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FAS ch.2,3,&4
| Question | Answer |
|---|---|
| in appropriation what is artistic process? | to mix the media of other art forms with the artist's own |
| which arts appropriate the most from other arts? | opera and architecture |
| Anne Sexton's poem on Starry Night describes an experience of | insanity |
| Beaumarchais's Marriage Of Figaro was said to have | helped format the French Revolution. |
| Which of the following means relative equal combining of the media of one or more arts? | synthesis |
| Anne Sexton's and Robert Fagles's poem | both portrayed the emotion of Van Gogh's A Starry Night |
| Matisse The Dance and Music | interpret the essential nature of both arts |
| which art tend to be best suited to use other arts as their subject matter? | film and photography |
| one course that is never included in the humanities is | chemistry |
| the historian | studies values |
| perception | involves the stimulation of sense organs |
| An example of perceiving without conception is | A new born |
| A participative experience with a work of art is basically | An intrinsic-extrinsic value |
| the pleasure of enjoying good food is an example of a(n) | intrinsic value |
| value facts are the province of | the sciences |
| which of the following theories claims that it is interest that projects value on something? | subjectivist |
| theology is | part of humanities |
| normative values are | ideas |
| the arts are closely related to which of the other humanities? | History, Philosophy, Theology |
| Factual values are verified | experimentally |
| value facts are | values that are described scientifically |
| normative values are | values that are the norm, or ideal, or what ought to be |
| interpretive criticism centers upon, | content |
| descriptive criticism focuses upon | form |
| evaluative criticism centers upon | the relative merits of a work |
| a work of art is most likely to be judged a masterpiece by an evaluative critic if | it resist monotony |
| a detail relationship of an artistic form is | the connection of a part to another part or parts |
| a region of a work of art is | a larger distinct or group of parts |
| a structural relationship in a work of art is | the connection of a part to the overall structure. |
| Jackson Pollock's Autumn Rhythm has | no clear-cut regions |
| noticing the rhyme, steady meter, and quatrain stanza structure of Yeats's "The Lake Innisfree" is | descriptive criticism |