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English Vocab 51-100
Cypress High School, English 3 AP vocabulary words 51-100
| Question | Answer |
|---|---|
| Dionysian | As distinguished from Apollonian, the word refers to sensual, pleasure-seeking impulses. |
| dramatic irony | A circumstance in which the audience or reader knows more about a situation than a character. |
| elegy | A poem or prose selection that laments or meditates on the passing or death of someone or something of value. |
| ellipsis | Three period (...) indicating the omission of words in a thought or quotation. |
| elliptical construction | A sentence containing a deliberate omissions of words. |
| empathy | A feeling of association or identification with an object or person. |
| epic | A narrative poem that tells of the adventures and exploits of hero. |
| epigram | A concise but ingenious, witty, and thoughtful statement. |
| euphony | Please, harmonious sounds. |
| epithet | An adjective or phrase that expresses a striking quality of a person or thing. |
| eponymous | A term for the title character of a work of literature. |
| euphemism | A mild or less negative usage for a harsh or blunt term. |
| exegesis | A detailed analysis or interpretation of a work of prose or poetry. |
| expose | A factual piece of writing that reveals weaknesses, faults, frailties, or other shortcomings. |
| exposition | The background and vents that lead to the presentation of the main idea or purpose of an essay or other work. |
| explication | The interpretation of analysis of a text. |
| extended metaphor | A series of comparisons between two unlike objects. |
| fable | A short tale, often with nonhuman characters, from which a useful lesson or moral may be drawn. |
| fallacy | An incorrect belief or supposition based of faulty data, defective evidence, false information, or flawed logic. |
| figure of speech, figurative language | In contrast to literal language, figurative language imples meaning |
| frame | A structure that provides a premise or setting for a narrative or other discourse. |
| genre | A term used to describe literary forms, such as novel, play, and essay. |
| harangue | A forceful sermon, lecture, or tirade. |
| homily | A lecture or sermon on a religious or moral theme meant to guide human behavior. |
| hubris | Excessive pride that often affects tone. |
| humanism | A belief that emphasizes faith and optimism in human potential and creativity. |
| hyperbole | An overstatement; gross exaggeration for rhetorical effect. |
| idyll | A lyric poem or passage that describe a kind of ideal life or place. |
| image | A word or phrase representing that which can be seen, touched, tasted, smelled or felt. |
| indirect question | A rendering of a quotation in which actual words are not stated but only approx. or paraphrased. |
| inductive reasoning | A method of reasoning in which a number of specific facts or examples are used to make a generalization. |
| inference | A conclusion or proposition arrived at by considering facts, observations, or some other specific data. |
| invective | A direct verbal assault. |
| irony | A mode of expression in which the intended meaning is opposite of what is stated, often implying ridicule or light sarcasm. |
| kenning | A device employed in Anglo-Saxon poetry in which the name of a thing is replaced by one of its functions or qualities. |
| lampoon | A mocking, satirical assault on a person or situation. |
| litotes | A form of understatement in which the negative of the contrary is used to achieve emphasis or intensity. |
| loose sentence | A sentence that follows the customary word order of English sentences. |
| lyrical prose | Personal, reflective prose that reveals the speaker’s thoughts and feelings about he subject. |
| malapropism | A confused use of words in which the appropriate word is replaced by one with a similar sound but inappropriate meaning. |
| maxim | A saying or proverb expressing a common wisdom or truth. |
| melodrama | A literary form in which events are exaggerated in order to create an extreme emotional response. |
| metaphor | A figure of speech that compares unlike objects. |
| metaphysical | A term describing poetry that uses elaborate conceits, expresses the complexities of love and life, and is highly intellectual. |
| metonymy | A figure of speech that uses the name of one thing to represent something else with which it is associated. |
| Middle English | The language spoken in England roughly between 1150 and 1500 AD. |
| mock epic | A parody of traditional epic form. |
| mock solemnity | Feigned or deliberately artificial seriousness, often for satirical purpose. |
| montage | A quick succession of images or impression used to express and idea. |
| mood | The emotional tone or prevailing atmosphere in a work of literature or other discourse. |
| moral | A brief and often simplistic lesson that a read may infer from a work of literature. |
| motif | A phrase, idea, or event that through repetition serves to unify or convey a theme in an essay or other discourse. |
| muse | One of the ancient Greek goddesses presiding over the arts; imaginary source of inspiration for an artist or writer; to reflect deeply, to ponder. |
| myth | An imaginary story that has become an accepted part of the cultural or religious tradition of a group or society. |
| narrative | A form of verse or prose that tells a story. |
| naturalism | A term often used as a synonym for realism; also a view of experience that is generally characterized as bleak and pessimistic. |
| non sequitur | A statement of idea that fails to follow logically from the one before. |
| objective | Of or relating to facts and reality, as opposed to private and personal feelings and attitudes. |
| ode | A lyric poem usually marked by serious, respectful, and exalted feelings towards the subject. |
| Old English | The Anglo-Saxon language spoken from approx. 450-1150 AD in what is now Great Britain. |
| omniscient narrator | A narrator with unlimited awareness, understanding, and insight of characters, setting, background, and all other elements of a story. |
| onomatopoeia | The use of words whose sounds suggest their meaning. |
| oxymoron | A term consisting of contradictory elements juxtaposed to create a paradoxical effect. |
| parable | A story consisting of events from which a moral or spiritual truth may be derived. |
| paradox | A statement that seems self-contradictory but is nevertheless true. |
| parallel structure | The structure required for expressing two or more grammatical elements of equal rank. |
| parody | An imitation of a work meant to ridicule its style and subject. |
| paraphrase | A version of a text put into simpler, everyday words or summarized for brevity. |
| pastoral | A work of literature dealing with rural life. |
| pathetic fallacy | Faulty reasoning that inappropriately ascribes human feelings to nature or nonhuman objects. |
| pathos | That element in literature that stimulates pity or sorrow. |
| pedantic | Narrowly academic instead of broad and human; excessively petty and meticulous. |
| periodic sentence | A sentence that departs from the usual word order of English sentences by expressing its main thought at the end. |
| persona | The role of facade that a character assumes or depicts to a reader or other audience. |
| personification | A figure of speech in which objects and animals are given human characteristics. |
| plot | The interrelationship among the events in a story. |
| point of view | The relation in which a narrator or speaker stands to a subject of discourse. |
| predicate | The part of a sentence that is not the grammatical subject. |
| prose | Any discourse that is not poetry. |
| proverb | A short pithy statement of a general truth that condenses common experience into memorable form. |
| pseudonym | A false name or alias used by writers. |
| pulp fiction | Novels written for mass consumption, often emphasizing exciting and titillating plots. |
| pun | A humorous play on words, using similar-sounding or identical words to suggest different meanings. |
| realism | The depiction of people, things, and events as they really are without idealization or exaggeration for effect. |
| rebuttal/refutation | The part of discourse wherein opposing arguments are anticipated and answered. |
| reiteration | Repetition of an idea using different words, often for emphasis or other effect. |
| repetition | Reuse of the same words, phrases, or ideas for rhetorical effect, usually to emphasize a point. |
| retraction | The withdrawal of a previously stated idea or opinion. |
| rhetoric | The language of a work and its style; words, often highly emotional, used to convince or swat an audience. |
| rhetorical mode | A general term that identifies discourse according to its chief purpose. |
| rhetorical question | A question to which the audience already knows the answer; a question asked merely for effect with no answer expected. |
| rhetorical stance | Language that conveys a speaker’s attitude or opinion with regard to a particular subject. |
| rhyme | The repetition of similar sounds at regular intervals, used mostly in poetry but not unheard of in prose. |
| rhythm | The pattern of stressed and unstressed syllables that make up speech and writing. |
| rojmance | An extended narrative about improbable events and extraordinary people in exotic places. |
| sarcasm | A sharp, caustic attitude conveyed in words through jibes, taunts, or other remark. |
| satire | A literary style used to poke fun at, attack, or ridicule an idea, vice, or foible, often for the purpose of inducing change. |
| sentence structure | The arrangement of the parts of a sentence. |
| sentiment | A synonym for view or feeling; also a refined and tender emotion in literature. |
| sentimental | A term that describes characters’ excessive emotional response to experience; also nauseatingly nostalgic and mawkish. |
| mode | The general form, pattern, and manner of expression of a piecfe of discourse. |