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English
English, of course
| Term | Definition |
|---|---|
| Characterization | |
| Dialogue | Spoken literature within speech's context |
| Subtext | 1st, 2nd, or 3rd person thoughts for characters |
| Person voice | The voice of a person |
| Setting | The area or time that certain events take place |
| Conflict | The problem or struggle within a story's timeline |
| Teen angst subgenre | Teenager conflicts built in a story |
| Unreliable narration | A narrator lies or exaggerates the truth |
| Resolutions | The final solution to the story's conflict |
| Sensory imagery | Descriptions strong with imagery and different sensory words |
| Focus | The big part of a story that the story revolves around |
| Definite Arrangement | |
| Eliminating empty words | To get rid of words such as "thing" or "that" |
| Specific word choice | To choose words of descriptive or specific nature; soda turns into Pepsi, etc. |
| Effective Comparisons | Comparisons that make sense or are very effective |
| Onomatopoeia | Words used to symbolize different sounds |
| Repetition | |
| Alliteration | A constant rhythmic beginning sound of words in a line |
| Hyperbole | An exaggeration; truth stretched |
| Synesthesia | Two different sensory words used in the sense of one; the blue tasted sweet |
| Mood | The feeling or atmosphere in an enviroment |
| Author's purpose | An authors reasoning for making a piece of literature |
| Tone | An emotion or feeling in a character/person's voice, can be for body language also |
| Simile | Comparison using like or as |
| Metaphor | Comparison not using like or as |