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Men's Cutting
Ch. 15 Men's Cutting and Styling BSP
Term | Definition |
---|---|
Angle | The space between two lines or surfaces that intersect at a given point; in haircutting, the hair is held away from the head to create an angle of elevation |
Arching technique | method used to cut around the ears and down the sides of the neck |
blow-dry styling | the drying and styling of the hair with a blow-dryer and implements of fingers |
clipper-over-comb | cutting over a comb with clippers |
crest | the widest area of the head, also known as the parietal ridge, temporal region, hatband, or horseshoe. |
cutting above the fingers | method of holding the hair section between the fingers so that cutting can be performed on the outside of the fingers; used with horizontal or vertical 90-degree projections of hair. |
cutting below the fingers | method of holding the section of hair between the fingers so that cutting can be performed on the inside of the fingers; used on 0- and 45-degree elevation cutting. |
cutting line | the position of the fingers when cutting a section of hair. |
design line | usually the perimeter line of the haircut. |
diagonal | lines positioned between horizontal and vertical lines |
elevation | angle or degree at which a subsection of hair is held, or elevated, from the head when cutting, also referred to as projection. |
envisioning | the process of visualizing a procedure or finished haircut style. |
oval facial shape | facial shape that is balanced, referred to as the ideal facial shape. |
Round facial shape | the aim is to slim the face. create some height on top to lengthen the look of the face. |
Inverted Triangular Facial shape | potential problems are over-wide cheekbones and narrow jawline. |
Square Facial Shape | minimize the angular features at the forehead; a beard should be styled to slenderize the face. |
Pear-shaped Facial shape | is narrow at the top and wide on the bottom. |
Oblong Facial Shape | long face needs to be visually shortened and the angularity hidden. a mustache helps to shorten. |
Diamond Facial Shape | aim to fill out face at temples and chin. |
finger-and-shear | technique used to cut hair by holding the hair into a position to be cut. |
freehand shear cutting | cutting with shears with out the use of fingers or a comb to control the hair. |
freehand slicing | method of removing bulk from a hair section with the shears. |
guide | section of hair, located at either the perimeter or the interior of the cut, that determines the length the hair will be cut; also referred |
hair-locking | the process that occurs when coily hair is allowed to developed on its natural state without the use of combs, heat, or chemicals. also referred to as deadlocks. |
Horizontal | lines parallel to the horizon |
layers | graduated effect achieved by cutting the hair with elevation or over-direction; the hair is cut at higher elevations, usually 90 degrees or above, which removes weight. |
outlining | finish work of a haircut with shears, trimmers, or razors. |
over-direction | combining a section away from its natural falling position, rather than straight out from the head, toward the guideline; used to create increasing length in the interior or perimeter. |
Parietal ridge | widest area of the head, also known as the crest, hatband, horseshoe, or temporal region. |
Part | a line that divides the hair at the scalp. |
parting | a line dividing the hair of the scalp that separates one section of hair from another or creates subsections from a larger section. |
projection | angel or elevation that hair is held from head for cutting. |
razor-over-comb | texturizing technique in which the comb and the razor are used on the surface of the hair. |
razor rotation | texturizing technique similar to razor-over-comb, done with small circular motions. |
reference points | points on the head that mark where the surface of the head changes or the behavior of the hair changes, such as ears, jaw line, occipital bone, apex, etc.; used to establish design lines that are proportionate. |
rolling the comb out | a method used to put the hair into position for cutting by combing into the hair with the teeth of the comb in an upward direction. |
shear-over-comb | haircutting technique in which the hair is held in place with the comb while the shears are used to remove length. |
shear-point tapering | haircutting techniques used to thin out difficult areas in the haircut, such as dips and hollows. |
stationary guide | guideline that does not move, but all the other hair is brought to it for cutting. |
tapered | haircuts in which there is an even blend from very short at the hairline to longer lengths as you move up the head; to taper is to narrow progressively at one end. |
tension | amount of pressure applied when combing and holding a section, created by stretching or pulling the section. |
texturizing | removing excess bulk without shortening the length; changing the appearance or behavior of hair through specific haircutting techniques using shears, thinning shears, clippers or a razor. |
thinning | removing bulk from the hair. |
traveling guide | guideline that moves as the haircutting progresses; used when creating layers or graduation; moveable guidelines. |
vertical | lines that are straight up and down |
weight line | a visual line in the haircut, where the ends of the hair hang together; the line of maximum length within the weight area; heaviest perimeter area of a 0-degree (one-length) or 445-degree (graduated) cut. |