DRAMA "WHAT PRICE GLORY" WAS PRODUCED IN NYC IN 1924, HE WAS A JOURNALIST AND SCHOOLTEACHER | MAXWELL ANDERSON |
| IN 1899 THIS IRISH POET AND DRAMATIST CO-FOUNDED THE IRISH LITERARY THEATRE, WHICH LATER BECAME THE ABBEY THEATRE | WILLIAM BUTLER YEATS |
| HIS 1964 PLAY "AFTER THE FALL" DEALT WITH HIS RELATIONSHIP WITH MARILYN MONROE, TO WHOM HE WAS ONCE MARRIED | ARTHUR MILLER |
| IN THE '30S, THIS "OUR TOWN" DRAMATIST WAS A LECTURER ON LITERATURE AT THE UNIVERSITY OF CHICAGO | THORNTON WILDER |
| HIS ONLY COMEDY AMONG HIS MANY PLAYS WAS 1933'S "AH, WILDERNESS!" | EUGENE O'NEILL |
| CALLED THE MOST SIGNIFICANT BRITISH DRAMATIST SINCE SHAKESPEARE, THIS IRISH-BORN AUTHOR WROTE 50 STAGE PLAYS | GEORGE BERNARD SHAW |
| IN 1622 THIS FRENCH COMEDIC PLAYWRIGHT WAS BORN JEAN-BAPTISTE POQUELIN IN PARIS | MOLIERE |
| THIS 1961 TENNESSEE WILLIAMS PLAY TAKES PLACE AT THE COSTA VERDE, A SMALL MEXICAN HOTEL ON A JUNGLE-COVERED HILLTOP | NIGHT OF THE IGUANA |
| IN THIS CHEKHOV PLAY, A MERCHANT BUYS MADAME RENESVKY'S ESTATE & PLANS TO CUT DOWN ITS TREES | THE CHERRY ORCHARD |
| FROM 1851 TO 1957 HE SERVED AS WRITER-MANAGER OF THE NORWEGIAN THEATRE IN BERGEN | IBSEN |
| HOW A DRAMATIST IS PAID, OR A JOB FOR A SPORTS ANNOUNCER | PLAY-BY-PLAY |
| AS A YOUTH, THIS "ICEMAN COMETH" DRAMATIST PROSPECTED FOR GOLD IN HONDURAS | EUGENE O'NEILL |
| IN "AS YOU LIKE IT", SHAKESPEARE PAID TRIBUTE TO THIS "DR. FAUSTUS" DRAMATIST, CALLING HIM THE "DEAD SHEPHERD" | CHRISTOPHER MARLOWE |
| EFUA SUTHERLAND, A DRAMATIST FROM THIS COUNTRY, FOUNDED A DRAMA STUDIO, AND A LITERARY MAGAZINE IN ACCRA | GHANA |
| THIS GREAT DRAMATIST'S WORKS INCLUDE "TAMBURLAINE THE GREAT" AND "THE TRAGICAL HISTORY OF DR. FAUSTUS" | CHRISTOPHER MARLOWE |
| THIS KANSAS-BORN DRAMATIST SET HIS PLAY "PICNIC" IN A SMALL KANSAS TOWN | INGE |
| ANCIENT GREEK DRAMATIST WHO WROTE THE ANTI-WAR PLAY "THE TROJAN WOMEN" | EURIPIDES |
| HE WROTE, "WHAT FOOLS THESE MORTALS BE" CENTURIES BEFORE SHAKESPEARE | SENECA |
| "THE WAR WITH THE NEWTS" IS A SATIRICAL NOVEL BY THIS CZECH DRAMATIST WHO COINED THE WORD "ROBOT" | KAREL CAPEK |
| IN 1677 THIS DRAMATIST'S PLAY "PHEDRE" WAS PRODUCED & HE BECAME LOUIS XIV'S OFFICIAL HISTORIAN | JEAN RACINE |
| APPROPRIATELY, THE NAME OF THIS DRAMATIST COMES FROM GREEK WORDS MEANING "WISE" AND "FAMOUS" | SOPHOCLES |
| JUDGES WERE CHOSEN BY LOT FOR THE DRAMA COMPETITION KNOWN AS THE DIONYSIA IN THIS CITY | ATHENS |
| ACCORDING TO A PLAY ABOUT HER BY EURIPIDES, THIS WOMAN DID NOT SPEND THE TROJAN WAR AT TROY BUT IN EGYPT | HELEN |
| IN "THE CLOUDS" BY ARISTOPHANES, A MAN DESIRES TO SEND HIS SON TO STUDY WITH THIS GREEK PHILOSOPHER | SOCRATES |
| THIS TITLE ANGRY WIFE PLOTS REVENGE AGAINST JASON BY KILLING HIS NEW FLAME WITH A POISONED GARMENT | MEDEA |
| THE 3 PARTS OF THIS GREEK DRAMATIC TRILOGY ARE "AGAMEMNON", "CHOEPHORI", AND "EUMENIDES" | THE ORESTEIA |
| IN A PLAY BY EURIPIDES, THIS WOMAN IS FAITHFUL TO MENELAUS WHILE HER PHANTOM DOUBLE RUNS OFF WITH PARIS | HELEN OF TROY |
| IN ANCIENT GREEK PLAYS, THIS GROUP OF PERFORMERS OFTEN SERVED AS NARRATOR & COMMENTED ON THE ACTION | THE CHORUS |
| YOU DON'T HAVE TO BE AN ORACLE TO KNOW THAT THIS ORACLE IS PIVOTAL TO THE PLOT OF "ION" | DELPHIC ORACLE |
| THE ANCIENT GREEK SPECIAL EFFECT OF A DEITY LOWERED FROM A CRANE WAS CALLED THIS, MEANING "GOD FROM THE MACHINE" | DEUS EX MACHINA |
| TUNNELS FROM WHICH CHARACTERS SUCH AS GHOSTS MADE SURPRISE ENTRANCES WERE CALLED THIS HADES FERRYMAN'S "STEPS" | CHARON |
| IN ANCIENT GREEK DRAMA, THE CORYPHAEUS WAS THE LEADER OF THIS GROUP | THE CHORUS |
| IN THIS 1980S PLAY, TONY KUSHNER SENT A SPINDLY GAY CHARACTER DEEP INTO THE AUDIENCE'S HEART TO ASK WHO WE ARE | ANGELS IN AMERICA |
| FUTURE PLAYWRIGHT JOHN CASEY CHANGED HIS NAME TO THIS WHEN HE WAS WON OVER TO IRISH NATIONALISM | SEAN O'CASEY |
| SHE GAINED FAME AS A PLAYWRIGHT AND LATER WROTE MEMOIRS LIKE "PENTIMENTO" | LILLIAN HELLMAN |
| COLLIER'S ENCYCLOPEDIA SAYS HIS 1858 PLAY "THE VIKINGS AT HELGELAND" WAS BAD; BUT...IN A NEW AND INTERESTING WAY | IBSEN |
| THIS BRIT CALLED HIS COMEDY "HAY FEVER", "ONE OF THE MOST DIFFICULT PLAYS TO PERFORM THAT I HAVE EVER ENCOUNTERED" | NOEL COWARD |
| THE BERLINER ENSEMBLE FOUNDED BY THIS MAN IN THE 1940S FINALLY MADE ITS U.S. DEBUT IN 1999 WITH A STAGING OF HIS "ARTURO UI" | BRECHT |
| A NYC PRODUCTION OF HIS PLAY "PEOPLE ARE LIVING THERE" MOVED THE SETTING FROM HIS NATIVE SOUTH AFRICA TO NEW JERSEY | FUGARD |
| IN "BRIGHTON BEACH MEMOIRS", NEIL SIMON INTRODUCED THIS YOUNG BROOKLYNITE | EUGENE JEROME |
| THIS PLAYWRIGHT WON THE NOBEL PRIZE IN LITERATURE IN 1968; DID THEY KEEP HIM WAITING? | BECKETT |
| HIS 1891 ESSAY "THE QUINTESSENCE OF IBSENISM" PROMOTED THE REALISTIC DRAMAS OF A FELLOW PLAYWRIGHT | SHAW |
| THE ANCIENT GREEK PLAYWRIGHT MENANDER WROTE, "MARRIAGE, IF ONE WILL FACE THE TRUTH, IS...A NECESSARY" THIS | EVIL |
| APPROPRIATELY, THIS RUSSIAN PLAYWRIGHT WROTE AN 1892 STORY CALLED "AFTER THE THEATER" | CHEKHOV |
| THIS PLAYWRIGHT HIT THE RIGHT NOTE WITH "AMADEUS" AND THEN HORSED AROUND WITH "EQUUS" | PETER SHAFFER |
| "BORSTAL BOY" PLAYWRIGHT, BRENDAN | BEHAN |
| IN 1989 THIS PLAYWRIGHT WAS ELECTED PRESIDENT OF CZECHOSLOVAKIA, THE FIRST NON-COMMUNIST SINCE 1948 | VACLAV HAVEL |
| PUBLIC DISGUST OVER HIS PLAY "GHOSTS" CAUSED THIS NORWEGIAN TO RETALIATE IN HIS "AN ENEMY OF THE PEOPLE" | IBSEN |
| NOVELIST EDNA FERBER COLLABORATED WITH THIS PLAYWRIGHT ON 6 PLAYS, INCLUDING "DINNER AT EIGHT" AND "STAGE DOOR" | GEORGE S. KAUFMAN |
| "WAITING FOR LEFTY" WAS THE FIRST OF HIS PLAYS TO BE PRODUCED | CLIFFORD ODETS |
| THIS PULITZER PRIZE WINNING PLAYWRIGHT WAS RELATED TO JOHN SEVIER, THE FIRST GOVERNOR OF THE "VOLUNTEER STATE" | TENNESSEE WILLIAMS |
| IF THIS PLAYWRIGHT HAD TAKEN HIS MOTHER'S LAST NAME, HE WOULD BE KNOWN AS WILLIAM ARDEN | SHAKESPEARE |
| "SPEED-THE-PLOW" AND "GLENGARRY GLEN ROSS" | DAVID MAMET |
| "AN AMERICAN DAUGHTER" AND "THE HEIDI CHRONICLES" | WENDY WASSERSTEIN |
| "LETTICE AND LOVAGE" AND "AMADEUS" | PETER SHAFFER |
| "A MOON FOR THE MISBEGOTTEN" AND "THE ICEMAN COMETH" | EUGENE O'NEILL |
| "CURSE OF THE STARVING CLASS" AND "TRUE WEST" | SAM SHEPARD |
| THE MAIN DRAMATIC SECTION THAT BEGINS A PLAY, OF THE TITLE OF PLAYWRIGHT MOSS HART'S AUTOBIOGRAPHY | ACT ONE |
| INGRAM FRIZER STABBED THIS PLAYWRIGHT TO DEATH IN DEPTFORD IN 1593 | CHRISTOPHER MARLOWE |
| DAVID MAMET'S NO-NONSENSE BOOK ON THIS CRAFT INCLUDES A CHAPTER CALLED "FIND YOUR MARK" | ACTING |
| "DESIRE UNDER THE ELMS" PLAYWRIGHT | EUGENE O'NEILL |
| EDWARD ALBEE'S PLAY "FAM AND YAM" WAS INSPIRED BY A MEETING WITH THIS PLAYWRIGHT FOR WHOM LIFE WAS NO "PICNIC" | WILLIAM INGE |
| PITTSBURGH'S AFRICAN AMERICAN CULTURAL CENTER WAS RENAMED FOR THIS PLAYWRIGHT WHO WAS BORN THERE | AUGUST WILSON |
| LOPE DE RUEDA AND LOPE DE VEGA WERE 2 OF THIS COUNTRY'S MOST FAMOUS PLAYWRIGHTS | SPAIN |
| THE TROUBLED LIFE OF THIS IRISH-BORN PLAYWRIGHT HAS INSPIRED SEVERAL PLAYS, INCLUDING "THE JUDAS KISS" AND "GROSS INDECENCY" | OSCAR WILDE |
| IN 2006 HE FINALLY PICKED UP 2 OBIE AWARDS HE'D WON DECADES AGO WHEN HE WAS UNDER HOUSE ARREST IN CZECHOSLOVAKIA | VACLAV HAVEL |
| THIS PLAYWRIGHT GREW UP IN PORT ELIZABETH, SOUTH AFRICA, AND HE OFTEN SETS HIS PLAYS THERE | FUGARD |
| THIS SCOTTISH PLAYWRIGHT'S INITIALS STTOD FOR JAMES MATTHEW | J.M. BARRIE |
| A COLLECTION OF THE WORKS OF THIS FRENCH COMEDIC PLAYWRIGHT SHOULD INCLUDE "LE BOURGEOIS GENTILHOMME" | MOLIERE |
| THE PULITZER FOLKS GAVE "A DELICATE BALANCE" BY THIS PLAYWRIGHT A 1967 "WOOLF" WHISTLE | EDWARD ALBEE |
| IN 1928 THIS PLAYWRIGHT HAD A "STRANGE INTERLUDE" | O'NEILL |
| JAMES CAAN PLAYED A CHARACTER BASED ON THIS PLAYWRIGHT IN THE FILM "CHAPTER TWO" | NEIL SIMON |
| ENGLISH ACTRESS ELLEN TERRY HAD A FAMOUS "PAPER COURTSHIP" WITH THIS PLAYWRIGHT THAT LASTED FOR DECADES | GEORGE BERNARD SHAW |
| BHAVABHUTI, ONE OF INDIA'S GREATEST PLAYWRIGHTS, IS KNOWN FOR HIS MASTERY OF THIS ANCIENT INDIC LANGUAGE | SANSKRIT |
| THIS SOUTH AFRICAN PLAYWRIGHT HAS HAD ACTING ROLES IN THE FILMS "GANDHI" AND "THE KILLING FIELDS" | FUGARD |
| THIS POET/PLAYWRIGHT PUBLISHED HIS FOLIO OF WORKS IN 1616, A FULL 7 YEARS BEFORE SHAKESPEARE | BEN JONSON |
| THIS TEXAS PLAYWRIGHT ALSO WROTE THE SCREENPLAYS FOR "TO KILL A MOCKINGBIRD" AND "TENDER MERCIES" | HORTON FOOTE |
| THIS IRISH PLAYWRIGHT WROTE "JUNO AND THE PAYCOCK" FOR THE ABBEY THEATER IN DUBLIN | SEAN O'CASEY |
| THIS CZECH-BORN PLAYWRIGHT DIRECTED THE FILM VERSION OF HIS "ROSENCRANTZ AND GUILDENSTERN ARE DEAD" | TOM STOPPARD |
| THE FEDERICO GARCIA LORCA PLAY "BODAS DE SANGRE" IS USUALLY KNOWN IN ENGLISH AS THIS | BLOOD WEDDING |
| HE SET HIS PLAY "THE LADY FROM THE SEA" IN A SMALL TOWN ON A FJORD | IBSEN |
| SOPHOCLES' LAST PLAY WAS ENTITLED "OEDIPUS AT" THIS VILLAGE...COINCIDENTALLY, SOPHOCLES' BIRTHPLACE | COLONUS |
| THE PRECARIOUS EQUILIBRIUM OF A COUPLE NAMED AGNES AND TOBIAS IS CENTRAL TO THIS EDWARD ALBEE PLAY FROM 1966 | A DELICATE BALANCE |
| JASON MILLER ENDED HIS PLAY "BARRYMORE'S GHOST" WITH THESE 4 WORDS, THE LAST THAT HAMLET SPEAKS IN "HAMLET" | THE REST IS SILENCE |
| THIS EUGENE O'NEILL PLAY WASN'T PERFORMED UNTIL 3 YEARS AFTER HIS DEATH, AS PER HIS REQUEST | LONG DAY'S JOURNEY INTO NIGHT |
| ALTHOUGH HE WAS IRISH-BORN, MOST OF THIS WORKS AFTER WWII, INCLUDING "WAITING FOR GODOT", WERE WRITTEN IN FRENCH | BECKETT |
| THIS STAR OF "RUSH" AND "SPEED 2" IS THE SON OF ACTOR-PLAYWRIGHT JASON MILLER | JASON PATRIC |
| THIS AMERICAN PLAYWRIGHT WON 4 PULITZER PRIZES FOR DRAMA, INCLUDING ONE FOR 1920S "BEYOND THE HORIZON" | EUGENE O'NEILL |
| THIS 2005 NOBEL LAUREATE'S 1ST WIFE, VIVIAN MERCHANT, APPEARED IN MANY OF HIS PLAYS, INCLUDING "THE HOMECOMING" | PINTER |
| HE CO-STARRED IN HIS OWN PLAY "PRIVATE LIVES" WITH GERTRUDE LAWRENCE, A CLOSE FRIEND OF HIS SINCE HIS YOUTH | NOEL COWARD |
| LILY RABE, WHO APPEARED IN THE 2005 REVIVAL OF "STEEL MAGNOLIAS" IS THE DAUGHTER OF JILL CLAYBURGH AND THIS PLAYWRIGHT | DAVID RABE |
| HER FAMOUS LINE "WHAT A DUMP!" IS QUOTED IN ALBEE'S "WHO'S AFRAID OF VIRGINIA WOOLF?" | BETTE DAVIS |
| THIS "VOLPONE" PLAYWRIGHT NARROWLY ESCAPED THE DEATH PENALTY AFTER KILLING AN ACTOR IN A DUEL IN 1598 | BEN JONSON |
| THIS PLAYWRIGHT AND "VANITY FAIR" EDITOR SERVED IN THE HOUSE OF REPRESENTATIVES FROM 1943 TO 1957 | CLARE BOOTH LUCE |
| JANE FONDA PORTRAYED PLAYWRIGHT LILLIAN HELLMAN IN THIS FILM | JULIA |
| THE BELGIAN PLAYWRIGHT WHO GAVE US "THE BLUE BIRD" | MAETERLINCK |
| "LOOK BACK IN ANGER" PLAYWRIGHT | JOHN OSBORNE |
| "THE IMAGINARY INVALID" PLAYWRIGHT | MOLIERE |
| PLAYWRIGHT JEAN-BAPTISTE POQUELIN WROTE UNDER THIS NOM DE PLUME | MOLIERE |
| THIS PLAYWRIGHT'S "MAN WHO CAME TO DINNER" CHARACTER SHERIDAN WHITESIDE WAS SUCH A PLUM ROLE THAT HE PLAYED IT HIMSELF | GEORGE S. KAUFMAN |
| "PEER GYNT" PLAYWRIGHT | IBSEN |
| BORN IN ROMANIA IN 1912, THIS ABSURDIST PLAYWRIGHT DIED IN 1994 | IONESCO |
| THE PLAYWRIGHT OF "THE COCKTAIL PARTY" ALSO WON BEST PLAY FOR THIS POETIC MUSICAL | CATS (T.S. ELIOT) |
| EDMUND WHITE WROTE A DEFINITIVE BIOGRAPHY OF THIS FRENCH THIEF, NOVELIST, AND PLAYWRIGHT OF "THE MAIDS" | GENET |
| HIS ABILITY TO IMITATE THE FAMILY DOCTOR EARNED THIS PLAYWRIGHT THE NICKNAME "DOC" | NEIL SIMON |
| IN 1983 A BROADWAY THEATER WAS RENAMED FOR THIS MAN, THE FIRST TIME A LIVING PLAYWRIGHT WAS SO HONORED | NEIL SIMON |
| "WE ARE ALL BORN MAD. SOME REMAIN SO" | SAMUEL BECKETT |
| HE NEVER FORGAVE MRS. PATRICK CAMPBELL FOR GOING OFF ON HER HONEYMOON WHILE REHEARSING HIS "PYGMALION" | SHAW |
| APPROPRIATELY, HIS WIFE ARMANDE BEJART MADE HER STAGE DEBUT IN HIS 1662 PLAY "THE SCHOOL FOR WIVES" | MOLIERE |
| THIS AUTHOR OF THE PLAY "PURLIE VICTORIOUS" CO-STARRED IN IT ON BROADWAY WITH HIS WIFE, RUBY DEE | OSSIE DAVIS |
| THIS IRISH PLAYWRIGHT WAS ACTIVE IN A RESISTANCE GROUP IN GERMAN-OCCUPIED FRANCE | SAMUEL BECKETT |
| CRITIC WALTER KERR CALLED THIS MAN'S "CAMINO REAL" "THE WORST PLAY YET WRITTEN BY THE BEST PLAYWRIGHT OF HIS GENERATION" | TENNESSEE WILLIAMS |
| "MAY ALL YOUR FENCES HAVE GATES" IS A BOOK OF "ESSAYS ON THE DRAMA OF" THIS PLAYWRIGHT | AUGUST WILSON |
| THIS CREATOR OF "RENT" DIED THE NIGHT OF ITS FINAL DRESS REHEARSAL, NEVER KNOWING HE WOULD WIN THE PULITZER PRIZE | JONATHAN LARSEN |
| THESE BRITISH TWIN BROTHER PLAYWRIGHTS WROTE MYSTERY NOVELS UNDER THE RATHER OBVIOUS ALIAS PETER ANTHONY | PETER AND ANTHONY SHAFFER |
| THIS POET, NOVELIST, AND PLAYWRIGHT IS TO RUSSIAN LITERATURE WHAT SHAKESPEARE IS TO ENGLISH LITERATURE | PUSHKIN |
| WHEN IT PREMIERED IN 1955, "A VIEW FROM THE BRIDGE" WAS A 1-ACT PLAY; THIS PLAYWRIGHT LATER EXPANDED IT | ARTHUR MILLER |
| "TRUE AND FALSE: HERESY AND COMMON SENSE FOR THE ACTOR" IS BY THIS "SPEED-THE-PLOW" PLAYWRIGHT | DAVID MAMET |
| "JOE TURNER'S COME AND GONE" IS BY THIS PLAYWRIGHT | AUGUST WILSON |
| JASON MILLER WROTE AND STARRED IN A 1997 PLAY ABOUT THIS ACTOR NICKNAMED "THE GREAT PROFILE" | JOHN BARRYMORE |
| THE PLAY "PICASSO AT THE LAPIN AGILE" WAS WRITTEN BY THIS "WILD AND CRAZY GUY" | STEVE MARTIN |
| NOW BEST REMEBERED AS A PLAYWRIGHT, IN HIS DAY HE WAS FAMOUS FOR PLAYING THE GHOST OF HAMLET'S FATHER | SHAKESPEARE |
| THIS "PHEDRE" PLAYWRIGHT HAD A "RACY" LIFE; HE WAS ONCE ACCUSED OF POISONING HIS MISTRESS, ACTRESS THERESE DU PARC | RACINE |
| THIS PLAYWRIGHT'S THEATRE ON NYC'S W. 49TH ST. ISN'T AN HISTORIC SITE, BUT HIS HOME IN DANVILLE, CALIFORNIA IS | EUGENE O'NEILL |
| LIKE SHERIDAN'S "A SCHOOL FOR SCANDAL", DENIS FONVIZIN'S "THE BRIGADIER" IS A "COMEDY OF" THESE | MANNERS |
| IN "A DOLL'S HOUSE", SHE FORGES A CHECK TO HELP HER SICK HUSBAND TORVALD BUT HE SCOLDS HER FOR DOING IT | NORA |
| IN A EUGENE O'NEILL PLAY, THIS FORMER PULLMAN PORTER AND EX-CONVICT IMPOSES HIMSELF AS AN EMPEROR ON A WEST INDIAN ISLAND | BRUTUS JONES (THE EMPEROR JONES) |
| EITHER OF THE 2 MEN WHO HAVE BEEN DUBBED "KING OF BROADWAY" | GEORGE M. COHEN OR WALTER WINCHELL |
| IT WAS A SHORT INTERLUDE BETWEEN HIS PULITZER PRIZE WINS FOR "ANNA CHRISTIE" AND "STRANGE INTERLUDE" | EUGENE O'NEILL |
| FRANK GILROY WON THE PULITZER PRIZE FOR DRAMA IN 1965 FOR THIS PLAY | "THE SUBJECT WAS ROSES" |
| SADLY, HE HAD DIED BEFORE HIS MUSICAL WON THE 1996 PULITZER FOR DRAMA | JONATHAN LARSEN (RENT) |
| 1954'S PULITZER FOR DRAMA WENT TO JOHN PATRICK FOR "THE TEAHOUSE..." OF THIS | "THE TEAHOUSE OF THE AUGUST MOON" |
| TENNESSEE WILLIAMS WON 2 PULITZERS FOR THESE 2 PLAYS | "STREETCAR NAMED DESIRE" AND "CAT ON A HOT TIN ROOF" |
| HE WON 2 PULITZER PRIZES INCLUDING ONE FOR "THE SKIN OF OUR TEETH" | THORNTON WILDER |
| HORTON FOOTE WON A 1995 PULITZER FOR HIS PLAY "THE YOUNG MAN FROM...." | ATLANTA |
| "YOU CAN'T TAKE IT WITH YOUR" WAS WRITTEN BY MOSS HART AND THIS PARTNER | GEORGE S. KAUFMAN |
| "DEATH OF A SALESMAN" | ARTHUR MILLER |
| DAVID MAMET WON A PULITZER IN 1994 FOR THIS SALESMAN DRAMA WHOSE TITLE INCLUDES 2 4-LETTER WORDS | "GLENGARRY GLEN ROSS" |
| FOR 1923'S "ICEBOUND", ABOUT MAINE, OWEN DAVIS WAS THE FIFTH WINNER OF THIS PRIZE FOR DRAMA | PULITZER |
| THIS AMERICAN PLAYWRIGHT WON 4 PULITZER PRIZES FOR DRAMA | EUGENE O'NEILL |
| THIS AMERICAN PLAYWRIGHT WON 3 PULITZER PRIZES FOR DRAMA | EDWARD ALBEE |
| HE WON THE PULITZER PRIZE FOR "A DELICATE BALANCE" | EDWARD ALBEE |
| HE WON THE PULITZER PRIZE FOR "THREE TALL WOMEN" | EDWARD ALBEE |
| HE WON THE PULITZER PRIZE FOR "SEASCAPE" | EDWARD ALBEE |
| KATHLEEN CHALFANT HAS WON ACCLAIM FOR HER ROLE AS A PROFESSOR DYING OF CANCER IN THIS PULITZER PRIZE-WINNING DRAMA | "WIT" |
| HE'S THE ONLY MAN TO WIN PULITZER PRIZE FOR FICTION AND DRAMA | THORNTON WILDER ("THE BRIDGE OF SAN LUIS REY", "OUR TOWN", AND "THE SKIN OF OUR TEETH") |
| THE 2 PLAYWRIGHTS NAMED MILLER WHO HAVE WON PULITZER PRIZES FOR DRAMA | ARTHUR & JASON MILLER |
| PLAYWRIGHT WHO MADE HIS FILM DEBUT IN "RENALDO & CLARA" IN 1978 AND WON A PULITZER PRIZE FOR DRAMA IN 1979 | SAM SHEPARD |
| HE WON 2 PULITZER PRIZES FOR DRAMA AND 1 FOR A NOVEL | THORNTON WILDER |
| THESE 2 1-WORD PLAYS WON THE PULITZER PRIZE FOR DRAMA IN 2001 AND 2005 | "PROOF" AND "DOUBT" |
| THE CONDUCT OF A PRIEST AROUSES SUSPICION IN THIS PLAY THAT WON THE 2005 PULITZER PRIZE FOR DRAMA | "DOUBT" |
| HE'S WON 3 PULITZER PRIZES FOR DRAMA...IN 1967, 1975, AND 1994 | EDWARD ALBEE |
| WINNER OF A PULITZER PRIZE FOR "CRIMES OF THE HEART" | BETH HENLEY |
| WINNER OF A PULITZER PRIZE FOR "NIGHT, MOTHER" | MARSHA NORMA |
| MARSHA NORMAN WON A PULITZER PRIZE IN DRAMA FOR THIS PLAY | 'NIGHT, MOTHER" |
| HIS FIRST PLAY WAS 1959'S "THE ZOO STORY", A ONE-ACT DRAMA | EDWARD ALBEE |
| BROTHER JULIAN IS ENSNARED BY MISS ALICE IN THIS 1964 PLAY THAT EDWARD ALBEE CALLED A "METAPHYSICAL MELODRAMA" | "TINY ALICE" |
| IN 2002 THIS EDWARD ALBEE DRAMA THAT'S SUBTITLED "WHO IS SYLVIA?", WON THE TONY FOR BEST PLAY | "THE GOAT, OR WHO IS SYLVIA?" |
| THIS PLAYWRIGHT SAID THAT HE'S "TESTING THE LIMITS OF TOLERANCE" WITH HIS NEW PLAY ABOUT 4 PEOPLE AND A GOAT" | EDWARD ALBEE |
| EDWARD ALBEE'S ADAPTATION OF THIS NABAKOV NOVEL STARRED DONALD SUTHERLAND AS HUMBERT HUMBERT | "LOLITA" |
| SOME TIME PASSES BEFORE JERRY TELLS WHAT HAPPENED AT THE ZOO IN THIS PLAYWRIGHT'S "THE ZOO STORY" | EDWARD ALBEE |
| IT WAS EDWARD ALBEE WHO FIRST SAID, "NEVER GIVE A SUCKER..." ONE OF THESE | "AN EVEN BREAK" |
| THIS PLAYWRIGHT DEDICATED "A DELICATE BALANCE" TO JOHN STEINBECK, WITH "AFFECTION AND ADMIRATION" | EDWARD ALBEE |
| A VERY SHORT-RUN PLAY IN 1963, WRITTEN BY D. STARKWEATHER, WAS TITLED "SO WHO'S AFRAID OF ..." THIS PLAYWRIGHT | EDWARD ALBEE |
| EDWARD ALBEE WROTE A TRAGIC PLAY ABOUT THIS "EMPRESS OF THE BLUES" | BESSIE SMITH |
| HIS FIRST 2 PRODUCED PLAYS WERE "THE ZOO STORY" AND "THE DEATH OF BESSIE SMITH" | EDWARD ALBEE |
| THIS PLAY BY EUGENE O'NEILL WAS BASED LOOSELY ON AN EVENT IN HAITIAN HISTORY | "THE EMPEROR JONES" |
| THIS AMERICAN PLAYWRIGHT'S 1926 WORK "THE GREAT GOD BROWN" WAS SIGNIFICANT FOR ITS SYMBOLIC USE OF MASKS | EUGENE O'NEILL |
| A SEEDY NYC HOTEL-SALOON AND THE PIPE DREAMS OF ITS INHABITANTS ARE ELEMENTS OF THIS 1946 EUGENE O'NEILL PLAY | "THE ICEMAN COMETH" |
| IN 1929, O'NEILL'S "STRANGE" PLAY WAS BANNED IN BOSTON, SO IT PLAYED IN NEARBY QUINCY INSTEAD | "STRANGE INTERLUDE" |
| THIS EPIC O'NEILL WORK IS BASED PARTLY ON THE "ORESTSIA" OF AESCHYLUS | "MOURNING BECOMES ELECTRA" |
| AS A YOUNG MAN EUGENE O'NEILL WAS FAST FRIENDS WITH THIS REPORTER AND COMMUNIST LABOR PARTY CO-FOUNDER | JOHN REED |
| THIS AMERICAN PLAYWRIGHT WON 4 PULITZER PRIZES FOR DRAMA, INCLUDING ONE FOR 1920'S "BEYOND THE HORIZON" | EUGENE O'NEILL |
| "ANNA CHRISTIE" | EUGENE O'NEILL |
| THIS 4-TIME PULITZER PRIZE-WINNING PLAYWRIGHT LAUNCHED HIS CAREER WITH THE PROVINCETOWN PLAYERS | EUGENE O'NEILL |
| KEVIN SPACEY STARRED IN A 2006 BRITISH REVIVAL OF THIS PLAYWRIGHT'S "A MOON FOR THE MISBEGOTTEN" | EUGENE O'NEILL |
| HIS ONLY COMEDY WAS "AH, WILDERNESS" | EUGENE O'NEILL |
| "AS EVER, GENE" IS A COLLECTION OF THIS PLAYWRIGHT'S LETTERS TO HIS PAL, CRITIC GEORGE JEAN NATHAN | EUGENE O'NEILL |
| "GIMME A WHISKEY... GINGER ALE ON THE SIDE. AND DON'T BE STINGY, BABY" | ANNA CHRISTIE (O'NEILL) |
| FADING ACTRESSES ARE THE HEROINES OF HIS NOVEL, "THE ROMAN SPRING OF MRS. STONE" AND HIS PLAY "SWEET BIRD OF YOUTH" | TENNESSEE WILLIAMS |
| THIS PLAYWRIGHT WROTE THE NOVEL, "THE ROMAN SPRING OF MRS. STONE" | TENNESSEE WILLIAMS |
| "SWEET BIRD OF YOUTH" | TENNESSEE WILLIAMS |
| JACK NICHOLSON PLAYED EUGENE O'NEILL IN THIS 200-MINUTE WARREN BEATTY EPIC | "REDS" |
| GRETA GARBO WAS NOMINATED FOR AN OSCAR FOR THIS, HER FIRST MGM SOUND FILM, BASED ON A EUGENE O'NEILL PLAY | "ANNA CHRISTIE" |
| HE WON HIS FIRST PULITZER PRIZE FOR DRAMA FOR 1920'S "BEYOND THE HORIZON" | EUGENE O'NEILL |
| "BOUND EAST FOR CARDIFF", THE FIRST OF HIS SEA PLAYS, PREMIERED IN PROVINCETOWN, MASSACHUSETTS IN 1916 | EUGENE O'NEILL |
| IN O'NEILL'S PLAY, "MARCO MILLIONS", HE MARRIES A FAT, COMMONPLACE VENETIAN | MARCO POLO |
| "MARCO MILLIONS" | EUGENE O'NEILL |
| AS HE WISHED, THE LAST PLAY OF EUGENE O'NEILL WAS PRODUCED AFTER HIS DEATH | "LONG DAY'S JOURNEY INTO NIGHT" |
| THIS DRAMA IS SET AT A SUMMER HOME IN AUGUST 1912; ACT 1 TAKES PLACE AT 8:30 A.M.; ACT 4 IS 15 1/2 HOURS LATER | "LONG DAY'S JOURNEY INTO NIGHT" |
| AROUND 1912, WHILE RECOVERING IN A SANATORIUM, THIS FORMER SEAMAN DECIDED TO BECOME A PLAYWRIGHT | EUGENE O'NEILL |
| THE ENTIRE ACTION OF THIS EUGENE O'NEILL PLAY TAKES PLACE IN 1850 AT A NEW ENGLAND FARMHOUSE FLANKED BY MASSIVE TREE | "DESIRE UNDER THE ELMS" |
| "DESIRE UNDER THE ELMS" | EUGENE O'NEILL |
| IN 1936 HE WROTE HIS LAST PLAY, "THE BOY DAVID"; AN ACTRESS PLAYED THE TITLE ROLE | JAMES M. BARRIE |
| SOPHOCLES, EURIPIDES AND O'NEILL ALL WROTE PLAYS WITH THIS WOMAN'S NAME IN THEIR TITLES | ELECTRA |
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