Ch 9 sculpture Word Scramble
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Question | Answer |
Sectioning | dividing the head into controllable areas for sculpting |
apex | the top portion of the head |
occipital | the bone in the back of the head |
nape | the back of the neck |
forward | head position most used when refining form lines |
fringe | pivot point term for bangs |
perimeter | outline of the sculpture |
head position | the way the head is held while sculpting |
partings | used for control of hair when sculpting |
concave line | inside area of a curve |
convex line | outside area of a curve |
Basic | form or shape by observing the outer boundary or silhouette. |
Detail | texture or surface appearance |
abstract | viewed as if the hair stands straight out from the head at a 90* angle |
Natural fall | the hair as it lays naturally from the head |
normal projection | viewed abstractly as if hair were projected straight out from the head in a 90* angle. |
weight | the concentration of lengths within a given area. |
solid form | also known as 0* angle cut. all lengths fall to one level. |
graduated form | shorter exterior lengths that progress toward longer interior lengths. also known as 45* or wedge cut |
increased layer form | shorter interior lengths that progress toward longer exterior lengths. Also known as 180* cut. |
uniform layer form | all lengths in the interior and exterior are the same. Also known as 90* cut. |
shears | produce clean blunt edge |
Taper shears | one straight blade and one serrated blade. |
Razor | produces a tapering or angled effect on the end of each strand |
Clippers | electric tool that can achieve a variety of effects. Generally sculpts hair fastest. |
comb | used to distribute and control the hair before, during and after sculpting |
palm down | palm of sculpting hand faced down as in solid form |
palm up | palm of sculpting hand faces up as is sculpting diagonal lines |
palm to palm | the palm of your sculpting hand faced the palm of your other hand as when sculpting graduated lengths |
on top of the fingers | sculpting above the fingers when lifting lengths on top of the head |
shampoo comb | comb used to detangle wet hair after shampooing |
master sketcher | comb used for controlling large amounts of hair |
sculpting comb | comb that has fine and wide teeth for distribution of medium sections of hair |
Taper comb | a barber comb that allows sculpting close to the scalp |
natural distribution | the direction the assumes as it falls naturally |
perpendicular distribution | hair combed at a right angle from the parting. Not necessarily 90* from the scalp. |
shifted distribution | hair combed out of natural fall and perpendicular distribution. used with exaggerated lengths. |
direction distribution | used most often along a horizontal, vertical, or diagonal plane. |
Planar sculpting | most often used along a horizontal or vertical plane. Square or rectilinear form |
projection | the angle at which the hair is held. Elevation. high, medium, low |
parallel finger position | fingers are positioned the same as the parting line. equal distance away |
nonparallel finger position | fingers are positioned unequally from the parting line. |
design line | length guide used when sculpting, can be stationary or mobile |
stationary design line | all hair are directed to the same length guide. |
mobile design line | using a small amount of previously sculpted hair as a length guide to sculpt the next parting. |
Created by:
annalder
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