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History of Jazz II
History of Jazz Vocab II
Term | Defined |
---|---|
Neo-Gospel or Soul Jazz | Churchlike in concept. Relatively simple in melody and harmony. |
Pentantonic Scale | Five note scale |
Polyphonic | Music that combines several simultaneous, individual melodies |
Prebop | an out-growth of swing music, but more complex. A forerunner of bebop |
Progressive | Atonal jazz with many rhythms going on at the same time |
Quartal | Chords built using the interval of a fourth |
Ragtime | The crystallization of early American black music into a formal concept. Syncopation, improvisation, and Euro. classical techniques. |
Repertory | A collection of songs that a player or group is prepared to perform |
Rondo | A form used in European symphonic style, a theme is retured to in its orginal key after suborinate themes are introduced |
Scat | no words, voices used to make all the sounds |
Secular | Non-religious matters or groups |
Sluring | Sliding from one note to another- a feature of blues singing |
Sonarities | Harmonious sounds |
Soul Jazz | The essence of feelings and attitudes orginating in the black communities of the US. |
Spirtuals | Religious feelings and yearnings of American slaves expressed through music |
Swing | Dominant jazz style of the 1930s, heavy accents |
Syncopation | Displacement of teh normal accent of beats within a given measaure of music by the addition of unexpected accents |
Syntax | Rules governing phrases and sentences can be constructed. Creating distinctive musical language |
Tonal Mass | Clusters of notes through the orchestra, played simultaneously |
12- Tone technique | A 20th century method of composition devised by Schoenberg |