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AV Test 1
Audio Visual Productions Test 1
| Question | Answer |
|---|---|
| which best describes a basic television | the equipment and the people who operate it to produce a specific television program |
| what is one of the major production factors that distinguish the ENG system from the EFP system? | signal transport to station |
| what is a facilities request used for | to request equipment for a production |
| what are television lighting instruments that produce directional light called | spot lights |
| what is the basic function of a microphone | to convert actual sound waves into electric energy |
| which of the following most accurately describes the functions of the audio console | to select, amplify and mix and control the volume of all incoming sound signal |
| what is the principal function of a switcher | enable instantaneous editing |
| what recording media permits the recording of digital or analog information | videotape |
| which editing system allows random frame access | nonlinear system |
| how would you describe the brainstorming process of getting ideas | generating and accepting all ideas without value judgement |
| which question should you ask abou the show idea before moving it into the production phase | it it worthwhile and doable? |
| which list of items must be included in a standard program proposal | program objective, show treatment and budget |
| which statement describes best the function of a production schedule | it tells everyone involved in a specific production who is doing what, when and where throughout the three production phases |
| what is the best way to approach the preparation of a production budget | be realistic but add a contingency of at least 15 percent |
| which of the following would require copyright clearance before you could include it in your coverage of the graduation ceremony? | reading a passage from a book by Martin Luther King |
| 450,000 total tv sets in your market. 98,000 were tuned in. 35,000 tuned in to your program. What are the rating and share figures? | rating: 8 share: 36 |
| to determine a target audience, you must include: | demographic and psychographic information |
| what is true about brainstorming and clustering? | brainstorming is a verb clustering is written |
| into what parts is a production budget usually divided? | preproduction, production, postproduction |
| what is a facilities request used for? | to request equipment for a production |
| what is the column arrangement of a standard AV script? | video on the left, audio on the right |
| what is a partial AV script format | same as standard AV format but showing only partial dialogue |
| what is a fact sheet? | a list of major points about a product to be demonstrated |
| what does dramaturgy mean? | the structure, or composition of a drama |
| which options contains all major components of a dramatic structure | theme, plot, character, environment |
| which statements suggests a character driven plot | the student was tardy because he didnt want to face the upcoming final exam unprepared |
| which of the following script formats lists items to be sown and roughly what will be said | fact sheet |
| what the the tree parts of classical dramaturgy | point of attack, climax and the obvious |
| which of these structural components of a basic dramatic story show what the story's about? | theme |
| which of the following is a "looking into' approach | a story that reveals emotional impact |
| what is a time line | it shows the times by which certain activities must be undertaken on the production day |
| which of the following describes a show format | a list of show segments in order of appearance |
| you are the director of a complex studio show; which of the following is a duty you would normally assign to your AD | presetting shots |
| what does "locking-in" mean in relation to script analysis | visualizing or mentally hearing a particularly vivid action |
| what does a normal storyboard show | key visualization points and audio information |
| what does a location sketch show | a rough map of the remote shoot |
| which of the following is appropriate for making a script | 3 in a circle to indicate when camera 3 is taken |
| what is a facilities request | a list that contains all technical facilities needed for a production |
| what is the primary purpose of including "reset" time in a time line | to give the crew time to fix technical problems |
| what part of production is the "strike" | taking down the set and cleaning the studio |
| what three colors are used in television | red, green, blue |
| what is a beam splitter | a prism that separates white light into RGB light |
| which statement best describes the basic video imaging process | the light is converted into electric energy |
| what are the two types of imaging devices or sensors used in television cameras | CCD & CMO |
| What are the four basic elements of a camera chain | camera head, sync generator, power supply and CCU |
| what's the overriding criteria for the use of studio cameras | picture quality and control |
| what does the gain control on an ENG/EFP camera compensate for electronically | very low light levels |
| what pair of connectors can be used for video | S-video and RCA phono |
| in additive color mixing, which combination will result in white | blue, red, green |
| what does picture resolution mean | the measurement of picture detail |
| what is the correct order of digitizing steps | anti-aliasing, sampling, quantizing, coding |
| what is the major characteristic of an analog signal | it fluctuates exactly like the original signal |
| what is the major characteristic of a digital signal | it consists of on/off pulses represented by 0's and 1's |
| which system scans all lines in successive order | progressive |
| which of the following ATSC systems is similar to the old analog TV system | 480p |
| which type of camera is self-contained | ENG |
| what does over cranking mean | recording at high frame rates for slow-motion playback |
| what is contrast ration | the ratio between the brightest and darkest part of the picture |
| T/F:::A low sampling rate provides better quality than high sampling rate | FALSE |
| T/F:::Two fields make up a frame, a complete television picture | TRUE |
| which camera mount is the most practical for a permanently installed teleconference system? | robotic mount |
| when is it necessary to use a stabilizer with a camcorder | when the camera operator walks with the camcorder |
| what should you do to the mounting head when leaving the camera unattended | tighten the pan-and-tild lock |
| how should you present your body when panning with a small camcorder | point your knees in the direction of the desired end of pan |
| when should you calibrate a zoom lens | every time either the camera or the object/subject changes position |
| what is a jib arm | a crane like device for a camera |
| in the absence of a focus-assist feature, which is the best way to check focus between shots when your camera is not on the air | racking the lens through focus a few times while pointed at the target object |
| when should the auto-iris be used | under normal conditions |
| in framing a profile shot, what is a major consideration | noseroom |
| what is psychological closure | mentally filling in information that we cannot actually see |
| which lens ratio allows you the greatest zoom range from wide-angle to close up | 60:1 |
| which is a prime lens | a fixed-focal length lens |
| what is the correct method of calibrating the zoom lens to keep it in focus throughout the zoom | zooming the lens all the way in and focusing on the principal subject before zooming back and out again |
| what must you do to permit less light to pass through the lens | change to a higher f-stop number |
| what three factors determine the depth of a field view | aperture, subject-to-camera distance and focal length |
| what is the macro position of a lens | a setting that allows objects to be placed near the lens |
| if you use a wide-angle lens to shoot down to the street from a tall building, how would the people on the street appear in the image | father away from the camera than they would appear in normal vision |
| if you were directing a commercial and wanted to create a comedic effect of grossly distorted facial feature on talent, which lens should you use | wide-angle lens |
| you are a director trying to decide whether to use a zoom or dolly to create the visual effect of a position going toward a restaurant table; which of the following statements would give you the correct and proper guidance | a zoom brings the scene to the viewer, a dolly takes the viewer in to the scene |
| what shot best describes the subject in focus, with the background out of focus | a show with shallow depth of field |
| which type of microphone usually requires a battery to work | condenser |
| which type of mic is best suited for outdoor use | dynamic |
| in the context of microphone characteristics, what does cardioid refer to | a specific unidirectional pattern |
| in which situation would you NOT want to use lavalier mics | reporter on location interviewing eyewitnesses (clips on shirt) |
| for which of the following is a big perambulator boom well suited | a soap opera |
| which is the best type of boom microphone | shotgun |
| which of the following is a major advantage of fishpole boom mic | you can get relatively close sound pickup while keeping the mic out of the shot |
| when using two or more desk mice, how far should they be spaced from one another | three times as far apart as any mic to its source |
| which statement is the most appropriate to describe the use of a parabolic reflector microphone | can use used to pick up the audience sounds at a sporting event |
| what is the most common professional balanced audio cable connector | XLR |
| what are typical input sources for an audio console | microphones and CD players |
| what should you do if a VU meter is in the red | slide the fader down |
| during a studio show of two debate teams the off-camera announcer had unplugged her mic then plugged it in again. what part of the console will you use to test the mic again while the other mics are still switched on and active | cue return |
| what is the most convenient way of arranging the various audio sources in a specific order at the audio console | patching |
| when recording sound during field production, what is the major problem with using AGC | if boosts wanted and unwanted distant sound equally |
| what is SOS (similar to SOT0 | an abbreviation for sound on source |
| if you are recording a singer who is performing to the prerecorded sound of an orchestra, what type of feed would you mostly likely use | mix-minus |
| in the context of sound aesthetics, perspective refers to which statement | close-ups go with close sounds, long shots go with far away sounds |
| in the context of sound aesthetics, which defines most accurately the figure/ground relationship | the important sounds are louder and more distinct than all others |
| what is the most effective way to balance the volume of voice during a lively panel show | "riding again" on individual mice as each person speaks |
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