Exam 1-ch1 -ch8
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
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| ( 1) The literal shape and mass of an object or figure. ( 2) More generally, the materials used to make a work of art, the ways in which these materials are used in terms of the for-mal elements ( line, light, color, etc.), and the composition that result | show 🗑
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| The meaning of an image, beyond its overt subject matter; as opposed to form. | show 🗑
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| show | Picture Plane
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| show | Hatching
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| show | Cross-hatching
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| show | Complementary color
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| Pairs of colors, such as yellow and orange, that are adjacent to each other on the color wheel. | show 🗑
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| show | Primary colors
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| show | Secondary colors
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| show | Intermediate colors
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| show | Arbitrary color
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| show | Monochromatic
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| A color composition consisting of a variety of hues. | show 🗑
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| As opposed to optical color and perceptual color, the actual hue of a thing, independent of the ways in which colors might be mixed or how different conditions of light and atmos-phere might affect color. | show 🗑
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| That which impresses the mind with a sense of grandeur and power, inspiring a sense of awe. | show 🗑
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| show | Surrealism
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| show | Composition
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| A style arising in the early 1960s characterized by empha-sis on the forms and imagery of mass culture. | show 🗑
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| show | Calligraphy
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| show | Earthworks
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| Art that moves. | show 🗑
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| show | Mobiles
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| show | Abstraction
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| Any work of art that seeks to resemble the world of natural appearance. | show 🗑
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| Art that makes no reference to the natural world and that explores the inherent expressive or aesthetic potential of the formal elements— line, shape, color— and the formal compositional principles of a given medium. | show 🗑
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| show | Color Temperature
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| show | Atmospheric/Aerial Perspective
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| A version of linear perspective in which there is only one vanishing point in the composition. | show 🗑
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| A version of linear perspective in which there are two ( or more) vanishing points in the composition | show 🗑
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| The modification of perspective to decrease dis- tortion resulting from the apparent visual contraction of an object or figure as it extends backward from the picture plane at an angle approaching the perpendicular. | show 🗑
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| show | Bilateral symmetry
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| show | Absolute symmetry
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| show | Asymmetry
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| show | Scale
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| In any composition, the relationship between the parts to each other and to the whole | show 🗑
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| An effect achieved when shapes, colors, or a regular pattern of any kind is repeated over and over again. | show 🗑
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| In drawing and painting, the use of light and dark to create the effect of three-dimensional, modeled surfaces. | show 🗑
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| From the Italian tenebroso, meaning murky, a height- ened form of chiaroscuro. | show 🗑
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| show | Intensity
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| same as intensity | show 🗑
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| A color or hue modified by the addition of another color resulting in a hue of a lighter value, in the way, for instance, that the addition of white to red results in pink | show 🗑
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| A color or hue modified by the addition of another color, resulting in a hue of a darker value, in the way, for instance, that the addition of black to red results in maroon. | show 🗑
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| show | Hue
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| show | Iconography
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| show | Canon
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| A system of proportion developed by the ancient Greeks obtained by dividing a line so that the shorter part is to the longer part as the longer part is to the whole, resulting in a ratio that is approximately 5 to | show 🗑
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| In linear perspective, the point on the horizon line where parallel lines appear to converge | show 🗑
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| show | Focal Point
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| An art style particularly popular in the 1 960s in which line and color are manipulated in ways that stimulate the eye into believing it perceives movement. | show 🗑
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| Outline Contour line Implied line Analytic line Expressive line | show 🗑
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| The edge of a shape or figure depicted by an actual line drawn or painted on the surface. | show 🗑
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| The perceived line that marks the border of an object in space | show 🗑
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| show | Implied line
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| show | Expressive line
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Created by:
secondward