Cards for chapters 1-6
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
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| Rhythm | the motion of music in time
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| Beat | steady underlying pulse
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| Duple and Triple Meter | two or three beat measures/common time
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| Asymmetrical Meter | other than 2-3 meter, beats are measured from 5-7 beat measures
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| Tempo | Rater of the beat
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| Simple meter | beat is divided evenly in half
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| compound meter | beat is divided into thirds
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| syncopation | -accent that contradicts the meter
-rhythmic surprise
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| Polyrhythm | more than 1 rhythm at the same time
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| Melody | consecutive pitches that promote a coherent idea
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| Identify a major scale | C to C scale
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| White keys | A-G keys
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| How many tones in an octave | 12 tones with 7 different letters
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| Half step | smallest type of interval between keys
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| whole step | two half steps
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| intonation | tuning
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| countour | shape of the melodic line
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| disjunct contour | wide intervals with jagged contour or wide range
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| conjunct contour | narrow intervals with smooth contour and narrow range
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| What is a sentence? | complete melody
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| what is a phrase? | sentence divided into sections
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| what is a cadence | a pause in a phrase
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| tonality | momentum toward a final tone or "home"
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| Humanism | center around the human body rather than the divine.
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| Renaissance | rebirth of classical learning. (ancient greek and roman) 1450-1600
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| Josquin | -sacred and secular music
-polyphonic mass
-uses imitative polyphony
-pange lingua
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| Palestrina | -used in religious activities because emphasized the words
-homphonic style
-pope marcellus mass
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| Motet | -religious text but not used in religious services
-polyphonic style [imitative and hompoh]
-no repetition
-Ex. Josquin Ave Maria
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| Madrigal | -secular
-polyphonic setting
-derived from text and no repetition
-vernacular languages
-subject: love and praising patrons
-Ex. Thomas Weelkes: As Vesta Was From Latmos Hill Descending
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| Chanson | -French with courtly love
-homophonic setting
-repetitions
-flexible arrangements with voices and instruments
-Ex. Claudin Sermisy: Tand que Vivray
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| 4 categories of Instrumental music | -strings
-brass
-woodwinds
-percussion
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| Consorts | similar instruments set from low to high pitch
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| broken/mixed consorts | different instruments in combinations
-emphasizes individual instrumental parts
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| shwams and sackbuts | loud band
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| recorders | soft band
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| lute | popular instrument that can polyphonic pieces
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| instrumental music | used for arranging voices in vocal works
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| Texture | layers of musical activity
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| Monopohonic texture | 1 melody with nothing added to it
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| heterophony | several voices/instruments performing the same melody but with slight variations
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| homphonic texture | one primary melody with support
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| rhythmic unison | supporting parts have same rhythm just different pitches
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| melody and accompaniment | supporting parts with and independent rhythm
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| imitative polyphony | same melody played against itself
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| non-imitative polyphony | different melodies at the same time
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| Call and response | one melody divided between two groups or people
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| Medieval Europe | 450-1450; music central to worship, composers were mainly patrons to the church
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| Medieval European Composers | linked to the church and educated by the church in notation
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| Neumes | notation without lines [memory aides]
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| Single line staff | notation with pitch reference
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| Four line staff | notation with four lines
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| Square notation | notation that is still used today
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| Gregorian Chant | -Plainchant
-flexible rhythm
-single melodic line
-syllabic or melismatic
-Ex. Haec Dies
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| syllabic | one note for each syllable
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| melismatic | one syllable held over many notes
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| Hildegard von Bergen | -one of earliest composers
-nun,abbess
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| Organum | -vocal polyphony based on plainchant
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| Ars Nova Style | -polyphonic
-voices and instruments mixed
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| 4 attributes of sound | pitch, amplitude, timbre, duration
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| dynamics | descriptive terms for volume levels
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| crescendo | gradually louder
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| static | unchanging dynamics
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| terraced | suddenly louder or softer
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| decresdcendo | gradually softer
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| timber | quality of sound that separates each instrument and voice
-dependent on overtones
-combinations of instruments [nirvana vs nirvana unplugged]
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| harmony | simultaneous pitch with chords in logical sequences
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| form | structure and organization [shape]
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