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OPERA
| Question | Answer |
|---|---|
| VERDI OPERA ABOUT AN ETHIOPIAN PRINCESS WHO IS HELD CAPTIVE IN EGYPT... | AIDA |
| BIZET OPERA ABOUT A YOUNG GYPSY WHO WORKS IN A CIGARETTE FACTORY IN SEVILLE... | CARMEN |
| CARMEN IS STABBED BY THIS MAN AT THE END OF THE OPERA... | DON JOSE |
| WHO WROTE "THE MARRIAGE OF FIGARO" ? | MOZART |
| FIGARO & SUSANNA ARE SERVANTS OF THIS MAN... | COUNT ALMAVIVA |
| "THE MARRIAGE OF FIGARO" HAS MANY OF THE SAME CHARACTERS AS THIS ROSSINI OPERA, WHICH IS A PREQUEL TO "THE MARRIAGE OF FIGARO"... | THE BARBER OF SEVILLE |
| ROSSINI OPERA ABOUT A 14TH-CENTURY SWISS PATRIOT WHO IS TRYING TO ESCAPE THE AUSTRIAN GOVERNOR, GESSLER... | WILLIAM TELL |
| WHAT IS THE NAME OF WILLIAM TELL'S SON ? | JEMMY |
| ROSSINI OPERA BASED ON A PLAY BY FRIEDRICH VON SCHILLER... | WILLIAM TELL |
| AT THE END OF THIS MOZART OPERA, THE TITLE CHARACTER IS TAKEN INTO HELL... | DON GIOVANNI |
| MOZART OPERA IN WHICH THE SERVANT LEPORELLO APPEARS... | DON GIOVANNI |
| RICHARD STRAUSS OPERA WHICH FEATURES THE "DANCE OF THE SEVEN VEILS"... | SALOME |
| MUSSORGSKY OPERA IN WHICH THE TITLE CHARACTER DIES IN FRONT OF THE ASSEMBLED BOYARS (NOBLEMEN)... | BORIS GODUNOV |
| OPERA ABOUT 4 POOR FRIENDS LIVING IN THE STUDENTS' QUARTER OF PARIS...MARCELLO, RODOLFO, COLLINE, AND SCHAUNARD... | LA BOHEME |
| WHO WROTE THE OPERA LA BOHEME? | PUCCINI |
| IN LA BOHEME, THIS CHARACTER DIES OF TUBERCULOSIS.... | MIMI |
| OPERA WHICH WAS THE BASIS OF THE HIT 1996 MUSICAL "RENT" BY JONATHAN LARSON... | LA BOHEME |
| THIS FINN'S ONLY OPERA, "THE MAIDEN IN THE TOWER", HAD A LIBRETTO IN SWEDISH | SEBELIUS |
| THE ROLE PLACIDO DOMINGO HAS PLAYED MORE THAN ANY OTHER IS CAVARADOSSI IN THIS PUCCINI OPERA | TOSCA |
| IN ACT II OF THIS VERDI OPERA, A BAND OF GYPSIES SINGS THE "ANVIL CHORUS", ONE OF OPERA'S MOST FAMILIAR NUMBERS | IL TROVATORE |
| FEATURES THE SONGS "THE MUSIC OF THE NIGHT" AND "ALL I ASK OF YOU" | THE PHANTOM OF THE OPERA |
| ANDRE GRETRY, "THE MOLIERE OF MUSIC", COMPOSED A 1784 OPERA ABOUT THIS CRUSADING KING | RICHARD THE LIONHEARTED |
| COMPOSER DOUGLAS MOORE TOOK FLIGHT WITH "THE WINGS OF THE DOVE", BASED ON A 1902 NOVEL BY THIS AUTHOR | HENRY JAMES |
| ROSSINI'S OPERA ABOUT THIS TRAGIC CHARACTER IS SUBTITLED "IL MORO DI VENEZIA" | OTHELLO |
| THE FULL TITLE OF THIS WAGNER OPERA INCLUDES THE WORDS "AND THE SINGING CONTEST OF THE WARTBURG" | TANNHAUSER |
| THIS MADRID-BORN TENOR HAS ALSO RUN A COUPLE OF OPERA COMPANIES | PLACIDO DOMINGO |
| THE NAME OF THIS INNOVATIVE THEATER & OPERA DIRECTOR IS JUST ONE LETTER DIFFERENT FROM A LATE BRITISH COMIC ACTOR | PETER SELLERS |
| IN A RECENT OPERATIC WORK, THIS OHIOAN & TALK SHOW HOST AND HIS SIDEKICK STEVE DESCEND TO HELL | JERRY SPRINGER |
| IT WAS A "BRAVE NEW WORLD" FOR THIS BRIT WHEN HIS "THE DEVILS OF LOUDON" WAS TURNED INTO AN OPERA IN 1969 | ALDOUS HUXLEY |
| IT CAN BE THE TEXT OF AN ORATORIO OR AN OPERA | LIBRETTO |
| IN 1957 THIS SISTER OF MARIA TALLCHIEF JOINED THE PARIS OPERA BALLET AS AN ETOILE, THE FIRST AMERICAN SO HONORED | MAJORIE TALLCHIEF |
| FIRST PERFORMED IN CAIRO, THIS VERDI OPERA WAS COMMISSIONED BY THE KHEDIVE OF EGYPT | AIDA |
| "IL MATRIMONIO SEGRETO" GOT THE LONGEST ONE OF THESE EVER: LEOPOLD II ORDERED THE WHOLE OPERA REPEATED | AN ENCORE |
| TCHEKALINSKY, TOMSKY, AND PRINCE YELETSKY ARE ROLES IN "THE QUEEN OF SPADES", BY THIS COMPOSER | TCHAIKOVSKY |
| DONNA ELVIRA IS ONE OF THE WOMEN SEDUCED BY THE TITLE CHARACTER OF THIS MOZART OPERA | DON GIOVANNI |
| THIS TITLE WAGNER HERO BLOWS A MIGHTY HORN CALL AND THEN KILLS FAFNER, WHO'S IN THE SHAPE OF A DRAGON | SIEGFRIED |
| THIS BEETHOVEN OPERA FEATURES THE WONDERFUL QUARTET "MIR IST SO WUNDERBAR" | FIDELIO |
| THIS OPERA ENDS WITH THE TITLE CHARACTER BEING KILLED BY JACK THE RIPPER | LULU |
| IN "ZAMPA", ZAMPA THE PIRATE IS DRAGGED INTO THE SEA AND DROWNED BY ONE OF THESE | MARBLE STATUE |
| IN "IL TROVATORE", LEONORA ESCAPES THE CLUTCHES OF A COUNT BY DRINKING POISON FROM THIS PIECE OF JEWELRY | RING |
| IN AN OPERA BASED ON A PUSHKIN POEM, LENSKY CHALLENGES THIS TITLE CHARACTER TO A DUEL--BIG MISTAKE | EUGENE ONEGIN |
| COMPOSER MARIO CASTELNUOVO-TEDESCO TURNED THIS OSCAR WILDE PLAY INTO A 1962 OPERA | THE IMPORTANCE OF BEING EARNEST |
| "MERRY WIVES" MAKE MISCHIEF IN THE VERDI OPERA NAMED FOR THIS SHAKESPEAREAN FUNSTER | FALSTAFF |
| FUN ABOUNDS AS A VALET PREPARES FOR HIS OWN WEDDING IN THIS 1786 MOZART OPERA | THE MARRIAGE OF FIGARO |
| THE OPERA CO. OF THIS NYC BOROUGH PERFORMS IN UNUSUAL VENUES, LIKE PEOPLE'S LIVING ROOMS | BROOKLYN |
| THE BEWITCHING OPERA BASED ON ARTHUR MILLER'S PLAY SET IN SALEM | THE CRUCIBLE |
| THE UNDERGROUND LAIR IN WHICH THE PHANTOM LURKS IS BASED ON FACT; THERE REALLY IS A LAKE BENEATH THIS FAMOUS BUILDING | THE PARIS OPERA HOUSE |
| IN AN 1816 OPERA, HE'S THE BARBER OF SEVILLE | FIGARO |
| HIS OPERA'S INCLUDE "ANNA BOLENA" AND "LUCRETIA BORGIA" | DONIZETTI |
| AROUND THE SAME TIME, LEONCAVALLO AND THIS MAN BOTH WROTE OPERAS BASED ON THE NOVEL "SCENES DE LA VIE BOHEME" | PUCCINI |
| "SALOME", THIS COMPOSER'S FIRST SUCCESSFUL OPERA, WAS BANNED IN BOSTON IN 1923 | RICHARD STRAUSS |
| A NORWEGIAN SEA CAPTAIN IS A CHARACTER IS THIS 1843 OPERA | THE FLYING DUTCHMAN |
| IT'S THE CAPITAL CITY WHERE "CARMEN" COMPOSER GEORGES BIZET WAS BORN IN 1838 | PARIS |
| A FLOP WHEN IT DEBUTED IN 1904, THIS PUCCINI OPERA SET IN NAGASAKI LATER BECAME ONE OF THE BEST-LOVED OPERAS | MADAME BUTTERFLY |
| INSPIRED BY HIS LOVE FOR A FRIEND'S WIFE, WAGNER COMPOSED THIS OPERA ABOUT A PAIR OF MEDIEVAL LOVERS | TRISTAN AND ISOLDE |
| THIS COMPOSER OF "CAVALLERIA RUSTICANA" WROTE "IL PICCOLO MARAT", ABOUT THE REIGN OF TERROR | MASCAGNI |
| GEORGE GERSHWIN PERSONALLY ASKED HOWARD UNIVERSITY VOICE PROFESSOR TODD DUNCAN TO ORIGINATE THIS TITLE ROLE | PORGY |
| GIUSEPPE GAZZANIGA AND THIS COMPOSER BASED THEIR "DON GIOVANNI" OPERAS ON THE SAME LIBRETTO | MOZART |
| MERLIN & MORDRED APPEAR IN CHAUSSON'S OPERA ABOUT THIS LEGENDARY KING | KING ARTHUR |
| THE OPERA BASED ON THIS MAURICE SENDAK BOOK FEATURES A WILD THING WITH BEARD AND A WILD THING WITH HORNS | WHERE THE WILD THINGS ARE |
| IN NICOLAI'S OPERA "THE MERRY WIVES OF WINDSOR", HE GETS DUMPED INTO THE RIVER IN A LAUNDRY BASKET | FALSTAFF |
| BENIAMINO GGIGLI WAS WELL KNOWN FOR SINGING THE ROLE OF THIS SCHOLAR IN "MEFISTOFELE" | FAUST |
| THIS 1728 JOHN GAY "OPERA" PUT SATIRIC LYRICS TO THE TUNES OF POPULAR SONGS | THE BEGGER'S OPERA |
| THE DAUGHTER OF THIS NASTY CZAR IS KILLED BY ACCIDENT IN "THE MAID OF PSKOV" | IVAN THE TERRIBLE |
| AN EVIL OPIUM DEALER IS STRANGLED WITH HIS OWN PIGTAIL IN "L'ORACOLO", SET IN THIS CALIFORNIA CITY'S CHINATOWN | SAN FRANCISCO |
| IN "MARIA STUARDA", THIS WOMAN SIGNS THE DEATH WARRANT OF HER COUSIN, MARY QUEEN OF SCOTS | ELIZABETH I |
| THE MURDERED KING NINO RETURNS AS A GHOST IN "SEMIARAMIDE" BY THIS "WILLIAM TELL" COMPOSER | ROSSINI |
| SCHLEMIL IS KILLED IN A DUEL IN "THE TALES OF " THIS GERMAN AUTHOR | HOFFMANN |
| THIS ITALIAN COMPOSER WROTE HIS OPERA "FALSTAFF" WHEN HE WAS 79 YEARS OLD | VERDI |
| PARIS OPERA HOUSE ARCHITECT CHARLES GARNIER ALSO DESIGNED THE WORLD-FAMOUS CASINO IN THIS TOWN | MONTE CARLO |
| IT'S THE GILBERT & SULLIVAN COMIC OPERA WHERE AN OLD MAJOR GENERAL SINGS HIS "MODERN" SONG | THE PIRATES OF PENZANCE |
| HE DESIGNED THE SYDNEY OPERA HOUSE | JORN UTZON |
| A RUSSIAN PLAY BASED ON A FOLK TALE INSPIRED "THE SNOW MAIDEN", AN OPERA BY THIS "SHEHERAZADE" COMPOSER | RIMSKY-KORSAKOV |
| A DANCE IN THE 1786 OPERA "UNA COSA RARA" POPULARIZED THIS WALTZ STYLE NAMED FOR A CITY | VIENNESE WALTZ |
| THIS COMPOSER FINISHED JUST 3 SCENES OF "OLAV TRYGVASON"; THEY'RE SOMETIMES PERFORMED AS A CANTATA | GRIEG |
| MAKE AND EXODUS FROM THE THEATER AFTER SEEING SCHOENBERG'S INCOMPLETE OPERA ABOUT THIS MAN AND HIS BROTHER | MOSES |
| BIONDELLO HIDES INSIDE A MECHANICAL GOOSE IN MOZART'S UNFINISHED OPERA "THE GOOSE OF" THIS EGYPTIAN CITY | CAIRO |
| LET'S WAX PHILOSOPHICAL AND WONDER WHY ROUSSEAU LEFT ONLY FRAGMENTS OF HIS OPERA ABOUT DAPHNIS AND HER | CHLOE |
| SMETANA'S "VIOLA", WITH JUST 365 BARS OF MUSIC, IS BASED ON THIS PLAY | TWELFTH NIGHT |
| THIS EXUBERANT ITALIAN WHO DIED IN 2007 SANG FOR 500,000 OPERA LOVERS IN CENTRAL PARK IN 1993 | PAVOROTTI |
| IN THE OPERA "BROKEN STRINGS", A SOPRANO PLAYS A FISH AND A TENOR PLAYS ONE OF THESE PROUD FAN-TAILED BIRDS | PEACOCK |
| PRINCESS NINETTA IS BRIEFLY TRANSFORMED INTO A RAT IN "THE LOVE FOR THREE" OF THESE | ORANGES |
| IN "THE WRECKERS", MARK & THIRZA ARE CONDEMNED TO DIE THIS WAY IN A CAVE WHEN THE TIDE RISES | DROWNING |
| THIS HEROINE OF A 1915 SCHILLING OPERA SHARES HER NAME WITH A LADY PAINTED BY LEONARDO | MONA LISA |
| "IL RE PASTORE" DRAMATIZES A LEGEND ABOUT THIS CONQUEROR KNOWN IN THE OPERA AS ALESSANDRO | ALEXANDER THE GREAT |
| THIS CHICKEN AND PASTA DISH IS NAMED FOR AN OPERA STAR | CHICKEN TETRAZZINI |
| PUSHKIN'S MASTERPIECE, THE VERSE NOVEL "EUGENE ONEGIN", WAS TURNED INTO AN OPERA BY THIS FELLOW RUSSIAN | TCHAIKOVSKY |
| THE TITLE FIGURE OF THIS PUCCINI OPERA IS CIO-CIO SAN | MADAME BUTTERFLY |
| THIS TITLE TEMPTRESS OF AN 1875 OPERA WORKS IN A CIGARETTE FACTORY | CARMEN |
| AMNERIS, DAUGHTER OF PHAROAH, HAS AN ETHIOPIAN SLAVE GIRL___HER | AIDA |
| GILD, THE DAUGHTER OF THIS HUNCHBACK, FALLS IN LOVE WITH THE LICENTIOUS DUKE OF MANTUA, WITH DIRE CONSEQUENCES | RIGOLETTO |
| TANNHEUSER AND LOHENGRIN ARE KNIGHTS; THIS TITLE CHARACTER OF ANOTHER WAGNER OPERA IS A "PURE FOOL" | PARSIFAL |
| POIGNANT, GIVEN PAGLIACCIO'S PROFESSION, THE LINE "RIDI PAGLIACCIO" MEANS TO DO THIS, PAGLIACCIO | LAUGH |
| RODOLFO BURNS HIS POEMS TO KEEP THE STOVE GOING IN ACT I OF THIS PUCCINI WORK | LA BOHEME |
| IT'S THE "MIRTHFUL" OPERA HOUSE THAT PREMIERED "CARMEN", OR THE FRENCH TERM FOR THE TYPE OF OPERA "CARMEN" IS | OPERA COMIQUE |
| VERONA-BORN TENOR NINO MARTINI PERFORMED BRILLIANTLY AT THIS NYC LOCATION FROM 1933-1946 | METROPOLITAN OPERA |
| BORN IN VERONA, GAETANO ROSSI WAS FAMOUS FOR WRITING MORE THAN 120 OF THESE OPERA STORYLINES | LIBRETTOS |
| SUSANNA THE MAID IS THE BRIDE IN THIS MOZART OPERA | THE MARRIAGE OF FIGARO |
| THE NAME OF THIS VERDI OPERA MEANS "THE FALLEN WOMAN" | LA TRAVIATA |
| PUCCINI'S LAST OPERA, IT'S SET IN PEKING | TURANDOT |
| "LA BISBETICA DOMINATA" WAS BASED ON THIS SHAKESPEARE PLAY | THE TAMING OF THE SHREW |
| THIS 1892 LEONCAVALLO WORK HAS A PLAY WITHIN THE OPERA | PAGLIACCI |
| THE FINAL ACT OF THIS OPERA TAKES PLACE OUTSIDE A BULLRING, WHERE THE HEROINE IS STABBED TO DEATH | CARMEN (5318) |
| ESCAMILLO, A MATADOR | CARMEN |
| RAMFIS, THE HIGH PRIEST OF ISIS | AIDA |
| SUZUKI, A GEISHA'S SERVANT | MADAME BUTTERFLY |
| HEROD & JOKANAAN (JOHN THE BAPTIST) | SALOME |
| TONIO & BEPPE, A COUPLE OF CLOWNS | PAGLIACCI |
| THE TITLE CHARACTER OF THIS PUCCINI OPERA IS AN OPERA SINGER | TOSCA |
| THIS TITLE CHARACTER OF A MUSICAL SOMETIMES SIGNS NOTES WITH THE INITIALS O.G. FOR OPERA GHOST | THE PHANTOM OF THE OPERA |
| DONNA ELVIRA IS ONE OF THE WOMEN SEDUCED BY THE TITLE CHARACTER OF THIS MOZART OPERA | DON GIOVANNI |
| SHE'S THE QUEEN WHO CAPTIVATES THE OPERATIC TITLE CHARACTER GIULIO CESARE | CLEOPATRA |
| THE OPERA/ORATORIO TITLE CHARACTER SEMELE HAS THE HOTS FOR JUPITER, DISPLEASING THIS WIFE OF THE GOD | JUNO |
| IN AN 1893 OPERA, PETER IS THE FATHER OF THESE GINGERBREAD-GORGERS | HANSEL & GRETEL |
| JOE IS A GAMBLER IN HIS EARLY OPERA "BLUE MONDAY"; SPORTIN' LIFE IS A GAMBLER IN HIS LATER "PORGY AND BESS" | GERSHWIN |
| DON JOSE IS A SOLDIER IN LOVE WITH THIS BIZET BOMBSHELL | CARMEN |
| BOSONI'S OPERA ABOUT THIS CRUEL CHINESE PRINCESS ISN'T NEARLY AS FAMOUS AS PUCCINI'S | TURANDOT |
| IN A GLUCK OPERA, THIS MYTHOLOGICAL CHARACTER IS LAMENTING THE LOSS OF HIS BELOVED | ORPHEUS |
| THIS "VANITY FAIR" CHARACTER IS THE DAUGHTER OF AN ARTIST AND A FRENCH OPERA GIRL | BECKY SHARP |
| VERDI'S FIRST COMIC OPERA WAS A FLOP; IT WAS 50 YEARS BEFORE HE WROTE HIS SECOND, ABOUT HIS SHAKESPEARE CHARACTER | FALSTAFF |
| THIS MOZART OPERA OPENS WITH THE TITLE CHARACTER ON THE PROWL FOR DONNA ANNA | DON GIOVANNI |
| THE CATHOLIC MARGUERITE DE VALOIS IS A PIVOTAL CHARACTER IN THE 1836 OPERA NAMED FOR THESE FRENCH PROTESTANTS | HUGUENOTS |
| THE TITLE CHARACTER OF THIS 1816 OPERA IS IN SERVICE WITH THE VENETIAN ARMY | OTHELLO |
| DICK DEADEYE, A SAILOR; ADMIRAL SIR JOSEPH PORTER; CAPTAIN CORCORAN | HMS PINAFORE |
| NARRABOTH, HERODIAS, JOHN THE BAPTIST | SALOME |
| KLINGSOR, A SORCERER; AMFORTAS, KEEPER OF THE GRAIL; GURNEMANZ, A KNIGHT | PARSIFAL |
| BEPPE, SILVIO, CANIO THE HEAD CLOWN | RIGOLETTO |
| KING SOLOMON IS A CHARACTER IN "LA REINE DE SABA", AN OPERA ABOUT THE QUEEN OF THIS PLACE | SHEBA |
| FIGARO IS THE TITLE CHARACTER OF THIS 1816 ROSSINI OPERA | THE BARBER OF SEVILLE |
| THIS TITLE CHARACTER PERFORMS THE DANCE OF THE SEVEN VEILS FOR HEROD IN AN OPERA BY RICHARD STRAUSS | SALOME |
| IT'S THE TITLE OCCUPATION SHARED BY OPERA CHARACTERS "OF BAGHDAD" AND "OF SEVILLE" | BARBER |
| THE TITLE CHARACTER OF THIS VERDI OPERA IS A HUNCHBACKED COURT JESTER | RIGOLETTO |
| CHARACTERS IN THIS BIZET OPERA INCLUDE A TOREADOR, A GYPSY GIRL, AND CIGARETTE FACTORY GIRLS | CARMEN |
| CHOU EN-LAI AND CHIANG CH'ING ARE CHARACTERS IN AN OPERA ABOUT THIS MAN "IN CHINA" | NIXON |
| LORD LECHERY, MADAM WANTON, AND MADAM BUBBLE ARE ALL CHARACTERS IN THE 1951 OPERA BASED ON THIS JOHN BUNYAN WORK | PILGRIM'S PROGRESS |
| HIS TRAGICOMEDY "SIX CHARACTERS IN SEARCH OF AN AUTHOR" INSPIRED A MODERN OPERA BY HUGO WEISGALL | PIRANDELLO |
| IN THE 1984 MOVIE OF A BIZET OPERA, PLACIDO WAS DON JOSE AND JULIA MIGENES-JOHNSON WAS THIS TITLE CHARACTER | CARMEN |
| THIS THACKERAY CHARACTER IS THE ORPHANED DAUGHTER OF AN ARTIST AND A FRENCH OPERA GIRL | BECKY SHARP |
| IN THIS VERDI OPERA, THE KING OF ETHIOPIA IS A BARITONE ROLE WHILE THE KING OF EGYPT IS A BASS | AIDA |
| HER UNCLE THE BONZE CURSES HER FOR RENOUNCING HER RELIGION TO MARRY LT. B.F. PINKERTON | MADAME BUTTERFLY |
| IN A BORODIN OPERA, THIS TITLE PRINCE HAS A WIFE NAMED YAROSLAVNA | PRINCE IGOR |
| IN FLOTOW'S OPERA "MARTHA", LADY HARRIET IS A LADY-IN-WAITING TO THIS LAST STUART QUEEN OF ENGLAND | ANNE |
| ANGELS GUARD THIS DUO WHILE THEY SLEEP IN THE FOREST IN AN 1893 OPERA | HANSEL & GRETEL |
| THIS AZTEC IS THE TITLE CHARACTER IN OPERAS BY KARL HEINRICH AND ROGER SESSIONS | MONTEZUMA |
| PING, PANG, AND PONG ARE CHARACTERS IN THIS PUCCINI OPERA SET IN PEKING | TURANDOT |
| MINNIE, A SALOON OWNER, IS THE TITLE CHARACTER IN THIS PUCCINI OPERA | THE GIRL OF THE GOLDEN WEST |
| HIS SON, NANKI-POO, POSES AS A MINSTREL AND LATER WEDS YUM-YUM | THE MIKADO |
| IN "THE RING OF THE NIBELUNG", SIEGFRIED BRAVED A RING OF FIRE TO SAVE THIS GODDESS | BRUNHILDE |
| HE WAS THE CRIPPLED 12-YEAR-OLD TITLE CHARACTER IN THE FIRST OPERA WRITTEN FOR TV | AMAHL |
| THEY WERE THE SON AND DAUGHTER OF PETER, A POOR BROOM MAKER, AND GERTRUDE, HIS WIFE | HANSEL & GRETEL |
| AT THE END OF "I PAGLIACCI", THIS CLOWN STABS HIS WIFE, NEDDA, AND HER LOVER, SILVIO | CANIO |
| SIR ARTHUR SULLIVAN WROTE AN OPERA BASED ON THIS SIR WALTER SCOTT CHARACTER | IVANHOE |
| THIS QUEEN IS A LEADING CHARACTER IN THE EPIC 20TH-C. OPERA "CHRISTOPHE COLOMB" | QUEEN ISABELLA |
| WHEN THIS GYPSY GIRL SPURNS DON JOSE'S AFFECTION, HE STABS HER WITH A DAGGER | CARMEN |
| HE WAS "THE BARBER OF SEVILLE" PRIOR TO BECOMING COUNT ALMAVIVA'S VALET | FIGARO |
| HE'S THE HUNCHBACK JESTER TO THE DUKE OF MANTUA IN A VERDI OPERA | RIGOLETTO |
| SATAN, USING THIS NAME, APPEARS TO FAUST AND AGREES TO GIVE HIM YOUTH IN RETURN FOR HIS SOUL | MEPHISTOPHELES |
| CIO-CIO SAN, THE GEISHA IN LOVE WITH NAVY LT. PINKERTON, IS BETTER KNOWN BY THIS NICKNAME | MADAME BUTTERFLY |
| THESE TITLE CHARACTERS OF A CLASSIC OPERATIC WORK ARE A BUNCH OF MYTHICAL DWARVES | THE NIEBELUNG |
| THIS TITLE HORROR CHARACTER WAS CREATED BY ITS AUTHOR AT 6 ROYAL CRESCENT IN THE RESORT OF WHITBY IN YORKSHIRE | DRACULA (BRAM STOKER) |
| FROM THE FRENCH FOR "OPENING", IT'S THE MUSIC PLAYED BEFORE THE OPERA BEGINS | OVERTURE |
| THE "DI SORTITA" TYPE OF THIS SOLO IS SUNG BY A CHARACTER ABOUT TO MAKE AN EXIT...SOMETIMES NOT A MOMENT TOO SOON | ARIA |
| "I GOT PLENTY O' NUTTIN" IS A SONG FROM THIS AMERICAN OPERA | PORGY & BESS |
| THIS OPERA ENDS WAGNER'S "RING" CYCLE | TWILIGHT OF THE GODS |
| YURI SHAPORIN'S 1925 OPERA "THE DECEMBRISTS" WAS SET IN THIS COUNTRY 100 YEARS EARLIER | RUSSIA |
| 1977'S "ROYAL HUNT OF THE SUN" TELLS THE STORY OF THE SPANIARDS' 16TH-C. CONQUEST OF THIS EMPIRE | INCAN EMPIRE |
| IN ACT 3 OF AN 1846 VERDI OPERA, THIS "SCOURGE OF GOD" IS STABBED TO DEATH BY HIS LOVER ODABELLA | ATTILA THE HUN |
| THEA MUSGRAVE'S OPERA ABOUT HER, "HARRIET, A WOMAN CALLED MOSES", HAS 2 ACTS: "FROM BONDAGE" AND "TO FREEDOM" | HARRIET TUBMAN |
| EXCEPT FOR A CONCERT VERSION, MASSENET'S OPERA OF THIS 11TH-C. CASTILLIAN HERO WASN'T STAGED FROM 1902 TO 1999 | EL CID |
| THIS 1791 WORK IS CONSIDERED THE GREATEST EXAMPLE IN MUSIC HISTORY OF THE ZAUBEROPER, OR "MAGIC OPERA" | THE MAGIC FLUTE |
| LONDON'S ROYAL OPERA HOUSE TRACES ITS HISTORY BACK TO A 1728 PERFORMANCE OF THIS JOHN GAY "OPERA" | "THE BEGGAR'S OPERA" |
| IN AN OPERA BASED ON HISTORY, THE PHARAOH AKHENATEN GIVES UP POLYGAMY FOR THIS BEAUTIFUL QUEEN | NEFERTITI |
| SPONTINI'S 1809 OPERA "FERNAND CORTEZ" IS ALSO CALLED "THE CONQUEST OF" THIS COUNTRY | MEXICO |
| IN "MARIA STUARDA", THIS QUEEN ORDERS MARY STUART'S EXECUTION AFTER MARY CALLS HER A "BASTARDA" | ELIZABETH I |
| BIZET & RIMSKY-KORSAKOV BOTH WROTE FINE OPERAS ABOUT THIS CZAR | IVAN THE TERRIBLE |
| MEYERBEER'S OPERA "LES HUGUENOTS" TAKES PLACE IN 1572 IN TOURAINE AND IN THIS CAPITAL CITY | PARIS |
| THE FAMOUS ARIA KNOWN AS "HANDEL'S LARGO" IS SUNG IN "SERSE", A 1738 OPERA ABOUT THIS GREAT RULER | XERXES |
| THIS OPERA HOUSE IN MILAN HAS A MUSEUM DEVOTED TO ITS HISTORY | LA SCALA |
| YOU NEED A MEZZO TO PLAY THIS BEAUTIFUL QUEEN IN PHILLIP GLASS'S OPERA "AKHENATON" | NEFERTITI |
| THIS AZTEC IS THE TITLE CHARACTER IS OPERAS BY KARL HEINRICH BRAUN AND ROGER SESSIONS | MONTEZUMA |
| THIS PORTUGUESE EXPLORER FALLS IN LOVE WITH AN AFRICAN CAPTIVE IS MEYERBEER'S OPERA "L'AFRICAINE" | VASCO DA GAMA |
| AT THE END OF DONIZETTI'S OPERA "ANNA BOLENA", THIS WOMAN IS HENRY VIII'S NEW QUEEN | JANE SEYMOUR |
| ON JAN.7, 1955, SHE MADE HISTORY AS THE FIRST BLACK IN A MAJOR ROLE AT THE METROPOLITAN OPERA | MARIAN ANDERSON |
| IN 2006 THIS SHOW BASED ON A 1911 WORK BECAME THE LONGEST-RUNNING SHOW IN BROADWAY HISTORY | THE PHANTOM OF THE OPERA |
| A 1920S DISCOVERY PROVED THAT SOME OF THE INSTRUMENTS USED IN THIS 1871 OPERA WERE HISTORICALLY ACCURATE | "AIDA" |
| CRIPPLED BEGGAR SAMMY SMALLS, WHO TRAVELED IN A GOAT CART, INSPIRED A TITLE CHARACTER OF THIS OPERA SET ON CATFISH ROW | PORGY AND BESS |
| IN VARIOUS VERSIONS OF "OTHELLO", SHE'S SMOTHERED, STRANGLED, OR STABBED TO DEATH | DESDEMONA |
| YUM-YUM, WHO IS DUE TO MARRY KO-KO, FALLS IN LOVE WITH THE MINSTREL NANKI-POO IN THIS OPERETTA | THE MIKADO |
| A ONE-ACT OPERA BASED ON AN EPISODE IN "GREAT EXPECTATIONS" IS CALLED THIS WOMAN'S "WEDDING NIGHT" | MISS HAVISHAM |
| THIS WIDOWER AND HUNCHBACK IS THE COURT JESTER TO THE DUKE OF MANTUA | RIGOLETTO |
| CHARACTERS IN THIS JOHN ADAMS OPERA INCLUDE CHOU EN-LAI, CHAIRMAN MAO, AND HENRY KISSINGER | NIXON IN CHINA |
| WORKING-CLASS CHARACTERS SEEK REDEMPTION IN THIS ROCK OPERA BASED ON A GREEN DAY ALBUM | AMERICAN IDIOT |
| THIS EXPLORER TURNS UP AS A CHARACTER IN "A NIGHT AT THE CHINESE OPERA" | MARCO POLO |
| 1875: ESCAMILLO, A MATADOR | CARMEN |
| 1871: RAMFIS, THE HIGH PRIEST OF ISIS | AIDA |
| 1904: SUZUKI, A GEISHA'S SERVANT | MADAME BUTTERFLY |
| 1905: HEROD & JOKANAAN (JOHN THE BAPTIST) | SALOME |
| 1892: TONIO AND BEPPE, A COUPLE OF CLOWNS | I PAGLIACCI |
| GERTRUDE S., A CHARACTER IN "THE MOTHER OF US ALL", IS REALLY THIS WOMAN WHO WROTE THE OPERA'S LIBRETTO | GERTRUDE STEIN |
| THE TITLE CHARACTER OF THIS PUCCINI OPERA IS AN OPERA SINGER | TOSCA |
| ROSSINI'S OPERA ABOUT THIS TRAGIC CHARACTER IS SUBTITLED "IL MORO DI VENIZIA" | OTHELLO |
| DONNA ELVIRA IS ONE OF THE WOMEN SEDUCED BY THE TITLE CHARACTER OF THIS MOZART OPERA | DON GIOVANNI |
| THIS TITLE CHARACTER OF A MUSICAL SOMETIMES SIGNS NOTES WITH THE INITIALS O.G., FOR "OPERA GHOST" | THE PHANTOM OF THE OPERA |
| IN AN OPERA BASED ON A PUSHKIN POEM, LENSKY CHALLENGES THIS TITLE CHARACTER TO A DUEL...BIG MISTAKE! | EUGENE ONEGIN |
| A NORWEGIAN SEA CAPTAIN IS A CHARACTER IN THIS 1843 OPERA | THE FLYING DUTCHMAN |
| IN AN ANDREW LLOYD WEBBER SHOW, NAIVE LITTLE CHRISTINE THINKS THAT THIS TITLE CHARACTER IS THE "ANGEL OF MUSIC" | THE PHANTOM OF THE OPERA |
| TANNHEUSER & LOHENGRIN ARE KNIGHTS; THIS TITLE CHARACTER OF ANOTHER WAGNER OPERA IS A "PURE FOOL" | PARSIFAL |
| SHE OPERA/ORATORIO TITLE CHARACTER SEMELE HAS THE HOTS FOR JUPITER, DISPLEASING THIS WIFE OF THE GOD | JUNO |
| IN AN 1893 OPERA, PETER IS THE FATHER OF THESE GINGERBREAD GORGERS | HANSEL & GRETEL |
| JOE IS A GAMBLER IN HIS EARLY OPERA "BLUE MONDAY"; "SPORTIN' LIFE" IS A GAMBLER IN HIS LATER "PORGY AND BESS" | GEORGE GERSHWIN |
| DON JOSE IS A SOLDIER IN LOVE WITH THIS BIZET BOMBSHELL | CARMEN |
| BUSONI'S OPERA ABOUT THIS CRUEL CHINESE PRINCESS ISN'T NEARLY AS FAMOUS AS PUCCINI'S | TURANDOT |
| IN A GLUCK OPERA, THIS MYTHOLOGICAL CHARACTER IS LAMENTING THE LOSS OF HIS BELOVED | ORPHEUS |
| THIS "VANITY FAIR" CHARACTER IS THE DAUGHTER OF AN ARTIST AND A FRENCH OPERA GIRL | BECKY SHARP |
| VERDI'S FIRST COMIC OPERA WAS A FLOP; IT WAS 50 YEARS BEFORE HE WROTE HIS SECOND, ABOUT HIS SHAKESPEARE CHARACTER | FALSTAFF |
| THIS MOZART OPERA OPENS WITH THE TITLE CHARACTER ON THE PROWL FOR DONNA ANNA | DON GIOVANNI |
| THE CATHOLIC MARGUERITE DE VALOIS IS A PIVOTAL CHARACTER IN THE 1836 OPERA NAMED FOR THESE FRENCH PROTESTANTS | THE HUGUENOTS |
| AN OPERA CHARACTER IS TRANSFORMED INTO A BEE IN THIS CLASSICAL WORK | "THE FLIGHT OF THE BUMBLEBEE" |
| THE TITLE CHARACTER OF THIS 1816 OPERA IS IN SERVICE WITH THE VENETIAN ARMY | OTHELLO |
| DICK DEADEYE, A SAILOR; ADMIRAL SIR JOSEPH PORTER; CAPTAIN CORCORAN | HMS PINAFORE |
| NARRABOTH, HERODIAS, JOHN THE BAPTIST | SALOME |
| KLINGSOR, A SORCERER; AMFORTAS, KEEPER OF THE GRAIL; GURNEMANZ, A KNIGHT | PARSIFAL |
| BEPPE, SILVIO, CANIO THE HEAD CLOWN | I PAGLIACCI |
| THE DUKE OF MANTUA, GILDA, COUNT MONTERONE | RIGOLETTO |
| KING SOLOMAN'S IS A CHARACTER IN "LE REINE DE SABA", AN OPERA ABOUT THE QUEEN OF THIS PLACE | SHEBA |
| FAFNIR, A DRAGON | SIEGFRIED |
| ACT I OF A BIZET OPERA TAKES PLACE IN A SEVILLE SQUARE NEAR A CIGARETTE FACTORY WHERE THIS TITLE CHARACTER WORKS | CARMEN |
| ESCAMILIO, A BULLFIGHTER; MERCEDES, A GYPSY GIRL; DON JOSE, A SOLDIER | CARMEN |
| CIO-CIO SAN, A JAPANESE WOMAN; LIEUTENANT PINKERTON, USN; SUZUKI, A SERVANT | MADAME BUTTERFLY |
| THE KING OF EGYPT; RADAMES, A SOLDIER; RAMFIS, THE HIGH PRIEST | AIDA |
| COUNT ALMAVIVA; FIGARO; ROSINA | THE BARBER OF SEVILLE |
| MARCELLO, A PAINTER; MIMI, A FLOWER GIRL; RODOLFO, A POET | LA BOHEME |
| IF THIS HEROINE HAD MARRIED PRINCE YAMADORI, THERE MIGHT NOT BE THAT NASTY SUICIDE IN THE END | MADAME BUTTERFLY |
| SOME MERRY WIVES DRESS UP LIKE FAIRIES IN VERDI'S 1893 OPERA NAMED FOR THIS SHAKESPEAREAN CHARACTER | FALSTAFF |
| PAINTINGS IN THE SINGERS' HALL AT NEUSCHWANSTEIN DEPICT THIS KNIGHT WHO SOUGHT THE HOLY GRAIL AND INSPIRED AN OPERA | PARSIFAL |
| THE TITLE CHARACTERS OF THIS OPERA ARE A POOR BOY, KING KASPAR, KING MELCHIOR, AND KING BALTHAZAR | AMAHL & THE NIGHT VISITORS |
| MARENKA, WHOSE PARENTS BETROTH HER TO A MAN SHE HAS NEVER MET, IS THE TITLE CHARACTER OF THIS SMETANA OPERA | THE BARTERED BRIDE |
| FIGARO IS THE TITLE CHARACTER OF THIS 1816 ROSSINI OPERA | THE BARBER OF SEVILLE |
| THIS TITLE CHARACTER PERFORMS THE DANCE OF THE SEVEN VEILS FOR HEROD IN AN OPERA BY RICHARD STRAUSS | SALOME |
| THIS CINCINNATI GAL'S PROFESSIONAL NAME COMES FROM CHARACTERS IN A FILM BASED ON A BIZET OPERA AND IN A GREEK MYTH | CARMEN ELEKTRA |
| IT'S THE TITLE OCCUPATION SHARED BY OPERA CHARACTERS "OF BAGHDAD" AND "OF SEVILLE" | BARBER |
| THE TITLE CHARACTER OF THIS VERDI OPERA IS A HUNCHBACKED COURT JESTER | RIGOLETTO |
| CHARACTERS IN THIS BIZET OPERA INCLUDE A TOREADOR, A GYPSY, AND CIGARETTE FACTORY GIRLS | CARMEN |
| LORD LECHERY, MADAM WANTON, AND MADAM BUBBLE ARE ALL CHARACTERS IN THE 1951 OPERA BASED ON THIS JOHN BUNYAN WORK | "PILGRIM'S PROGRESS" |
| HIS TRAGICOMEDY, "SIX CHARACTERS IN SEARCH OF AN AUTHOR" INSPIRED A MODERN OPERA BY HUGO WEISGALL | PIRANDELLO |
| IN THE 1984 MOVIE OF A BIZET OPERA, PLACIDO DOMINGO WAS DON JOSE AND JULIA MIGENES-JOHNSON WAS THIS TITLE CHARACTER | CARMEN |
| THIS THACKERAY CHARACTER IS THE ORPHANED DAUGHTER OF AN ARTIST AND A FRENCH OPERA GIRL | BECKY SHARP |
| IN THIS VERDI OPERA, THE KING OF ETHIOPIA IS A BARITONE WHILE THE KING OF EGYPT IS A BASS | AIDA |
| HER UNCLE THE BONZE CURSES HER FOR RENOUNCING HER RELIGION TO MARRY LT. PINKERTON | MADAME BUTTERFLY |
| IN A BORODIN OPERA, THIS TITLE PRINCE HAS A WIFE NAMED YAROSLAVNA | PRINCE IGOR |
| IN FLOTOW'S OPERA "MARTHA", LADY HARRIET IS A LADY-IN-WAITING TO THIS LAST STUART QUEEN OF ENGLAND | QUEEN ANNE |
| ANGELS GUARD THIS DUO WHILE THEY SLEEP IN THE FOREST IN AN 1893 OPERA | HANSEL & GRETEL |
| THE TITLE CHARACTER IN THIS VERDI OPERA IS A HUNCHBACKED JESTER | RIGOLETTO |
| THIS TITLE CHARACTER SINGS A SPANISH SONG CALLED THE SEGUIDILLA IN ACT I OF A BIZET OPERA | CARMEN |
| PING, PANG, AND PONG ARE CHARACTERS IN THIS PUCCINI OPERA SET IN PEKING | TURANDOT |
| MINNIE, A SALOON OWNER IS THE TITLE CHARACTER IN THIS PUCCINI OPERA | THE GIRL OF THE GOLDEN WEST |
| HIS SON, NANKI-POO, POSES AS A MINSTREL AND LATER WEDS YUM-YUM | THE MIKADO |
| IN "THE RING OF THE NIBELUNG", SIEGFRIED BRAVED A RING OF FIRE TO SAVE THIS GODDESS | BRUNHILDE |
| HE WAS THE CRIPPLED 12-YEAR-OLD TITLE CHARACTER IN THE FIRST OPERA WRITTEN FOR TELEVISON | AMAHL AND THE NIGHT VISITORS |
| THEY WERE THE SON & DAUGHTER OF PETER, A POOR BROOM MAKER AND HIS WIFE, GERTRUDE | HANSEL & GRETEL |
| AT THE END OF "I PAGLIACCI", THIS CLOWN STABS HIS WIFE, NEDDA, AND HER LOVER, SILVIO | CANIO |
| SULLIVAN, OF GILBERT & SULLIVAN, WROTE AN OPERA BASED ON THIS WALTER SCOTT CHARACTER | IVANHOE |
| THIS QUEEN IS A LEADING CHARACTER IN THE EPIC 20TH-C. OPERA "CHISTOPHE COLOMB" | ISABELLA |
| WHEN THIS GYPSY GIRL SPURNS DON JOSE'S AFFECTION, HE KILLS HER WITH A DAGGER | CARMEN |
| HE WAS "THE BARBER OF SEVILLE" PRIOR TO BECOMING COUNT ALMAVIVA'S VALET | FIGARO |
| HE'S THE HUNCHBACKED JESTER TO THE DUKE OF MANTUA IN A VERDI OPERA | RIGOLETTO |
| SATAN, USING THIS NAME, APPEARS TO FAUST AND AGREES TO GIVE HIME YOUTH IN RETURN FOR HIS SOUL | MEPHISTOPHELES |
| CIO-CIO-SAN IS BETTER KNOWN BY THIS NICKNAME | MADAME BUTTERFLY |
| THESE TITLE CHARACTERS OF A CLASSIC OPERATIC WORK ARE A BUNCH OF MYTHICAL DWARVES | THE NIBELUNG |
| BORN IN VERNOA IN 1743, COMPOSER GIUSEPPE GAZZANIGA WROTE MANY OPERA BUFFAS, KNOWN BY THIS 2-WORD TERM IN ENGLISH | COMIC OPERA |
| THIS COMPOSER OF SYMPHONIES, OPERAS, & BALLETS, STUDIED TO BE A LAWYER IN ST. PETERSBURG | TCHAIKOVSKY |
| IN 1864 THIS OPERA COMPOSER WROTE AN "HOMAGE MARCH" FOR BRASS BAND TO HONOR HIS PATRON, KING LUDWIG | WAGNER |
| "THE SECRET" IS A CHARMING COMIC OPERA BY THIS CZECH COMPOSER OF "THE BARTERED BRIDE" | SMETANA |
| KATHLEEN BATTLE'S DEBUT WITH THE METROPOLITAN OPERA WAS AS THE SHEPHERD IN THIS COMPOSER'S "TANNHAUSER" | WAGNER |
| ANDRE GRETRY, "THE MOLIERE OF MUSIC", COMPOSED A 1784 OPERA ABOUT THIS CRUSADING KING | RICHARD THE LIONHEARTED |
| COMPOSER MARIO CASTELNUOVO-TEDECSO WENT "WILDE" AND TURNED THIS OSCAR WILDE PLAY INTO A 1962 OPERA | THE IMPORTANCE OF BEING EARNEST |
| "SALOME", THIS COMPOSER'S FIRST SUCCESSFUL OPERA, WAS BANNED IN BOSTON IN 1923 | RICHARD STRAUSS |
| INSPIRED BY HIS LOVE FOR A FRIEND'S WIFE, WAGNER COMPOSED THIS OPERA ABOUT A PAIR OF MEDIEVAL LOVERS | TRISTAN & ISOLDE |
| THIS COMPOSER OF "CAVALLERIA RUSTICANA" WROTE "IL PICCOLO MARAT", A SADLY NEGLECTED OPERA ABOUT THE REIGN OF TERROR | MASCAGNI |
| GIUSEPPE GAZZANIGA AND THIS COMPOSER BASED THEIR "DON GIOVANNI" OPERAS ON THE SAME LIBRETTO | MOZART |
| THIS ITALIAN COMPOSER WROTE HIS OPERA "FALSTAFF" WHEN HE WAS 79 YEARS OLD | VERDI |
| THE GERMAN STAMP ISSUED ON THE 50TH ANNIVERSARY OF THIS COMPOSER'S DEATH, DEPICTED HIS OPERA "SALOME" | RICHARD STRAUSS |
| A RUSSIAN PLAY BASED ON A FOLK TALE INSPIRED "THE SNOW MAIDEN", AN OPERA BY THIS "SCHEHERAZADE" COMPOSER | RIMSKY-KORSAKOV |
| 19TH-C. FRENCH OPERA COMPOSER OF "THE PEARL FISHERS" AND "THE FAIR MAID OF PIERROT", AMONG OTHERS | BIZET |
| THIS "AMAHL AND THE NIGHT VISITORS" COMPOSER WROTE HIS FIRST OPERA, "THE DEATH OF PIERROT", AT AGE 11 | GIAN CARLO MENOTTI |
| SADLY, THIS POLISH-FRENCH COMPOSER DIED IN 1849, NEVER HAVING WRITTEN A SYMPHONY OR OPERA | CHOPIN |
| HIS "SIEGFRIED IDYLL", COMPOSED IN 1870, FEATURED THEMES FROM HIS "SIEGFRIED" OPERA, WHICH HADN'T YET BEEN PRODUCED | WAGNER |
| A LITTLE FIREBIRD TOLD US THAT THE FATHER OF THIS COMPOSER WAS ONE OF THE LEADING RUSSIAN OPERATIC BASSES OF HIS DAY | STRAVINSKY |
| THIS ITALIAN OPERATIC COMPOSER'S INFANT DAUGHTER, VIRGINIA, DIED IN 1838, JUST AFTER HER BROTHER ICILIO WAS BORN | VERDI |
| EITHER OF THE 2 COMPOSERS WHO IN 1897 BASED AN OPERA ON HENRI MURGER'S NOVEL "SCENES DE LA VIE BOHEME" | PUCCINI OR LEONCAVALLO |
| THE FESTSPIELHAUS IN BAYREUTH, GERMANY WAS BUILT AS A PLACE FOR THIS COMPOSER TO STAGE HIS OPERAS | WAGNER |
| FRAGMENTS OF THE "ODE TO JOY" APPEAR IN THE LIBRETTO OF THIS 1805 OPERA, THE COMPOSER'S ONLY ONE | FIDELIO |
| BEFORE IT WAS A BROADWAY MUSICAL, "AIDA" WAS ONE OF THESE, COMPOSED BY VERDI | AN OPERA |
| AT AGE 28, HIS THIRD OPERA, "NABUCCO", MADE HIM ONE OF ITALY'S FOREMOST COMPOSERS | VERDI |
| THIS 1819 ROSSINI OPERA IS BASED ON A POEM BY SIR WALTER SCOTT | THE LADY OF THE LAKE |
| THIS NAME OF A GREAT OPERA COMPOSER COULD BE ANGLICIZED AT WAINRIGHT | WAGNER |
| BRECHT COLLABORATOR WHO COMPOSED "THE THREEPENNY OPERA" | KURT WEILL |
| "THE TENDER LAND" IS A 1954 OPERA BY THIS "APPALACHIAN SPRING" COMPOSER | AARON COPLAND |
| THIS IMPRESSIONIST COMPOSER'S ONLY COMPLETED OPERA, "PELLEAS ET MELISANDE", PREMIERED IN PARIS IN 1902 | DEBUSSEY |
| THIS OPERA COMPOSER'S ART REALLY TOOK OFF WITH 1843'S "THE FLYING DUTCHMAN" | WAGNER |
| THIS GREAT ITALIAN OPERA COMPOSER TOLD THE STORY OF CINDERELLA IN 1817'S "LA CENERENTOLA" | ROSSINI |
| TO CREATE AN OPERA, YOU NEED A COMPOSER AND THIS PERSON WHO WRITES OR ADAPTS THE TEXT | LIBRETTIST |
| IN 2003 THE MET CELEBRATED THIS COMPOSER'S BICENTENNIAL BY MOUNTING HIS EPIC OPERA "LES TROYENS" | BERLIOZ |
| THIS RUSSIAN COMPOSER'S "THE LOVE FOR THREE ORANGES" IS AN OPERA WITHIN AN OPERA ABOUT A MELANCHOLY PRINCE | PROKOFIEV |
| THE SCORE FOR "THE BREAD AND ROSES OPERA" BY STEVE FRIEDMAN WAS LIFTED FROM THIS COMPOSER'S "DON GIOVANNI" | MOZART |
| THIS OPERA GEORGES BIZET COMPOSED IN 1865 ABOUT A CZAR WASN'T PERFORMED UNTIL 1946 | IVAN (THE TERRIBLE) |
| A MUSICAL PRODIGY, BY AGE 10, BIZET WAS STUDYING IN PARIS UNDER THIS FAMOUS COMPOSER OF THE 1859 OPERA "FAUST" | GOUNOD |
| SADLY, "PORGY AND BESS" WAS THE ONLY FULL-LENGTH OPERA THIS COMPOSER WROTE; HE PASSED AWAY IN 1937, AT AGE 38 | GEORGE GERSHWIN |
| THE LIBRETTO FOR "WILLIAM TELL" WAS IN THIS LANGUAGE, THE NATIVE TONGUE OF NEITHER THE COMPOSER, ROSSINI, NOR THE SUBJECT | FRENCH |
| THIS 5-LETTER WORD CAN REFER TO ONE TYPE OF WORK BY A COMPOSER; OR TO SEVERAL WORKS OF DIFFERENT TYPES | OPERA |
| THE STORY AND THE MUSIC OF THE BALLET "REVENGE" COME FROM THIS COMPOSER'S OPERA "IL TROVATORE" | VERDI |
| AN ODD SUBJECT FOR AN OPERA, BUT COMPOSER JOHN ADAMS WROTE ONE ABOUT THIS PRESIDENT'S 1972 TRIP TO CHINA | NIXON |
| IN 1896 THIS "SCHEHERAZADE" COMPOSER REORCHESTRATED MUSSORGSKY'S OPERA "BORIS GODUNOV" | RIMSKY-KORSAKOV |
| THIS ITALIAN COMPOSED 27 OPERAS, INCLUDING "STIFFELIO", "NABUCCO", AND "OTELLO" | VERDI |
| AT HIS PEAK HE COMPOSED 2 OR 3 OPERAS A YEAR LIKE "LUCIA DI LAMMERMOOR" | DONIZETTI |
| TO RESEARCH THE OPERA,"PORGY AND BESS", THIS COMPOSER SPENT WEEKS AMONG THE GULLAH PEOPLE ON AN ISLAND OFF THE CAROLINA COAST | GEORGE GERSHWIN |
| COMPOSER WHOSE NAME COMPLETES THE TITLE OF RIMSKY-KORSAKOV'S OPERA "MOZART AND ..." | SALIERI |
| COMPOSER OF "MOZART AND SALIERI" | RIMSKY-KORSAKOV |
| AS COMPOSED BY RICHARD STRAUSS, THE ROLE OF THIS "COMPLEX" SOPHOCLES HEROINE IS ONE OF OPERA'S MOST DEMANDING | ELECTRA |
| THIS COMPOSER OF THE OPERA "SIEGFRIED" ALSO NAMED HIS SON SIEGFRIED | WAGNER |
| THIS AUSTRIAN COMPOSER DIDN'T COMPLETE HIS OPERAS "ADRAST" AND "SUKUNTALA"; HE LEFT A SYMPHONY "UNFINISHED", TOO | SCHUBERT |
| THE SEATTLE OPERA IS FAMOUS FOR ITS BACK-TO-BACK PRODUCTIONS OF THIS COMPOSER'S "RING" CYCLE, IN GERMAN AND ENGLISH | WAGNER |
| THIS "PHANTOM" AND "CATS" COMPOSER'S MINI-OPERA "TELL ME ON A SUNDAY" PREMIERED ON THE BBC IN 1980 | ANDREW LLOYD WEBBER |
| A CARD-PLAYING COUNTESS ENDS UP AS A GHOST IN THIS "NUTCRACKER" COMPOSER'S OPERA "THE QUEEN OF SPADES" | TCHAIKOVSKY |
| THIS "LA MER" COMPOSER ONCE PLANNED AN OPERA BASED ON "THE FALL OF THE HOUSE OF USHER" | DEBUSSEY |
| ROSSINI'S "OTELLO" DEBUTED 71 YEARS BEFORE THIS COMPOSER'S MORE FAMOUS "OTELLO" OPERA | VERDI |
| HE COMPOSED "MONTEZUMA" IN 1964 | ROGER SESSIONS |
| IGOR STRAVINSKY'S FATHER, FYODOR, SANG IN THE OPERA "MAID OF ORLEANS" BY THIS "CHOLERIC" COMPOSER | TCHAIKOVSKY |
| MINNIE RUNS A SALOON IN A CALIFORNIA MINING CAMP IN THIS ITALIAN COMPOSER'S OPERA "THE GIRL OF THE GOLDEN WEST" | PUCCINI |
| THE HEROINE OF THIS CZECH COMPOSER'S 1881 OPERA "LIBUSE" IS THE QUEEN OF BOHEMIA | SMETANA |
| "LA CENERENTOLA" IS A CINDERELLA OPERA BY THIS "WILLIAM TELL" COMPOSER | ROSSINI |
| SWISS COMPOSER ERNEST BLOCH'S ONLY COMPLETED OPERA IS BASED ON THIS PLAY; THE ROLE OF BANQUO IS SUNG BY A TENOR | MACBETH |
| THIS 1847 OPERA BY AN ITALIAN COMPOSER FEATURES SINGING WITCHES | MACBETH |
| APPROPRIATELY, SCOTTISH COMPOSER THEA MUSGRAVE WROTE AN OPERA ABOUT THIS SCOTTISH QUEEN | MARY, QUEEN OF SCOTS |
| IN 1989 COMPOSER GIAN CARLO MENOTTI DIRECTED HIS OWN OPERA ABOUT THIS BOY | AMAHL |
| THIS COMPOSER OF THE ENCHANTING BALLET "SWAN LAKE", WROTE AN OPERA CALLED "THE ENCHANTRESS" | TCHAIKOVSKY |
| WE ASSUME SAMUEL BARBER COMPOSED HIS MINI-OPERA ABOUT "A HAND OF ..." THIS GAME ACCORDING TO HOYLE | BRIDGE |
| THE HEROINE OF THIS CZECH COMPOSER'S 1901 OPERA "RUSALKA" IS A WATER NYMPH | DVORAK |
| "DAS RHEINGOLD", A ONE-ACT OPERA, SERVES AS THE PROLOGUE TO THIS COMPOSER'S "RING" CYCLE | WAGNER |
| THIS NOTORIOUSLY LAZY COMPOSER HAD USED HIS OVERTURE TO "THE BARBER OF SEVILLE" IN AT LEAST 2 PREVIOUS OPERAS | ROSSINI |
| NIETZSCHE BEFRIENDED BUT LATER BROKE WITH THIS ANTI-SEMITIC OPERA COMPOSER | WAGNER |
| "IL TRITTICO" (THE TRIPTYCH)...IS A TRILOGY OF ONE-ACT OPERAS BY THIS COMPOSER OF "TOSCA" | PUCCINI |
| THIS "BOLERO" COMPOSER'S OPERA "L'ENFANT ET LES SORTILEGES" FEATURES A SINGING SQUIRREL | RAVEL |
| THIS HUNGARIAN COMPOSER WROTE ONLY ONE OPERA, THE DRAMATIC ONE-ACT "DUKE BLUEBEARD'S CASTLE" | BELA BARTOK |
| WHEN THIS COMPOSER'S OPERA "LA BOHEME" PREMIERED IN TURIN, ARTURO TOSCANINI CONDUCTED THE ORCHESTRA | PUCCINI |
| THIS COMPOSER'S ADOPTED NIECE, JOHANNA, CREATED THE ROLE OF ELISABETH IN HIS OPERA, "TANNHAUSER" | WAGNER |
| KLINGSOR'S MAGIC GARDEN IS FILLED WITH FLOWER MAIDENS IN THIS GERMAN COMPOSER'S 1882 OPERA "PARSIFAL" | WAGNER |
| "THE FAIRIES", THE FIRST COMPLETED OPERA BY THIS "PARSIFAL" COMPOSER, WAS NEVER PERFORMED IN HIS LIFETIME | WAGNER |
| THIS FINNISH COMPOSER'S ONLY OPERA, "THE MAIDEN IN THE TOWER", IS RARELY PERFORMED | SIBELIUS |
| OPERA COMPOSER RENZO ROSSELLINI WAS THE BROTHER OF THIS FILM DIRECTOR | ROBERTO ROSSELLINI |
| JULES MASSENET COMPOSED AN OPERA BASED ON THIS FAMOUS NOVEL BY MIGUEL DE CERVANTES | DON QUIXOTE |
| ORIGINALLY, THIS COMPOSER'S OPERA "RIGOLETTO" WAS TITLED "LA MALEDIZIONE" (THE CURSE) | VERDI |
| ORIGINALLY, THIS CZECH COMPOSER'S OPERA "THE BARTERED BRIDE" CONTAINED SOME SPOKEN DIALOGUE | SMETANA |
| FRANCO ALFANO & WALTER DAMROSCH BOTH COMPOSED OPERAS ADAPTED FROM THIS 1897 PLAY BY EDMOND ROSTAND | CYRANO DE BERGERAC |
| THIS "MESSIAH" COMPOSER'S 1735 OPERA "ALCINA" WAS BASED ON THE EPIC POEM "ORLANDO FURIOSO" | HANDEL |
| THIS COMPOSER'S REPUTATION RESTS ON HIS FIRST & LAST FULL-LENGTH OPERAS, "THE PEARL FISHERS" AND "CARMEN" | BIZET |
| THIS AUSTRIAN WAS JUST 14 WHEN HE COMPOSED HIS 1770 OPERA "MITRIDATE, RE DI PONTO" | MOZART |
| "THE WITCHES", THE FIRST OPERA BY THIS COMPOSER OF "MADAMA BUTTERFLY", MAY BE BASED ON THE BALLET "GISELLE" | PUCCINI |
| THIS COMPOSER OF THE "NEW WORLD SYMPHONY" WROTE THE OPERAS "THE CUNNING PEASANT" AND "THE PIGHEADED PEASANTS" | DVORAK |
| THIS "MESSIAH" COMPOSER'S "RINALDO" WAS THE FIRST ITALIAN OPERA WRITTEN FOR THE LONDON STAGE | HANDEL |
| "DJAMILEH" IS A COMIC OPERA BY THIS COMPOSER OF "CARMEN" | BIZET |
| THIS ORATORIO COMPOSER'S 1735 OPERA "ARIODANTE" IS BASED ON "ORLANDO FURIOSO" | HANDEL |
| THIS "TURANDOT" COMPOSER'S OPERA "SISTER ANGELICA" IS SET IN A CONVENT AND HAS AN ALL-FEMALE CAST | PUCCINI |
| THIS "BILLY THE KID" COMPOSER WROTE 2 OPERAS: "THE SECOND HURRICANE" AND "THE TENDER LAND" | AARON COPLAND |
| AS A STUDENT, FILM COMPOSER NINO ROTA BASED AN OPERA ON THIS DANE'S FAIRY TALE "THE PRINCE AND THE SWINEHERD" | HANS CHRISTIAN ANDERSON |
| AMERICAN COMPOSER ROBERT WARD BASED A 1961 OPERA ON THIS AUTHOR'S FAMOUS PLAY "THE CRUCIBLE" | ARTHUR MILLER |
| A NAUGHTY CHILD'S TOYS REBEL AGAINST HIM IN THIS "BOLERO" COMPOSER'S OPERA "L'ENFANT ET LES SORTILEGES" | RAVEL |
| THIS "RAGTIME" COMPOSER WROTE THE LIBRETTO FOR HIS OWN OPERA, "TREEMONISHA", AND CHOREOGRAPHED IT, TOO | SCOTT JOPLIN |
| THIS AUSTRIAN COMPOSER'S "COSI FAN TUTTI" IS SET IN 18TH-C. NAPLES | MOZART |
| AFTER HIS DEATH IN 1958, FINNISH COMPOSER AARRE MERIKANTO'S OPERA "JUHA" PREMIERED ON RADIO IN THIS CAPITAL | HELSINKI |
| ARTHUR BENJAMIN, COMPOSER OF "A TALE OF TWO CITIES", IS A NATIVE OF THIS COUNTRY | AUSTRALIA |
| SWISS COMPOSER HEINRICH SUTERMEISTER WROTE A 1967 OPERA BASED ON THIS AUTHOR'S "MADAME BOVARY" | FLAUBERT |
| THIS COMPOSER OF "THE FOUR SEASONS" WROTE 46 OPERAS, BUT ONLY 21 OF THE SCORES SURVIVE | VIVALDI |
| THIS GERMAN COMPOSER OF THE OPERA "ALCESTE" TAUGHT SINGING TO MARIE ANTOINETTE | CHRISTOPH GLUCK |
| THE PLOT OF THIS "NEW WORLD SYMPHONY" COMPOSER'S OPERA "DIMITRIJ" BEGINS WHERE "BORIS GODUNOV" ENDS | DVORAK |
| RUSSIAN "EUGENE ONEGIN" COMPOSER WHOSE BROTHER MODEST WROTE THE LIBRETTO FOR HIS LAST OPERA, "IOLANTA" | TCHAIKOVSKY |
| CONCEPCION'S LOVERS HID INSIDE CLOCKS IN THIS "BOLERO" COMPOSER'S OPERA "L'HEURE ESPANGNOLE" | RAVEL |
| "THE BURNING FIERY FURNACE" IS A BIBLICAL OPERA BY THIS COMPOSER OF "BILLY BUDD" | BENJAMIN BRITTEN |
| THIS "LOHENRIN" COMPOSER'S FIRST OPERA, "DIE FEIN", WASN'T PERFORMED UNTIL 1888, FIVE YEARS AFTER HIS DEATH | WAGNER |
| "MUSEITA'S WALTZ" IS A HIGHLIGHT OF THIS COMPOSER'S 1896 OPERA "LA BOHEME" | PUCCINI |
| "BORIS GODUNOV" IS THE ONLY OPERA COMPLETED BY THIS COMPOSER | MUSSORGSKY |
| ENGLISH COMPOSER WHOSE 1947 OPERA "ALBERT HERRING" IS ABOUT A YOUNG MAN, NOT A YOUNG FISH | BENJAMIN BRITTEN |
| THIS "THREEPENNY OPERA" COMPOSER STUDIED WITH ENGELBERT HUMPERDINCK | KURT WEILL |
| G. STREPPONI SANG IN "NABUCCO", THE OPERA THAT MADE THIS COMPOSER FAMOUS, AND LATER MARRIED HIM | VERDI |
| THIS COMPOSER OF "THE MIKADO" WROTE ONLY ONE GRAND OPERA, "IVANHOE" | SIR ARTHUR SULLIVAN |
| HE COMPOSED A ONE-ACT JAZZ OPERA CALLED "BLUE MONDAY", 13 YEARS BEFORE "PORGY AND BESS" | GEORGE GERSHWIN |
| CAMILLE SAINT-SAENS COMPOSED AN OPERA SET IN GAZA ABOUT THIS PAIR | SAMSON AND DELILAH |
| BIRGIT NILSSON IS BEST KNOWN FOR HER HEROIC ROLES IN THIS COMPOSER'S OPERAS | WAGNER |
| THE 1954 DOROTHY DANDRIDGE/HARRY BELAFONTE FILM "CARMEN JONES" WAS BASED ON THIS COMPOSER'S OPERA | BIZET |
| IN SPAIN, A WOMAN DRESSES AS A MAN TO RESCUE HER LONG-IMPRISONED HUSBAND | FIDELIO (BEETHOVEN) |
| A CURSED HERO IS DUPED INTO BETRAYING HIS BELOVED; HE IS MURDERED, SHE KILLS HERSELF, AND THE WORLD BURNS | GOTTERDAMMERUNG (WAGNER) |
| THE CAPTAIN OF AN ENGLISH WARSHIP OBSERVES THE BATTLE OF GOOD & EVIL WHEN A NEW CREWMAN COMES ABOARD AND HAS A CONFLICT WITH THE MASTER-AT-ARMS | BILLY BUDD (BRITTEN) |
| A SONG CONTEST IS THE BACKGROUND FOR ROMANCE & PHILOSOPHIZING IN 16TH-C. GERMANY | DIE MEISTERSINGER VON NURNBERG (WAGNER) |
| A ROYAL COUPLE, A NOBLE PRIEST, A BIRD CATCHER, AND THE QUEEN OF THE NIGHT ARE FEATURED CHARACTERS IN THIS FANTASY SETTING | THE MAGIC FLUTE (MOZART) |
| A SELFISH HERO LIVES TO REGRET HIS BLASE' REJECTION OF A YOUNG WOMAN'S LOVE AND HIS CARELESS INCITEMENT OF A FATAL DUEL WITH HIS BEST FRIEND | EUGENE ONEGIN (TCHAIKOVSKY) |
| IN UPPER-CLASS VIENNA, A YOUNG WOMAN IS ENGAGED TO A BOORISH MAN WHEN SHE MEETS HERE TRUE LOVE CARRYING A SILVER ROSE | DER ROSENKAVALIER (RICHARD STRAUSS) |
| IN ANCIENT CHINA, A PRINCESS CHALLENGES SUITORS WITH RIDDLES, UNTIL A MYSTERIOUS PRINCE ARRIVES AND OFFERS HER A CHALLENGE TO GUESS HIS TRUE NAME | TURANDOT (PUCCINI) |
| MAC THE KNIFE IS SENTENCED TO HANG UNLESS HE CAN FIND A WAY OUT OF IT | THE THREEPENNY OPERA (WEILL) |
| A NOBLEMAN AND HIS NEW WIFE ELOPE TO HIS CASTLE, WHERE SHE FINDS SEVEN LOCKED DOORS. | BLUEBEARD'S CASTLE (BARTOK) |
| A GEISHA IS BROKEN-HEARTED WHEN HER AMERICAN HUSBAND RETURNS FROM YEARS ABROAD WITH A NEW WIFE | MADAMA BUTTERFLY (PUCCINI) |
| IN THIS ADAPTATION OF A SHAKESPEARE PLAY, A GENERAL SUSPECTS THAT HIS WIFE IS UNFAITHFUL AFTER RECEIVING FALSE INFORMATION FROM A TRUSTED CONFIDANTE | OTELLO (VERDI) |
| A GYPSY WOMAN TOYS WITH THE LOVE OF TWO MEN, A SOLDIER AND A BULLFIGHTER | CARMEN (BIZET) |
| AN EGYPTIAN MILITARY COMMANDER STRUGGLES TO CHOOSE BETWEEN HIS LOVE FOR AN ETHIOPIAN PRINCESS AND HIS LOYALTY TO THE PHARAOH | AIDA (VERDI) |
| A BARBER HELPS A NOBLEMAN WED HIS TRUE LOVE USING COSTUMES AND TRICKERY TO OUTWIT HIS RIVAL | THE BARBER OF SEVILLE (ROSSINI) |
| MARGUERITE IS AN INNOCENT MAIDEN WHO GETS MIXED UP WITH THE DEVIL | FAUST (GOUNOD) |
| WOTAN IS A LONG-WINDED BARITONE WHOSE ILLEGITIMATE CHILDREN ULTIMATELY CAUSE HIS RUIN | THE RING CYCLE (WAGNER) |
| PRINCESS DISPOSES OF UNWANTED MALE ATTENTION WITH A LETHAL QUIZ | TURANDOT (PUCCINI) |
| THE QUEEN OF THE NIGHT TRIES TO STOP HER DAUGHTER FROM MARRYING A PROSPECTIVE MASON | DIE ZAUBERFLOTE (MOZART) |
| MIMI IS A SEAMSTRESS WITH VERY COLD HANDS | LA BOHEME (PUCCINI) |
| ALFREDO IS A SOCIALITE WHO HAS A FLING WITH A WOMAN OF LOOSE MORALS UNTIL HIS DAD TELLS HIM TO GET A LIFE | LA TRAVIATA (VERDI) |
| LOHENGRIN IS A CHAMPION OF UNKNOWN ORIGIN WHO SPENDS MUCH OF HIS TIME SWANNING AROUND | LOHENGRIN (WAGNER) |
| DIDO DIES OF GRIEF WHEN HER LOVER IS TRICKED INTO DUMPING HER | DIDO & AENEAS (PURCELL) |
| ESCAMILLO PICKS UP A GIRL WHO IS SUBSEQUENTLY KILLED BY HER EX | CARMEN (BIZET) |
| FIGARO BARBER WHO PROVIDES DATING CONSULTATION IS HIS SPARE TIME | BARBER OF SEVILLE (ROSSINI) |
| SUSANNA IS A SEXUALLY HARASSED MAID WHO INTENDS TO MARRY A FORMER BARBER | THE MARRIAGE OF FIGARO (MOZART) |
| RADAMES IS AN EGYPTIAN COMMANDER WHO INADVERTANTLY REVEALS HIS MILITARY PLANS TO THE ENEMY & IS EXECUTED | AIDA (VERDI) |
| SENTA IS AN EMOTIONALLY CHALLENGED YOUNG GIRL WHOSE FANTASY LOVER TURNS OUT TO BE REAL, AND SHE KILLS HERSELF | DER FLIEGENDE HOLLANDER (WAGNER) |
| THE GHOSTS OF THE ABUSIVE GOVERNESS AND MANSERVANT KILL THE CHILD THEY ARE CARING FOR | THE TURN OF THE SCREW (BRITTEN) |
| DON GIOVANNI KILLS THE COMMENDATORE, WHOSE STATUE ARRIVES IN THE FINALE TO CONSIGN HIM TO HELL | DON GIOVANNI (MOZART) |
| MIMI SINGS REALLY WELL IN THE FINALE CONSIDERING THAT HER LUNGS ARE FAILING | LA BOHEME (PUCCINI) |
| RODRIGO, MARQUESS OF POSA, IS EXECUTED FOR SYMPATHIZING WITH DON CARLO'S DEFENSE OF THE NETHERLANDS; THE BIG PARTY SCENE IN THE OPERA INVOLVES A HERETIC BARBECUE | DON CARLOS (VERDI) |
| IN A CASE OF SERIOUSLY MISPLACED SELF-SACRIFICE, GILDA DELIBERATELY ENCOUNTERS THE ASSASSIN WAITING TO KILL THE PHILANDERING DUKE | RIGOLETTO (VERDI) |
| THE PRINCE OF PERSIA'S HEAD IS TAKEN OFF AS THE OPENING NUMBER; SHE (LIU) DIES RATHER THAN BETRAY THE TENOR | TURANDOT (PUCCINI) |
| THE ETHIOPIANS LOSE THE WAR, AMONASRO DIES OFFSTAGE, RADAMES AND AIDA ARE BURIED ALIVE | AIDA (VERDI) |
| LENSKY CHALLENGES ONEGIN TO A DUEL BUT ENDS UP GETTING SHOT | EUGENE ONEGIN (TCHAKOVSKY) |
| THE HEAD OF ST. JOHN THE BAPTIST IS AN ENDURING IMAGE, BUT IT IS OFTEN FORGOTTEN THAT HEROD ORDERS SALOME TO BE KILLED AT THE VERY END | SALOME (STRAUSS) |