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Studio Art
Question | Answer |
---|---|
Line | A line is an identifiable path moving in space. It can vary in width, direction, and length. |
Shape | An enclosed space |
Geometric shapes | Circles, rectangles, squares, triangles etc. |
Organic shapes | Have natural, less well-defined edges (think: an amoeba, or a cloud) |
Space | The distances or areas around, between or within components of a piece. Sometimes space isn't actually within a piece, but the illusion of it is. Space can be positive or negative, open or closed, shallow or deep and two-dimensional or three-dimensional. |
Texture | Describes either the way a three-dimensional work actually feels when touched, or the visual "feel" of a two-dimensional work. |
Color (hue) | We see color when light, striking an object, is reflected back to the eye. |
Value | The lightness or darkness of a color |
Principle of Design | Are how the elements of art are used in a composition. |
Contrast | To stand in opposition; to exhibit difference, unlikeness, or opposition of qualities. |
Unity | To achieve visual harmony where all elements are working together in a composition. |
Repetition | When elements of art are used more than once in a composition. |
Variety | 1. The state of being varied or diversified: 2. Difference; discrepancy. |
Emphasis | Creating a focal point by making something stand out (this can be done by changing color, size, value, etc.) |
Balance | Equalizing visual elements in a composition |
Pattern | A sequenced repetition of elements |
Proportion | The relationship between sizes of elements in a composition. |
Vanishing Point | A term used in perspective to describe the point on the horizon where parallel lines appear to meet. |
Horizon Line | Where the land (or sea) and sky meet. |
Parallel Lines | Lines that will never intersect (cross) one another. |
Converge | To come together. For example, in one point perspective drawing, lines seem to converge at the vanishing point. |
Bird's Eye View | To look at an object from above so that you are looking down upon it. (like a bird in flight looking down at a building.) |
Worm's Eye View | To look at object from below so that you are looking up at it (like a worm looking up a building) |
Vertical Line | A line that runs up and down |
Horizontal Line | A line that runs left to right |
Orthogonal Lines | Lines that connect to the vanishing points |
Atmospheric Perspective | The technique that shows how color, size, and value change with distance. As you move closer to the background, objects will become smaller, less vibrant, and less detailed. |
Landscape | A scene depicting nature |
Foreground | Area in a composition where objects are closest, largest, most vibrant and most detailed |
Middle ground | Area in composition in between foreground and background |
Background | Area in composition where objects are farthest, smallest, least vibrant and least detailed |
Impressionism: Started in the 1860's in France Claude Monet was considered its founder Characterized by loose brush strokes, Impressionist painters sought to capture the effect of light on color and objects ... |