MUSICAL THEATER Word Scramble
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| Question | Answer |
| THE LADY OF THE LAKE AND THE KNIGHTS OF THE ROUND TABLE SING THE SHOWSTOPPING NUMBER "FIND YOUR GRAIL" IN THIS TONY-WINNING MUSICAL | SPAMALOT |
| "HERE HUGO AGAIN" QUIPPED PLAYBILL WHEN THIS LONG-RUNNING MUSICAL RETURNED TO BROADWAY IN 2006 | LES MISERABLES |
| NEW YORK MAGAZINE CALLED IT "EVERYONE'S FAVORITE ORPHAN MUSICAL" | ANNIE |
| NATASHA RICHARDSON SALLIED FORTH AS SALLY BOWLES IN THE 1998 REVIVAL OF THIS MUSICAL | CABARET |
| NATHAN DETROIT IS A CHARACTER IN THIS MUSICAL | GUYS AND DOLLS |
| "CATS" IS BASED ON THIS BOOK WITH A MUCH LONGER TITLE | OLD POSSUM'S BOOK OF PRACTICAL CATS |
| IN "DAMN YANKEES" THE HERO SELLS HIS SOUL TO THE DEVIL SO THIS TEAM CAN WIN THE PENNANT | WASHINGTON SENATORS |
| FLORENZ ZIEGFELD WAS THE ORIGINAL PRODUCER OF THIS 1927 MUSICAL, WHICH FEATURED THE FOLLOWING: "FISH GOTTA SWIM, BIRDS GOTTA FLY..." | SHOW BOAT |
| REX HARRISON'S "FAIR LADY" AND BURTON'S GUINIVERE | JULIE ANDREWS |
| MUSICAL IN WHICH LESTER BILLIS WAS NELLIE FORBUSH'S "HONEY BUN" | SOUTH PACIFIC |
| "NO MATTER HOW HOPELESS, NO MATTER HOW FAR..." | MAN OF LA MANCHA |
| 1960 MUSICAL THAT CONTAINS THE LINE: "YOUR TABLE IS CRACKING...CAN YOU HEAR THE TIMBERS SPLIT?" | CAMELOT |
| THIS MUSICAL THAT PREMIERED IN 1975 AND WAS REVIVED IN 1996 IS SET IN PART IN THE COOK COUNTY JAIL | CHICAGO |
| IN 1942 THIS COMPOSER MET ALAN LERNER; THE NEXT YEAR, THE 2 OPENED THEIR 1ST BROADWAY SHOW | FREDERICK LOEWE |
| IN "MY FAIR LADY", SHE SINGS, "THE RAIN IN SPAIN STAYS MAINLY ON THE PLAIN"; HENRY HIGGINS REPLIES, "IT THINK SHE'S GOT IT" | ELIZA DOOLITTLE |
| LERNER & LOEWE WROTE "HOW TO HANDLE A WOMAN" AND "IF EVER I WOULD LEAVE YOU" FOR THIS 1960 MUSICAL | CAMELOT |
| THIS SONG FROM "GIGI" BEGINS, "WE MET AT NINE." "WE MET AT EIGHT." "I WAS ON TIME." "NO, YOU WERE LATE" | I REMEMBER IT WELL |
| LERNER BEGAN WRITING THIS MUSICAL'S BOOK BY STUDYING THE HISTORY AND CUSTOMS OF 18TH-C. HIGHLAND SCOTS | BRIGADOON |
| "I'LL GO HOME WITH BONNIE JEAN" IS ONE OF MANY LIVELY SONGS IN THIS LERNER & LOEWE MUSICAL | BRIGADOON |
| A LOVELY LASS NAMED FIONA MACLAREN IS THE HEROINE OF THIS LERNER & LOEWE SHOW | BRIGADOON |
| THIS LERNER & LOEWE MUSICAL HAD ITS "LOVERLY" FAREWELL IN 1962, AFTER 2,717 SHOWS | MY FAIR LADY |
| THIS LEGENDARY BROADWAY DUO WON ONLY ONE BEST SONG OSCAR, FOR THE THEME TO "GIGI" | LERNER & LOEWE |
| RICHARD HARRIS TOOK THE THRONE IN THE 1967 FILM VERSION OF THIS LERNER & LOEWE MUSICAL AND STARRED IN A STAGE REVIVAL IN THE '80S | CAMELOT |
| LERNER AND LOEWE'S "LUSTY MONTH" | MAY |
| NOEL COWARD QUIPPED THIS LERNER & LOEWE MUSICAL WAS " ABOUT AS LONG AS PARSIFAL, AND NOT AS FUNNY" | CAMELOT |
| THE ALGONQUIN HOTEL HAS A SUITE NAMED FOR THIS PAIR WHO WROTE "MY FAIR LADY" THERE | LERNER & LOEWE |
| IN A LERNER & LOEWE SONG, THIS TITLE LYRIC IS FOLLOWED BY "AND STILL HAVE BEGGED FOR MORE" | I COULD HAVE DANCED ALL NIGHT |
| LERNER & LOEWE WROTE "THE NIGHT THEY INVENTED CHAMPAGNE" FOR THIS MUSICAL SET IN GAY PAREE | GIGI |
| LERNER & LOEWE'S FIRST HIT MUSICAL, IT WAS INSPIRED IN PART BY THE WORKS OF SCOTSMAN JAMES BARRIE | BRIGADOON |
| LERNER & LOEWE'S "ONE BRIEF SHINING MOMENT" WHICH RAN FROM '60 TO '63 | CAMELOT |
| THOUGH ITS HEROINE IS A "COCKEYED OPTIMIST", THE 2008 REVIVAL OF THIS WWII-SET RODGERS & HAMMERSTEIN SHOW MAKES YOU THINK ABOUT THE COSTS OF WAR | SOUTH PACIFIC |
| 1965 RODGERS & HAMMERSTEIN FILM: "HONK HONK, TOOT TOOT, DRUM DRUM, STRUM STRUM" | THE SOUND OF MUSIC |
| SET AT THE IOWA STATE FAIR, THIS DUO'S MUSICAL "STATE FAIR" SAYS, "I'VE GOT IOWAY IN MY EARS AND EYES AND NOSE" | RODGERS & HAMMERSTEIN |
| CREATIVE TEAM THAT GAVE US "OKLAHOMA!" AND "THE SOUND OF MUSIC" | RODGERS & HAMMERSTEIN |
| ALTHOUGH RODGERS & HAMMERSTEIN PRODUCED IT, IRVING BERLIN WROTE THE SONGS, INCLUDING "ANYTHING YOU CAN DO" | ANNIE GET YOUR GUN |
| GERTRUDE LAWRENCE WON THE TONY IN 1952 FOR PLAYING THE TITLE PRONOUN IN THIS RODGERS & HAMMERSTEIN MUSICAL | THE KING AND I |
| THIS RODGERS & HAMMERSTEIN MUSICAL "BLOOMED" AGAIN ON BROADWAY IN 2002, WITH LEA SALONGA AS MEI-LI | FLOWER DRUM SONG |
| RODGERS & HAMMERSTEIN MUSICAL FEATURING THE SONG "ANYTHING YOU CAN DO" | ANNIE GET YOUR GUN |
| MARY MARTIN RECIEVED A TONY FOR PLAYING MARIA IN THIS 1959 RODGERS & HAMMERSTEIN MUSCIAL | THE SOUND OF MUSIC |
| "YOUNGER THAN SPRINGTIME" WAS WRITTEN FOR "ALLEGRO" BUT NOT USED; INSTEAD IT APPEARED IN THIS RODGERS & HAMMERSTEIN MUSICAL | SOUTH PACIFIC |
| "OKLAHOMA!" OPENS WITH CURLY SINGING THIS SONG ABOUT THE NEW DAY | OH, WHAT A BEAUTIFUL MORNING |
| THE MUSICAL "PIPE DREAM" WAS SET IN CANNERY ROW AND IS BASED ON THIS AUTHOR'S NOVEL "SWEET THURSDAY" | JOHN STEINBECK |
| "OH, WHAT A BEAUTIFUL MORNING" IS THE OPENING NUMBER IN THIS MUSICAL | OKLAHOMA! |
| MUSICAL NUMBERS IN THIS 1945 FILM INCLUDE "ALL I OWE IOWAY" AND "IT'S A GRAND NIGHT FOR SINGING" | STATE FAIR |
| THE SONGS OF THIS DUO INCLUDE "SOME ENCHANTED EVENING" AND "YOUNGER THAN SPRINGTIME" | RODGERS & HAMMERSTEIN |
| THIS ISLANDER IN "SOUTH PACIFIC" SINGS "HAPPY TALK" AND "BALI HA'I" | BLOODY MARY |
| THEY WROTE THE SONGS "EDELWEISS" AND "SOME ENCHANTED EVENING" | RODGERS AND HAMMERSTEIN |
| THIS MUSICAL DIRECTION, ITALIAN FOR "LIVELY", IS ALSO THE TITLE OF A RODGERS & HAMMERSTEIN MUSICAL | ALLEGRO |
| BILLY BIGELOW KILLS HIMSELF AFTER A BOTCHED HOLD-UP IN THIS RODGERS AND HAMMERSTEIN CLASSIC | CAROUSEL |
| ONE OF THE TRADITIONAL SEVEN SEAS, IT SHARES ITS NAME WITH A RODGERS & HAMMERSTEIN MUSICAL | SOUTH PACIFIC |
| THIS RODGERS & HAMMERSTEIN SONG ASKS, "ON A BRIGHT CLOUD OF MUSIC SHALL WE FLY?" | SHALL WE DANCE? |
| MERYL STREEP PLAYED LAUREY IN HER H.S. PRODUCTION OF THIS RODGERS & HAMMERSTEIN MUSICAL | OKLAHOMA! |
| "PORE JUD IS DAID" IS A SONG IN THIS 1943 RODGERS & HAMMERSTEIN MUSICAL | OKLAHOMA! |
| RODGERS & HAMMERSTEIN WROTE ITS "WHEELS ARE YELLER, THE UPHOLSTERY'S BROWN" | THE SURREY WITH THE FRINGE ON TOP |
| "EDELWEISS" FROM "THE SOUND OF MUSIC" WAS THE LAST SONG THEY WROTE TOGETHER | RODGERS & HAMMERSTEIN |
| IN 1994 THIS SHOW ABOUT A CARNIVAL BARKER WON 5 TONYS, INCLUDING BEST MUSICAL REVIVAL | CAROUSEL |
| CHARACTERS IN THIS MUSICAL INCLUDE MEI LI, LINDA LOW, AND SAMMY FONG | FLOWER DRUM SONG |
| IN 1957 THIS DUO CREATED THE MUSICAL "CINDERELLA" EXPRESSLY FOR TELEVISION | RODGERS & HAMMERSTEIN |
| HE WROTE THE DIALOGUE FOR "OKLAHOMA!", "CAROUSEL", AND "THE KING AND I", AS WELL AS THE LYRICS | OSCAR HAMMERSTEIN |
| BOISTEROUS LAMENT OF RODGERS & HAMMERSTEIN'S LOVESICK SAILORS | THERE IS NOTHING LIKE A DAME |
| A SONG IN THIS DUO'S OPERETTA "IOLANTHE" SAYS, "WHAT A JOY TO BREATHE THE BALMY AIR OF GROSVENOR SQUARE" | GILBERT & SULLIVAN |
| A VILLAGE MILKMAID IS THE HEROINE OF THIS 1881 OPERETTA "PATIENCE" BY THIS DUO | GILBERT & SULLIVAN |
| IT'S THE GILBERT & SULLIVAN COMIC OPERA WHERE AN OLD MAJOR GENERAL SINGS HIS "MODERN" SONG | THE PIRATES OF PENZANCE |
| FIRST PERFORMED IN LONDON IN 1896, "THE GRAND DUKE" WAS THE FINAL ONE OF THEIR SAVOY OPERETTAS | GILBERT & SULLIVAN |
| SET IN A COASTAL TOWN IN CORNWALL, THIS GILBERT & SULLIVAN OPERETTA PREMIERED IN 1879 | PIRATES OF PENZANCE |
| DIRECTOR PETER SELLARS' 1983 PRODUCTION OF THIS OPERETTA TURNED NANKI-POO INTO A ROCK STAR ON A MOTORBIKE | THE MIKADO |
| IN THE GILBERT & SULLIVAN OPERETTA "THESPIS", A TROUPE OF ACTORS TAKES OVER THE DUTIES ON THIS MOUNTAIN SO THE GODS CAN GO ON VACATION | OLYMPUS |
| IN ACT 1 OF THIS OPERETTA, WE FIND OUT THAT FREDERIC WAS SUPPOSED TO BE APPRENTICED TO A "PILOT", BUT HIS NURSE MISHEARD | PIRATES OF PENZANCE |
| ACT 1 OF THIS FAMOUS OPERETTA BY GILBERT & SULLIVAN WAS SET ON THE PIAZZETTA IN VENICE | THE GONDOLIERS |
| "RUDDIGORE", FIRST PUBLISHED IN 1887, IS ONE OF THEIR LESSER KNOWN OPERETTAS | GILBERT & SULLIVAN |
| "THE SLAVE OF DUTY" IS THE SUBTITLE OF THIS SWASHBUCKLING GILBERT & SULLIVAN WORK | THE PIRATES OF PENZANCE |
| KNIGHTS ARE MOVED TO TEARS AT THE MERE THOUGHT OF THIS GILBERT & SULLIVAN OPERETTA SET AT THE TOWER OF LONDON | THE YEOMEN OF THE GUARD |
| GILBERT & SULLIVAN'S "PATIENCE" OPENED THIS LONDON THEATRE IN 1881 | SAVOY |
| IN AN 1889 INTERVIEW, SIR ARTHUR SULLIVAN SAID HE LEFT WRITING THESE OPENINGS TO THE LAST MOMENT | OVERTURES |
| PHONOGRAPH RECORDINGS OF THIS OPERETTA WITH CAPTAIN CORCORAN AND DICK DEADEYE WERE POPULAR IN 1907 | H.M.S. PINAFORE |
| GILBERT & SULLIVAN'S "THE YEOMEN OF THE GUARD" IS SET IN THIS ENGLISH LANDMARK | THE TOWER OF LONDON |
| THIS GREAT BRIT COMPOSED THE HYMN "ONWARD CHRISTIAN SOLDIERS" | SIR ARTHUR SULLIVAN |
| "PRINCESS IDA" IS "A RESPECTFUL OPERATIC PER-VERSION OF TENNYSON'S 'PRINCESS'" BY THIS DUO | GILBERT & SULLIVAN |
| CITY IN CORNWALL FROM WHICH GILBERT & SULLIVAN'S PIRATES HAILED | PENZANCE |
| THIS PAIR'S 1881 COMIC OPERA "PATIENCE" PARODIES AESTHETES LIKE OSCAR WILDE | GILBERT & SULLIVAN |
| THEIR LAST JOINT OPERETTA, "THE GRAND DUKE" PREMIERED IN 1896 | GILBERT & SULLIVAN |
| "THE GONDOLIERS" OPENS ON THE PIAZZETTA IN THIS CITY | VENICE |
| "IN SHORT, IN MATTERS VEGETABLE, ANIMAL, AND MINERAL, I AM THE VERY MODEL OF A MODERN" ON OF THESE | MAJOR GENERAL |
| IT'S SAID THAT A JAPANESE SWORD DROPPING FROM GILBERT'S LIBRARY WALL INSPIRED THIS 1885 OPERA | THE MIKADO |
| IT'S SET IN A RUINED CHAPEL AND ON A ROCKY SEASHORE ON THE COAST OF CORNWALL, NOT ON THE OPEN SEA | THE PIRATES OF PENZANCE |
| THIS OPERETTA IS SUBTITLED "THE LASS THAT LOVED A SAILOR" | THE H.M.S. PINAFORE |
| A SAVOYARD IS A FAN OF THIS DUO'S WORKS, WHICH WERE FIRST PRESENTED AT THE SAVOY THEATRE | GILBERT & SULLIVAN |
| "HOW THE GRINCH STOLE CHRISTMAS" IS NARRATED BY THIS DOG | MAX |
| THE FISH-TAILED HEROINE WHO'S TIRED OF LIVING "UNDER THE SEA" | ARIEL (THE LITTLE MERMAID" |
| YOU COULD PLAY PRINCESS JASMINE OR THE GENIE IF YOUR SCHOOL PUTS ON THE STAGE VERSION OF THIS ANIMATED 1992 FILM | ALADDIN |
| IN A 2007 MUSICAL, THIS FAIRY TALE HEROINE WAKES UP AND FINDS HERSELF IN A SLEEP-DISORDER CENTER | SLEEPING BEAUTY |
| THE MASK FOR THIS LITTLE HERO OF BROADWAY'S "THE LION KING" WAS DESIGNED WITHOUT A LOWER JAW, LIKE A ROMAN HELMET | SIMBA |
| SALLY BOWLES IS A SINGER AT THE KIT KAT CLUB IN THIS MUSICAL SET IN BERLIN | CABARET |
| "RAISIN" WAS A MUSICAL VERSION OF THIS 1959 LORRAINE HANSBERRY PLAY | A RAISIN IN THE SUN |
| JANE SINGS "WAITING FOR THIS MOMENT" IN THIS SWINGING DISNEY MUSICAL THAT OPENED ON BROADWAY IN 2006 | TARZAN |
| THIS MUSICAL ABOUT A SLEEPWEAR COMPANY IS BASED ON THE NOVEL "7 1/2 CENTS", THE HOURLY RAISE WANTED BY THE WORKERS | THE PAJAMA GAME |
| RICH PATRON VERA SIMPSON IS "BEWITCHED, BOTHERED AND BEWILDERED" BY THIS TITLE SONG AND DANCE PAL | PAL JOEY |
| IN "WEST SIDE STORY" THIS CHARACTER SINGS "I FEEL PRETTY" | MARIA |
| THIS "GUYS AND DOLLS" COMPOSER ALSO GAVE US "THE MOST HAPPY FELLA", ABOUT TONY THE LOVESTRUCK WINE-GROWER | FRANK LOESSER |
| IN "CAROUSEL", THIS AMUSEMENT PARK BARKER TALKS TO JULIE JORDAN ABOUT MARRIAGE AND SHE SINGS "IF I LOVED YOU" | BILLY BIGELOW |
| IN A TIM RICE MUSICAL, FREDERICK AND ANATOLY VIE TO BE WORLD CHAMPION OF THIS GAME | CHESS |
| GLENN CLOSE WAS DAZZLING AS NORMA DESMOND IN THIS ANDREW LLOYD WEBBER MUSICAL | SUNSET BLVD |
| 1992'S "HELLO MUDDAH, HELLO FADDUH!" WAS INSPIRED BY THE COMIC SONGS OF THIS MAN | ALLAN SHERMAN |
| "CABARET" WAS BASED PARTLY ON THIS 1951 PLAY BY JOHN VAN DRUTEN | I AM A CAMERA |
| 1966 JERRY HERMAN MUSICAL THAT FEATURES THE FOLLOWING : "FOR WE NEED A LITTLE CHRISTMAS/ RIGHT THIS VERY MINUTE..." | MAME |
| JEROME KERN MUSICAL FEATURING CAPT. ANDY | SHOW BOAT |
| "KISMET'S" MUSIC IS ADAPTED FROM THE WORKS OF THIS "PRINCE IGOR" COMPOSER | BORODIN |
| THE WORKING TITLE OF THIS MUSICAL WAS "WELCOME TO BERLIN" | CABARET |
| THIS MUSICAL OPENS WITH THE SONG "THERE'S A SUCKER BORN EVERY MINUTE" | BARNUM |
| THIS MUSICAL ABOUT MARRIED LIFE IS AN ADAPTATION OF "THE FOUR POSTER" | I DO, I DO |
| FAIRY TALES BY THE GRIMMS AND OTHERS WERE ADAPTED FOR THIS STEPHEN SONDHEIM MUSICAL | INTO THE WOODS |
| THIS MUSICAL WAS BASED ON A ROGER CORMAN FILM | LITTLE SHOP OF HORRORS |
| THIS ACTRESS, WHO ORIGINATED THE ROLD OF ANNA IN "THE KING AND I", DIED DURING ITS RUN IN 1952 | GERTRUDE LAWRENCE |
| THE TITLE CHARACTER OF THIS COMICAL 1956 MUSICAL ALMOST MARRIES APASSIONATA VON CLIMAX | L'IL ABNER |
| GERTRUDE LAWRENCE WAS THE "LADY" IN THE TITLE OF THIS 1941 MUSICAL ABOUT PSYCHOANALYSIS | LADY IN THE DARK |
| TYPE OF THEATRICAL MAKE-UP WHOSE NAME IS FOUND IN THE TITLE OF AN ANTHONY NEWLEY MUSICAL | GREASEPAINT |
| IT WAS BILLED AS "THE AMERICAN TRIBAL-LOVE-ROCK-MUSICAL" | HAIR |
| "PEOPLE" AND "DON'T RAIN ON MY PARADE" ARE FROM THIS SHOW BASED ON THE LIFE OF FANNY BRICE | FUNNY GIRL |
| 1968 MUSICAL THAT FEATURED "45 MINUTES FROM BROADWAY", "YANKEE DOODLE DANDY", AND "HARRIGAN" | GEORGE M! |
| SHE & PARTNER ADOLPH GREEN WROTE NUMEROUS B'WAY MUSICALS; AMONG THEM, "PETER PAN" AND "APPLAUSE" | BETTY COMDEN |
| MUSICAL BASED ON A 1911 NOVEL BY GASTON LEROUX | THE PHANTOM OF THE OPERA |
| THE SET FOR THIS 1878 WORK WAS A REPRODUCTION OF THE QUARTERDECK OF LORD NELSON'S FLAGSHIP | H.M.S. PINAFORE |
| IN ACT II OF THIS PLAY, AN ELECTION VICTORY IS ANNOUNCED "ON THE BALCONY OF THE CASA ROSADA" | EVITA |
| SONGS IN THIS 1956 SHOW INCLUDE "OH, HAPPY WE", "YOU WERE DEAD, YOU KNOW", AND "THE BEST OF ALL POSSIBLE WORLDS" | CANDIDE |
| IN 2005, BIG SPENDERS COULD SEE CHRISTINA APPELGATE IN THE B'WAY REVIVAL OF THIS SHOW | SWEET CHARITY |
| MARY COHAN REVISED THE MUSIC & LYRICS FOR THIS 1960S MUSICAL ABOUT HER FATHER | GEORGE M! |
| AN 1847 PLAY, "THE STRING OF PEARLS, OR THE FIEND OF FLEET STREET" INSPIRED THIS BROADWAY SMASH | SWEENEY TODD |
| WITH SONGS LIKE "TROPICAL HOT FLASH" AND "MY THIGHS", THIS SHOW WAS A BIG HIT WITH WOMEN FROM COAST TO COAST | MENOPAUSE THE MUSICAL |
| IN THE HIT MUSICAL "WICKED", THIS BEAUTIFUL RESIDENT OF OZ FLOATS IN HIGH ABOVE THE SET | GLINDA THE GOOD WITCH |
| RICK LYON DESIGNED THE PUPPETS FOR THIS MUSICAL | AVENUE Q |
| IN "THE PHANTOM OF THE OPERA", THE PHANTOM WRITES ONE OF THESE, CALLED "DON JUAN TRIUMPHANT" | AN OPERA |
| THIS DR. SEUSS-INSPIRED MUSICAL SORT OF RHYMES WITH "MUSICAL" | SEUSSICAL THE MUSICAL |
| THIS MUSICAL HAS IT ALL: CUTE KIDS NAMED JEREMY AND JEMIMA, A TRULY SCRUMPTIOUS LEADING LADY, AND OH YES, A FLYING CAR | CHITTY CHITTY BANG BANG |
| MORE THAN 2000 YEARS AFTER THIS ARISTOPHANES COMEDY DEBUTED IN ATHENS, A MUSICAL VERSION HOPPED ONTO BROADWAY | THE FROGS |
| ON A BROADWAY MUSICAL'S OPENING NIGHT, THE GYPSY ROBE IS PRESENTED TO A CHORUS MEMBER BY THIS ACTOR'S UNION | EQUITY |
| "HAIRSPRAY" IS BASED ON A FILM BY THIS DIRECTOR WHO CALLS HIMSELF "AMERICA'S TRASH-O-TEUR" | JOHN WATERS |
| "THE PRODUCERS" IS A HIT MUSICAL CREATED BY THIS COMIC GENIUS | MEL BROOKS |
| THIS CAROL CHANNING SHOW THAT OPENED IN 1964 WAS ONCE B'WAY'S LONGEST-RUNNING MUSICAL | HELLO, DOLLY! |
| MARVIN HAMLISCH COMPOSED THE MUSIC FOR THIS BROADWAY SMASH THAT INCLUDED THE SONG "ONE" | A CHORUS LINE |
| THE 2000 LONDON MUSICAL BASED ON THIS UPDIKE NOVEL STARRED LUCIE ARNAZ AS THE WOMAN CHER PLAYED ON FILM | THE WITCHES OF EASTWICK |
| THIS MUSICAL THAT HIT B'WAY IN 1991 IS SET PARTLY IN BANGKOK AND PARTLY IN HO CHI MINH CITY | MISS SAIGON |
| THERE'S TROUBLE IN RIVER CITY WHEN PROFESSOR HAROLD HILL COMES A-CALLING IN THIS MUSICAL | THE MUSIC MAN |
| DAMON RUNYON'S SHORT STORY "THE IDYLL OF MISS SARAH BROWN" INSPIRED THIS MUSICAL | GUYS AND DOLLS |
| MANY OF THE SONGS ASSOCIATED WITH LOUIS JORDAN ARE FEATURED IN "FIVE GUYS NAMED" THIS | MOE |
| THIS CLASSIC MUSICAL WAS BASED ON A BOOK OF "TALES" BY JAMES MICHENER | SOUTH PACIFIC |
| KEITH CARRADINE ROUNDED UP A 1991 TONY NOMINATION FOR HIS ROLE IN THIS EXTRAVAGANZA | WILL ROGERS FOLLIES |
| IN 1992 GREGORY HINES STARRED ON B'WAY IN THIS MUSICAL ABOUT THE LIFE OF JELLY ROLL MORTON | JELLY'S LAST JAM |
| CHARLES STROUSE WROTE THE MUSIC FOR "ANNIE" AND THIS COMPOSER WROTE THE MUSIC FOR "ANNIE GET YOUR GUN" | IRVING BERLIN |
| "WHEELS OF A DREAM" IS ONE OF THE BIG NUMBERS FROM THIS MUSICAL SET IN THE EARLY 20TH-C. | RAGTIME |
| B'WAY'S LONGEST-RUNNING MUSICAL SET IN A HIGH SCHOOL | GREASE |
| THIS GUITARIST FOR "THE WHO" WROTE THE MUSICAL SCORE FOR BROADWAY'S "TOMMY" | PETE TOWNSHEND |
| THIS MUSICAL ABOUT A GROUP OF AUDITIONING DANCERS FEATURES THE SONGS, "I HOPE I GET IT" AND "ONE" | A CHORUS LINE |
| IT'S THE MUSICAL FEATURING THE SONG "I'M GETTING MARRIED IN THE MORNING" | MY FAIR LADY |
| AN OSCAR WINNER FOR "AMADEUS", HE MADE HIS B'WAY DEBUT IN 1997 IN "TRIUMPH OF LOVE" | F. MURRAY ABRAHAM |
| MUSICAL FEATURING THE SONG "THE MUSIC OF THE NIGHT" | THE PHANTOM OF THE OPERA |
| JONATHAN LARSON MUSICAL SET IN NY'S EAST VILLAGE | RENT |
| "HIGH SOCIETY" FEATURES SOME OF THIS COMPOSER'S BEST-LOVED SONGS, INCLUDING "TRUE LOVE" AND "LET'S MISBEHAVE" | COLE PORTER |
| SHE STUNNED B'WAY IN 1996 BY TURNING DOWN HER NOMINATION FOR BEST ACTRESS IN A MUSICAL | JULIE ANDREWS (VICTOR/VICTORIA) |
| THE JAMES CLAVELL NOVEL THAT BECAME A MUSICAL IN 1990 | SHOGUN |
| IN 1996 THIS STAR OF "LA BAMBA" AND "YOUNG GUNS" BEGAN REIGNING ON B'WAY IN "THE KING & I" | LOU DIAMOND PHILLIPS |
| MUCH OF THIS MUSICAL IS SET AT MR. MUSHNIK'S FLOWER SHOP | LITTLE SHOP OF HORRORS |
| "THE KING & I" IS BASED ON THIS MEMOIR | ANNA AND THE KING OF SIAM |
| THE ROCK OPERA "RENT" IS A REWORKING OF THIS PUCCINI OPERA | LA BOHEME |
| THIS STEPHEN SONDHEIM MUSICAL WAS BASED ON THE INGMAR BERGMAN FILM "SMILES OF A SUMMER NIGHT" | A LITTLE NIGHT MUSIC |
| MUSICAL ABOUT A HUMORIST WHO NEVER MET A MAN HE DIDN'T LIKE | WILL ROGERS |
| PART OF THIS 1971 MUSICAL'S SECOND ACT IS SET IN THE GARDEN OF GETHSEMANE | JESUS CHRIST SUPERSTAR |
| THE CLASSIC SONG "BILL" IS FEATURED IN THIS MUSICAL | SHOW BOAT |
| NOMINATED FOR 5 TONYS, THIS 1996 MUSICAL BASED ON A FILM, BOASTED A MEMORABLE DANCE ON A GIANT PIANO KEYBOARD | BIG |
| IN 1996 ROBERT GOULET TOOK TO THE ROAD AS DON QUIXOTE IN A TOURING PRODUCTION OF THIS MUSICAL | MAN OF LA MANCHA |
| "MARCH OF THE TOYS" IS FROM "BABES IN TOYLAND" AND "MARCH OF THE SIAMESE CHILDREN" IS FROM THIS MUSICAL | THE KING AND I |
| IN 1973 BEN VEREEN WON A TONY FOR HIS PERFORMANCE IN THIS MUSICAL ABOUT CHARLEMAGNE'S SON | PIPPIN |
| NORMA DESMOND IS THE PRINCIPLE CHARACTER IN THIS SHOW | SUNSET BLVD. |
| TRY TO REMEMBER THIS LONG-RUNNING MUSICAL THAT FEATURES THE SONG "TRY TO REMEMBER" | THE FANTASTICKS |
| "SHANGRI-LA" WAS A 1956 MUSICAL BASED ON THIS FAMOUS NOVEL | LOST HORIZON |
| THIS PLAYWRIGHT ADAPTED THE 1993 MUSICAL "THE GOODBYE GIRL" FROM HIS SCREENPLAY OF THE 1977 FILM | NEIL SIMON |
| EMILY LOESSER SANG THE PART OF SARAH BROWN IN A RECENT RECORDING OF THIS MUSICAL WRITTEN BY HER FATHER | GUYS AND DOLLS |
| THIS TONY-WINNING 1992 MUSICAL STARRING CHITA RIVERA IS BASED ON A BOOK BY MANUEL PUIG | KISS OF THE SPIDER WOMAN |
| ACT 1 OF THIS SHOW FEATURES THE SONGS "BELLE", "BE OUR GUEST", AND "IF I CAN'T LOVE HER" | BEAUTY & THE BEAST |
| "KING MACKERAL AND THE BLUES ARE RUNNING" IS A MUSICAL SET IN THE OUTER BANKS OF THIS STATE | NC |
| ROBERT PRESTON STARRED AS THIS SILENT FILM DIRECTOR IN THE JERRY HERMAN MUSICAL "MACK AND MABEL" | MACK SENNETT |
| "HER FIRST ROMAN" WAS A MUSICAL ADAPTATION OF SHAW'S PLAY ABOUT THESE HISTORIC LOVERS | CAESAR & CLEOPATRA |
| THIS CREATOR OF JEEVES WROTE THE LYRICS FOR MORE THAN 2 DOZEN MUSICALS, INCLUDING "LEAVE IT TO JANE" | P.G. WODEHOUSE |
| "HELLO, DOLLY!" WAS CONCIEVED WITH ETHEL MERMAN IN MIND, BUT THIS ACTRESS WAS THE FIRST TO PLAY THE TITLE ROLE | CAROL CHANNING |
| IN 1991 JONATHAN PRYCE AND LEA SALONGA WON TONYS FOR ACTING IN THIS BRITISH IMPORT | MISS SAIGON |
| THIS CROONER ORIGINATED THE ROLE OF J.B. BIGGLEY IN "HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING" | RUDY VALLEE |
| BOTH ACTS OF "THE SOUND OF MUSIC" CLOSE WITH THIS INSPIRATIONAL SONG | CLIMB EVERY MOUNTAIN |
| BARBRA STREISAND INTRODUCED THE SONG "PEOPLE" IN THIS MUSICAL | FUNNY GIRL |
| "ALL THAT JAZZ" & "CELL BLOCK TANGO" | CHICAGO |
| "IF YOU BELIEVE" & "EASE ON DOWN THE ROAD" | THE WIZ |
| "EVERYTHING'S COMING UP ROSES" & "ROSE'S TURN" | GYPSY |
| "C'EST MOI'" & "HOW TO HANDLE A WOMAN" | CAMELOT |
| "BIG SPENDER" AND "IF MY FRIENDS COULD SEE ME NOW" | SWEET CHARITY |
| "AQUARIUS" & "LET THE SUNSHINE IN" | HAIR |
| "SUMMER NIGHTS" & "LOOK AT ME, I'M SANDRA DEE" | GREASE |
| "MATCHMAKER, MATCHMAKER", "IF I WERE A RICH MAN" | FIDDLER ON THE ROOF |
| "SOMETHING'S COMING", "I FEEL PRETTY" | WEST SIDE STORY |
| "PILATE'S DREAM", "HOSANNA" | JESUS CHRIST SUPERSTAR |
| "LIGHT MY CANDLE", "LA VIE BOHEME" | RENT |
| "THE MUSIC OF THE NIGHT", "ALL I ASK OF YOU" | PHANTOM OF THE OPERA |
| "I HOPE I GET IT", "WHAT I DID FOR LOVE" | A CHORUS LINE |
| "PARIS BY NIGHT", "IF I WERE A MAN" | VICTOR/VICTORIA |
| "THE SURREY WITH THE FRINGE ON TOP", "KANSAS CITY" | OKLAHOMA |
| "THE RAIN IN SPAIN" , "COULD HAVE DANCED ALL NIGHT" | MY FAIR LADY |
| "FOOD, GLORIOUS FOOD", "AS LONG AS HE NEEDS ME" | OLIVER! |
| "SEVENTY SIX TROMBONES", "WELLS FARGO WAGON" | THE MUSIC MAN |
| "IT'S THE HARD-KNOCK LIFE" "TOMORROW" | ANNIE |
| "ANOTHER OP'NIN', ANOTHER SHOW" , "SO IN LOVE" | KISS ME KATE |
| "HAVANA", "LUCK BE A LADY" | GUYS & DOLLS |
| "HAKUNA MATATA" , "CAN YOU FEEL THE LOVE TONIGHT" | THE LION KING |
| "PUT ON A HAPPY FACE", "KIDS" | BYE BYE BIRDIE |
| "DON'T CRY FOR ME ARGENTINA", "HIGH FLYING ADORED" | EVITA |
| "DULCINEA", "THE IMPOSSIBLE DREAM" | MAN OF LA MANCHA |
| OPENING LYRIC: "NANTS INGONYAMA BAGITHI BABA" | THE LION KING |
| OPENING LYRIC: "MICHAEL RENNIE WAS ILL THE DAY THE EARTH STOOD STILL" | THE ROCKY HORROR SHOW |
| OPENING LYRIC: "LOOK DOWN! LOOK DOWN! DON'T LOOK 'EM IN THE EYE!" | LES MISERABLES |
| OPENING LYRIC: "THERE'S A BRIGHT GOLDEN HAZE ON THE MEADOW" | OKLAHOMA! |
| OPENING LYRIC: "WE BEGIN ON CHRISTMAS EVE WITH ME, MARK, AND MY ROOMATE, ROGER" | RENT |
| OPENING LYRIC: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" | ANNIE GET YOUR GUN |
| OPENING LYRIC: "OPENING NIGHT! IT'S OPENING NIGHT!" | THE PRODUCERS |
| OPENING LYRIC: "SOLD! YOUR NUMBER, SIR? THANK YOU" | PHANTOM OF THE OPERA |
| OPENING LYRIC: "DEAR READER, THIS BOOK IS DESIGNED TO TELL YOU EVERYTHING YOU NEED TO KNOW ABOUT THE SCIENCE OF GETTING AHEAD" | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING |
| OPENING LYRIC: "ONCE UPON A TIME, IN A FAR AWAY LAND, A YOUNG PRINCE LIVED IN A SHINING CASTLE" | BEAUTY & THE BEAST |
| OPENING LYRIC: "ON THE TWENTY-THIRD DAY OF THE MONTH OF SEPTEMBER" | LITTLE SHOP OF HORRORS |
| OPENING LYRIC: "SIX MONTHS OUT OF EVERY YEAR I MIGHT AS WELL BY MADE OF STONE" | DAMN YANKEES |
| OPENING LYRIC: "TRADITION! TRADITION! TRADITION!" | FIDDLER ON THE ROOF |
| OPENING LYRIC: "ARE YOU BLIND WHEN YOU'RE BORN? CAN YOU SEE IN THE DARK?" | CATS |
| OPENING LYRIC: "MY DAY IN THE HILLS HAS COME TO AN END, I KNOW" | THE SOUND OF MUSIC |
| OPENING LYRIC: "BLESS YOUR BEAUTIFUL HIDE!" | SEVEN BRIDES FOR SEVEN BROTHERS |
| OPENING LYRIC: "I GOT THE HORSE RIGHT HERE! HIS NAME IS PAUL REVERE!" | GUYS AND DOLLS |
| OPENING LYRIC: "CASH FOR THE MERCHANDISE, CASH FOR THE BUTTON HOOKS" | THE MUSIC MAN |
| OPENING LYRIC: "AGAIN! STEP, KICK, KICK, LEAP, KICK, TOUCH!" | A CHORUS LINE |
| OPENING LYRIC: "WE WORK AND WORK FROM WEEK TO WEEK AT THE ROYAL BANGKOK ACADEMEY" | THE KING AND I |
| OPENING LYRIC: "GOOD NEWS! SHE'S DEAD! THE WITCH OF THE WEST IS DEAD!" | WICKED |
| MUSICAL BASED ON "GREEN GROW THE LILACS" | OKLAHOMA! |
| MUSICAL BASED ON "THE TAMING OF THE SHREW" | KISS ME, KATE |
| MUSICAL BASED ON ALAN PATON'S "CRY, THE BELOVED COUNTRY" | LOST IN THE STARS |
| MUSICAL BASED ON SHAKESPEARE'S "ROMEO & JULIET" | WEST SIDE STORY |
| MUSICAL BASED ON T.H. WHITE'S "THE ONCE AND FUTURE KING" | CAMELOT |
| MUSICAL BASED ON "PSEUDOLUS AND TWO OTHER FARCES" BY PLAUTUS | A FUNNY THING HAPPENED ON THE WAY TO THE FORUM |
| MUSICAL BASED ON "DON QUIXOTE" | MAN OF LA MANCHA |
| MUSICAL BASED ON "TEVYE AND HIS DAUGHTERS" BY SHOLOM ALEICHEM | FIDDLER ON THE ROOF |
| MUSICAL BASED ON "GOODBYE BERLIN" (ISHERWOOD) AND "I AM A CAMERA" BY JOHN VAN DRUTEN | CABARET |
| MUSICAL BASED ON "THE ADVENTURES OF HUCKLEBERRY FINN" | BIG RIVER |
| MUSICAL BASED ON "THE ROMANCERS" | THE FANTASTICKS |
| MUSICAL BASED ON MONTY PYTHON AND THE HOLY GRAIL | SPAMALOT |
| MUSICAL BASED ON "SMILES OF A SUMMER NIGHT" | A LITTLE NIGHT MUSIC |
| MUSICAL BASED ON "NINOTCHKA" | SILK STOCKINGS |
| MUSICAL BASED ON THE NEW TESTAMENT GOSPELS | JESUS CHRIST, SUPERSTAR OR GODSPELL |
| MUSICAL BASED ON "NIGHTS OF CABIRIA" | SWEET CHARITY |
| MUSICAL BASED ON "THE MATCHMAKER" | HELLO, DOLLY! |
| MUSICAL BASED ON "THE YEAR THE YANKEES LOST THE PENNANT" | DAMN YANKEES |
| MUSICAL BASED ON "5135 KENSINGTON" | MEET ME IN ST. LOUIS |
| MUSICAL BASED ON "8 1/2" | NINE OR ALL THAT JAZZ |
| MUSICAL BASED ON "7 1/2 CENTS" | THE PAJAMA GAME |
| MUSICAL BASED ON "LILIOM" | CAROUSEL |
| ANGEL DUMOTT SCHUNARD, A DRAG QUEEN DRUMMER IS A CHARACTER IN THIS PLAY | RENT |
| THIS GIRL DREAMS OF ATTENDING THE KING'S FESTIVAL IN "INTO THE WOODS" | CINDERELLA |
| THE LEAD SINGER OF THE FOUR SEASONS IN "JERSEY BOYS" | FRANKIE VALLI |
| THIS GAMBLER RUNS A FLOATING CRAP GAME AND IS ENGAGED TO MISS ADELAIDE IN "GUYS AND DOLLS" | NATHAN DETROIT |
| THIS ORPHAN BOY ASKS FOR MORE GRUEL IN THE MUSICAL OF THE SAME NAME | OLIVER TWIST |
| THIS CHARACTER IN "AVENUE Q" IS A COLLEGE GRADUATE WITH A BA IN ENGLISH, LOOKING FOR HIS PURPOSE IN LIFE | PRINCETON |
| SHE FALLS IN LOVE WITH DANNY ZUKO IN "GREASE" | SANDY DUMBROWSKI |
| THIS CON MAN STARTS A MARCHING BAND AND FALLS IN LOVE WITH A LIBRARIAN IN "THE MUSIC MAN" | HAROLD HILL |
| ASSISTANT TO DR. FRANKENSTEIN IN "YOUNG FRANKENSTEIN" | IGOR OR INGA |
| LES MISERABLES: AN ESCAPED CONVICT WHO CHANGES HIS IDENTITY AND ADOPTS COSETTE | JEAN VALJEAN |
| HE LEADS THE QUEST FOR THE HOLY GRAIL IN "MONTY PYTHON'S SPAMALOT" | KING ARTHUR |
| THIS ANXIOUS ACCOUNTANT AGREES TO HELP PRODUCE A FLOP IN "THE PRODUCERS" | LEOPOLD BLOOM |
| THIS PUERTO RICAN GIRL FALLS IN LOVE WITH TONY IN "WEST SIDE STORY" | MARIA |
| THIS TEENAGED GIRL WANTS TO DANCE ON THE "CORNY COLLINS" SHOW IN "HAIRSPRAY" | TRACY TURNBLAD |
| USNAVI IS A BODEGA OWNER IN WASHINGTON HEIGHTS, A NYC NEIGHBORHOOD IN THIS MUSICAL | "IN THE HEIGHTS" |
| WENDIA BERGMAN IS A TEENAGE GIRL WHO FALLS FOR HER CHILDHOOD FRIEND MELCHIOR IN THIS MUSICAL | "SPRING AWAKENING" |
| YENTE IS THE VILLAGE MATCHMAKER IN THIS MUSICAL | "FIDDLER ON THE ROOF" |
| ZAZU IS A HORNBILL, ADVISOR TO KING MUFASA IN THIS MUSICAL | THE LION KING |
| RICHARD RODGERS COLLABORATED WITH THIS MAN TO PRODUCE "PAL JOEY", AND "THE BOYS FROM SYRACUSE" | LORENZ HART |
| THIS DUO COMBINED TO WIN THE PULITZER PRIZE, 34 TONYS, AND 15 OSCARS | RODGERS AND HAMMERSTEIN |
| OSCAR HAMMERSTEIN PARTNERED WITH THIS MAN TO PRODUCE "SHOW BOAT" | JEROME KERN |
| LYRICIST IN THE DUO LERNER & LOEWE | ALAN JAY LERNER |
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bella1471