Reading Film Ch. 5
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
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| show | a dissolve
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| show | condense time
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| show | an establishing shot
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| _____ refers to a style that emphasizes the breaks and contrasts between images joined by a cut. | show 🗑
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| Part of the 180-degree rule, the imaginary line that bisects the space of the scene and indicates on which side of the actors the camera should be placed is called the: | show 🗑
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| show | verisimilitude
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| show | iris in
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| show | shows a shot of the actor pointing or looking off screen by a shot of what was being looked at
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| Th editing system that uses cuts and other transitions to establish a sense of verisimilitude and most efficiently tells a story is known as | show 🗑
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| show | parallel editing
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| show | distantiation
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| What term best describes a cut that maintains continuity between two shots by showing similarities of shape or movement in their subjects? | show 🗑
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| A transition where a shot seems to be pushed off the screen as it is replaced by another shot is called: | show 🗑
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| show | a scene
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| What is the best term for a transition between shots that causes jarring gaps in space or time? | show 🗑
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| A lap dissolve usually suggests what? | show 🗑
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| show | rhythmic editing
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| show | disjunctive editing
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| Which of the following devices does NOT aid in establishing spatial continuity? | show 🗑
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| show | continuity editing that establishes spatial and temporal clarity by breaking down a scene
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| What often uses progressively tighter framings that maintain consistent spatial relations? | show 🗑
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| show | an imaginary line bisecting a scene corresponding to the 180-degree rule in continuity editing
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| show | the order according to which shots or scenes convey the temporal sequence of the story's events
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| continuity editing | show 🗑
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| What is sometimes called invisible editing? | show 🗑
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| continuity style | show 🗑
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| show | an editing technique that cuts back and forth between actions in separate spaces, often implying simultaneity
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| show | crosscutting
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| cut | show 🗑
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| cutaway | show 🗑
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| show | long shot that establishes the location and setting
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| show | optical effect in which a black screen gradually brightens to a full picture
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| show | optical effect in which an image gradually darkens to black, often ending a scene
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| How may flashbacks be introduced? | show 🗑
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| show | a style of editing creating formal patterns of shapes, masses, colors, lines, and lighting patterns though links between shots
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| graphic match | show 🗑
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| show | a brief shot, often a close up, filmed separately from a scene and inserted during editing. points out details significant to the action
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| intercutting | show 🗑
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| show | artistic movement in painting, music, design, architecture, and literature of the 1920's that rendered a fragmented vision of human subjectivity through strategies such as the foregrounding of style, experiments with space and time, and open-ended narrati
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| montage | show 🗑
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| show | montage
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| movement editing | show 🗑
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| show | an insert that depicts an action, object, or title originating outside of the space and time of the narrative world
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| optical effect | show 🗑
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| overlapping editing | show 🗑
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| show | a shot during an edited sequence that returns to an establishing shot to restore a seemingly "objective" view to the spectator
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| segmentation | show 🗑
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| show | any number of shots or scenes that are unified as a coherent action in an identifiable motif, regardless of changes in space and time
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| show | a cut that juxtaposes two images whose dramatic difference aims to create a jarring visual effect
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| shot/reverse shot | show 🗑
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| Structural film | show 🗑
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| show | cinematography and editing rule that specifies that a shot should only be followed by another shot taken from a position greater than 30 degrees from that of the first
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| show | a shot depicted two characters
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To hide a column, click on the column name.
To hide the entire table, click on the "Hide All" button.
You may also shuffle the rows of the table by clicking on the "Shuffle" button.
Or sort by any of the columns using the down arrow next to any column heading.
If you know all the data on any row, you can temporarily remove it by tapping the trash can to the right of the row.
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