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| Direct painting | Wet on wet or wet on dry. Not composed of distinct layers
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| Mean all at once in Italian. Type of direct painting where it all at once, setting | Alla prime
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| Combination of numerous layers of paint on the final surface of the painting | Indirect painting
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| Putting translucent films of color over a dry under layer of oil or tempera | Glazing
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| Is a powder coloring agent | Pigment
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| Mixes with the pigment to hold the pigment particles together without dissolving them | Binder
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| Is the paint component that spreads the paint | Vehicle
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| Refers to the binder or binder and vehicle added to facilitate pigment application | Medium
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| Mixture of 2 liquids, one is present as a fine dispersion droplets | Emulsion
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| In thin board/ slab used for holding and mixing colors | Palettes
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| Is the technique of applying thin layers of wet opaque color | Scumbling
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| Is paint applied thickly | Impasto
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| Opposite of the loaded brush used for impasto | Dry brush
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| The smooth , prepared surfaces of a support to which paint is applied | Ground
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| Consists of pigments suspended in a solution of water and gum arabic | Watercolor
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| Opaque watercolor that includes a small amount of chalk powder and more gum arabic | Gouache
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| Term used with thinned ink or watercolors, which flow freely | Wash
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| Is water- soluble paint with binder of egg, glue, or casein emulsion | Tempera
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| Paint prepared by grinding pigments powered with linseed oil | Oil paint
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| Pigment suspended in acrylic polymer medium | Acrylics
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| Pigments suspended in hot beeswax results in a lustrous surface | Encaustic
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| Egyptian center for encaustic paintings for mummy portraits | Fayum
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| An ancient wall or ceiling painting technique in which very finely ground pigments suspended in water applied to a damp lime-plaster wall | Fresco or buon fresco
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| Dry fresco is done on a finish, dried lime-plaster | Secco fresco
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| Wall painting | Mural
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