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LA Week 6 Poetry
| Question | Answer |
|---|---|
| Which Edgar Allan Poe poem talks about doing various things always by himself? | Alone |
| Which Poe poem is about a young maiden who lives in a kingdom by the sea? | Annabel Lee |
| Which Poe poem features this ringing object often seen at Christmas time? | The Bells |
| Which Poe poem is about a death-stricken city? | The Kingdom in the Sea |
| the final vowel/ consonant combination found at the ends of lines that are repeated across the rhyming words | End ryme or tail rhyme |
| When words within a single line are rhymed | Internal rhyme |
| A single rhyme in which the stress is on the final syllable of the words | Masculine |
| a single rhyme in which the stressis on the penultimate syllable of the words | feminine |
| a single rhyme in which the stress is on the antepenultimate syllable | Dactylic |
| a rhyme in which all three syllables of a three-syllable word are stressed equally | Triple |
| a rhyme between words that are identical in sound | Perfect |
| a rhyme between a stressed and an unstressed syllable | Imperfect |
| a rhyme that starts at a consonant instead of a vowel, or rhyming word with itself | Identity |
| a rhyme with an extra syllable on one word | Semirhyme |
| a rhyme with an imperfect match in sound | oblique (slant) |
| a similarity in spelling but not in sound | sight |
| Consonance | matching consonants |
| the consonance on the final consonants of the words involved | half rhyme |
| matching vowels | Assonance |
| the pattern of rhyming klines in a poem | rhyme scheme |
| decribes the regular linguistic sound patterns of verse | meter |
| the analysis of poetry's metrical and rhythmic patterns | Scansion and scanning |
| are determinmed by emphasis rather than length eith stressed and unstressed syllables serving the same fuction as long and short syllables in the classical meter | Metrical Feet |
| metrical foot used in formal poetry that consists of a short syllable followed by a long one | iamb or iambic |
| a metrical foot used in formal poetry tha tconsists of a long syllable followed by a short one | Trochee |
| a metrical foot used in formal poetry that consists of two short syllables followed by a long one | Anapest |
| a metrical foot used used in fromal poetry taht consists of a long syllable followed by two short syllables | Dactyl or Dactylic |
| the most frequently encountered line of of English verse | Iambic Pentameter |
| the basic unit of a poem | line |
| pair of lines of verse that form a unit | Couplet |
| a unit within a larger poem | Stanza |
| a pair of stanzas of alternating form on which the structure of a given poem is based | strophe |
| with no regular number of lines of groups of lines that make up units of sense | verse paragraph |
| corresponds to a two line stanza in iambic pentameter | heroic couplet |
| unrhymed iambic pentameter | blank verse |
| verse with no meter or rhyme | free verse |
| refers to a particular kind of beak or pause within a poet line | caesura |
| the breaking of a syntactic unit by the end of a line or between two verses | enjambment |
| each syntactic unit, corresponds with the line length | end stopping |
| poetry in which the typographical arrangement of words is as important in conveying the intended effect as the conventional elements of the poem, such as meaning of words, rhythm, rhyme & so on. | concrete poetry |
| poetry that is specifically composed for or during performance before an audience | performance poetry |
| a form of performance poetry that that occurs within a competitve poetry event, called "slam" at which poets perform their own poems that are then "judged" on a numeric scale by randomly picked members of the audience | slam poetry |
| the linking together of stanzas by carrying a rhyme over from one one stanza to the next | chain rhyme |
| a poem of 14 lines following a strict rhyme sheme and logical structure | sonnet |
| also called an Italian sonnet: a sonnet comprising an octave and a closing sestet. the octave is composed of two quatrains following the form abba | petrarcahn sonnet |
| also called the Elizabethan or english sonnet, a sonnet comprising three quatrains and a final couplet in iambic pentameter with the rhyme scheme abab cdcd efef gg. | Shakespearean sonnet |
| a sonnet that has an interlocking rhyme scheme that goes abab bcbc cdcd ee | spenserian sonnet |
| describes the regular linguistic sound patterns of verse Meter | Meter |
| the analysis of poetry's metrical and rhythmic patterns Scansion or Scanning | Scansion or Scanning |
| are dtermined by emphasis rather than length, with stressed and unstressed syllables serving the same function as long and short syllable in classical meter Metrical Feet | Metrical Feet |
| metrical foot usde in formal poetry that consists of a short syllable followed by a long one Iamb or Iambic | Iamb or Iambic |
| a metrical foot used in formal poetry that consists of a long syllable followed by a short one Anapest | Anapest |
| a metrical foot used in formal poetry that consists of a long syllable followed by 2 short syllables Dactyl or Dactylic | Dactyl or Dactylic |
| the most frequently encountered line of English verse Iambic Pentameter | Iambic Pentameter |
| the basic unit of a poem Line | Line |
| pair of lines of verse that form a unit Couplet | Couplet |
| a unit within a larger poem Stanza | Stanza |
| a metrical foot used in formal poetry that consists of a long syllable followed by a short one Trochee | Trochee |
| a pair of stanzas of alternating form on which the structure of a given poem is based Strophe | Strophe |
| with no regular number of lines or group of lines that make up units of sense. They are usually seperated by blank lines Verse Paragraph | Verse Paragraph |
| corresponds to a two line stanza in iambic pentameter Heroic Couplet | Heroic Couplet |
| unrhymed iambic pentameter Blank Verse | Blank Verse |
| verse with no meter or ryhme Free Verse | Free Verse |
| refers to a particular kind of break or pause within a poetic line Caesura | Caesura |
| the breaking of a syntactic unit by the end of a line or between two verses Enjambment | Enjambment |
| each syntactic unit corresponds with the line length End Stopping | End Stopping |
| poetry in which the typographical arrangment of words is as important in conveying the intended effect as the conventional elements of the poem, such as meaning of words, rhythm; rhyme and so on Concrete Poetry | Concrete Poetry |
| poetry that is specifically composed for or during a performance before an audience Performance Poetry | Performance Poetry |
| a form of performance poetry that ocurrs within a competetive poetry event, called a "slam" at which poems perform their own poems that are judged on a numeric scale by randomly picked members of an audience Slam Poetry | Slam Poetry |
| the linking together of stanzas by carrying a rhyme from one stanza to the next Chain Rhyme | Chain Rhyme |
| a poem of fourteen lines following a strict rhyme scheme and logical structure Sonnet | Sonnet |
| a sonnet comprising an octive and a closing sestet. The octive is composed of 2 quatrainsfollowing the form abba petrarchan sonneto called the Italian sonnet | petrarchan sonneto called the Italian sonnet |
| a sonnet comprising 3 quatrains and a final couplet in iambic pentameter with the rhyme scheme abab cdcd efef gg Shake spearean Sonnet, also called the Elizabethan or English Sonnet | Shake spearean Sonnet, also called the Elizabethan or English Sonnet |
| a sonnet that has a interlocking rhyme scheme that goes abab bcbc cdcd ee Spenserian Sonnet | Spenserian Sonnet |
| a poem or stanza within a poem that consists of four lines. It is the most common of all stanza forms in European poetry. Quatrain | Quatrain |
| a 5 line poem often humorous or risque with a rhyme scheme that goes aabba Limerick | Limerick |
| I Know Why the Caged Bird Sings/On the Pulse of the Morning Angelou | Angelou |
| Dover Beach Arnold | Arnold |
| John Brown's Body Benet | Benet |
| Songs of Innocence/Songs of Experience Blake | Blake |
| How do I Love Thee Elizabeth Browning | Elizabeth Browning |
| The Pied Piper of Hamlin/Pippa Passes Robert Browning | Robert Browning |
| We Real Cool Brooks | Brooks |
| To A Waterfowl Bryant | Bryant |
| Auld Lange Syne Burns | Burns |
| Don Juan Byron | Byron |
| Jabberwocky/The Walrus and the Carpenter Carroll | Carroll |
| The Cantebury Tales Chaucer | Chaucer |
| The Rime of the Ancient Mariner Coleridge | Coleridge |
| The Divine Comedy Dante | Dante |
| Beacause I Could Not Stop for Death/I Heard a Funeral in my Brain/I heard a Fly Buzz When I Died Emily Dickenson | Emily Dickenson |
| Death be Not Proud Donne | Donne |
| Majors and Minors/Lyrics of a Lowly Life Dunbar | Dunbar |
| The Love SOng of J. Alfred Prufrock/The Hollow Men/The Waste Land T.S. Eliot | T.S. Eliot |
| The Rhodora/Concord Hymn Emerson | Emerson |
| Little Boy Blue/WYnken, Blynken, and Nodd Field | Field |
| Stopping By Woods on a Snowy Evening/The Road Not Taken/Mendling Wall Frost | Frost |
| Howl/Kaddish Ginsberg | Ginsberg |
| Faust Goethe | Goethe |
| Old Iornsides Holmes | Holmes |
| A Dream Deffered/The Negro Speaks of Rivers Langston Hughes | Langston Hughes |
| Ode on a Grecian Urn/Endymion/The Eve of St. Agnes Keates | Keates |
| Gunga Din Kipling | Kipling |
| Trees Kilmer | Kilmer |
| The New Colossus Lazarus | Lazarus |
| Paul Revere's Ride/The Song of Hiawatha/The Courtship of Miles Standish Longfellow | Longfellow |
| To Althea From Prison Lovelace | Lovelace |
| Paradise Lost Milton | |
| The Highwayman Noyes | |
| The Raven/Annabel Lee Edgar Allen Poe | |
| The Charge ot the Light Brigade Tennyson | |
| Casey at the Bat Thayer | |
| Do Not Go Gentle into That Good Night Thomas | |
| O Captain! My Captain!/Song of Myself/I Hear America Singing/Leaves of Grass Whitman | |
| Snowbound Whittier(Quaker Poet) |
Created by:
rcms