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Com 152
Final Exam
Question | Answer |
---|---|
Critical Thinking | The ability to form and defend your own judgements rather than blindly accepting or instantly rejecting what you hear or read |
facts | statements that can be verified by someone other than the speaker. |
opinions | Subjective judgement base on experience or expertise, not capable og being verifed by others. |
strategic planning | The process of identifying your goals and then determine how to achieve them. |
communication | interaction tha builds connection between people that helps them to understand each other. |
Feedback | Responses from the audience to the speaker, often the form of nonverbal cues. |
public | open or accesible by others; affects each other. |
Public forum | A space in which citizens discuss issues affecting themselves. Needs cooperation, decision requires subjective jusdgement, and a decision is required. |
situation | The particular context in which a speech is given. |
Rhetoric | The study of how message affects people. |
Rhetorical situation | A situation in which people's understanding can be changed through messages. |
identification | Formation of common bonds between the speaker and the audience. |
Determinants for rhetorical situation. | Occasion, speaker, speech, Audience. |
ceremonial | Speaking that focuses on the present and is usually concerned with praise. |
deliberative | speaking that focuses on the future and is considered what should be done. |
forensics | Speaking that focuses on the past and deals with justice. |
exigence | A problem that cannot be avoided, but can be solved by a appropriate message. |
informing | Providing listeners with new ideas. |
persuading | influence listeners' attititudes and behavior. |
entertaining | stimulating the sense of community throught the celebration of common bonds among speaker and listeners. |
strategy | A plan of action to achieve stated goals. |
invention | Th generation of materials for the speech. |
arrangement | The structuring of materials within the main ideas, the organization of main idea within the body of a speech, and the overall strucure of introduction, body, and conclusion. |
style | The distinct character that makes a speach recognizable |
delivery | The presentation of the speech to an audience. |
memory | Mental recall of the key ideas and the basic structure of the speech. |
Extemporaneous presentation | A mode of delivery which is planned with the script. |
Manual script | Delivery in which th espeaker reads aloud a prepared text. |
High ethical standards | Respect for Listeners, Respect for topic, Responsibility for your statements concern for the consequences of your speech. |
Responsibility for your statements; Plagiarism | using another person's words as if they were your own. |
purpose | The goal of the speech, the response sought from the listeners. |
thesis | The main idea of the speech, usually stated in one or two sentences. |
ethos | the speakers character as perceived by the audience. |
Logos | substance and structure of a speech's ideas |
pathos | refers to the speaker's evoking of appropriate emotion for the audience. |
introduction | Beginning of a speech. Designed to get the audience's attention, to state the thesis. and to preview the development of the speech. |
body | The largest portion of your speech;includes the development of supporting materials to prov the thesis and any subsidary claims. |
supporting materials | All forms of evidence that lend to the truth of a claim. |
conclusion | The end of a speech; draws together the ,main points and provides a note of finality. |
preparation outline | An outline used developing a speech; main ideas and supporting materials are usually set forth in complete sentences. |
presentation outline | An outline used while presenting a speech; concists of keywords on the index cards. |
communication apprehension | Fears and worries about communicating with each other. |
anticipation reaction | increase anxiety felt by whil thinking in advance about giving a speech |
confrontation reaction | increase anxiety when beginning to speak. |
Hearing | A sensory process in which sound waves are transmitted to the brain. |
listening | A mental operation involving processing sound waves, interpreting their meaning, and storing their meaning and in memory. |
attention span | The length of time a person will attend to a message without feeling distracted. |
assimilation | The tendency to regard two similar messages as basically identical, blurring the distinction between them. |
mapping | Diagramming the relationship between the thesis of a speech and its main idea. |
critical listening | Listening that enables you to offer both an accurate rendering of the speech and an interpretation and assesment of it. |
assumptions | unstated, taken-for granted beliefs in a particular situation. |
reflective | considered, thoughtful |
critical judgements | Judgements that can be articulated and defended by providing the reasons for them. |
expediency standard | Evaluation of a speech according to the effects it produced. |
atistic standard | Evaluation of a speech according to its ethical execution of principles of public speaking without regard to its actual effects. |
rhetorical crticism | The analytical assessment of messages that are intended to affect other people. |
empathy | feeling what listeners feel and knowing what they think. |
volume | loudness of voice. |
pitch | placement of the voice on the musical scale, ranging from high to low. |
monotone | a very narrow, unchanging the pitch range. |
rate | the speed at which a person speaks, measured in words per minute. |
pauses | periods of brief silence within a speech. |
vocalize pauses | uh or um |
articulation | Precision and clarity in the production of individual vocal sounds. |
enunciation | Precision and distinctness in sounding words. |
prononciation | sounding of a word in the accepted way. |
dialect | A prononciation pattern that characterizes a particular geographic area,economic or socal class, or cultural factors. |
inflection | Prononciation pattern for a sentence as whole. |
gesture | Movement of hands and arms during the speech for emphasis. |
anticipation step | First step of gesture; bring the hands to the middle before making the gesture. |
implementation step | execution of gesture |
relaxation step | returning hands to a normal posiiton. |
eye contact | looking directly at members of the audience. |
distributed practice | practice spread over time. |
massed practice | A long practice before delivering the speech. |
topic | The subject area of the speech. |
brain storming | A mental free-association exercise which identifies without evaluation. |
topoi | common or typical categories for organizing subject matter. |
perspective | The point of view from which one approaches a topic. |
agenda setting | Causing listeners to be aware of and to think about a topic that previously had escaped their attention. |
conversion | The replacement of one setof beliefs by another that is inconsistent with the first. |
general purpose statement | Statement of the overall goal of the speech |
specific purpose statement | Statement of the particular outcome sought from the audience; a more specific version of a general purpose. |
issue | A question raised by the thesis statement that must be addressed in order for the thesis itself to be addressed effectively. |