Chapters 9-12
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| Dry drawing media consists of coloring agents, which are mixed with _______ that hold them together (p. 176). | binders
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| A popular drawing medium during the Renaissance consisted of a stylus of gold, silver, or other metal that was dragged across a prepared ground of lead white, bone, and water (p. 176). This process was called: | metalpoint
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| The word paper is derived from ____________. | Egyptian papyrus
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| A woodcut print such as Emile Nolde's Prophet is an example of | a relief print
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| One of the greatest of the early masters of the intaglio process was the artist: | Albrecht Dürer
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| Known for his role in the Pop art movement, Andy Warhol created many artworks using which commercial process (p. 215)? | silkscreen
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| A _________ is an example of relief printmaking (p. 191). | woodcut
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| ________ is the process that assures that the colors of a linocut or other relief print will align perfectly | Registration
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| Because in lithography the printing surface is completely flat (p. 207), it is referred to as a ________ printmaking process. | planographic
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| If an artist pushes the point of a burin across a metal plate, forcing the metal up in slivers in front of the burin, the process (p. 201) is called | engraving
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| Which of these was normal subject matter and ukiyo-e or nishiki-e prints? | women engaged in everyday activities
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| In printmaking, what is an edition? | the number of impressions authorized by the artists made from a single master image
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| What are the advantages of wet drawing media over dry media? | Wet media is easier to blend and easier to correct
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| List three types of relief printmaking process. | Woodcuts
Linoleum cut
Wood engraving
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| What is binder? | What holds pigments together
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| Define medium: | A liquid added to paint that makes it easier to manipulate.
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| How do you feel that the advancements in computers has changed what we consider "drawing"? | I feel that computers have changed we consider drawing because now there are graphics on the computer and it makes it easier to draw less lines and help with making less mistakes.
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| Giotti's Madonna and Child Enthroned illustrates the detail the artist is able to achieve using the medium of _______. | egg tempera
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| A traditional ground for tempera paintings (p. 223) is ______, a mixture of glue and plaster of Paris or chalk. | gesso
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| In the fifteenth century, a painting process was developed that allowed for a continuous blending of tones and hues on the painting surface (p. 227). What was it? | oil painting
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| When an artist paints with a mixture of watercolor pigment and Chinese white chalk, the process (p. 236) is called: | gouache.
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| Michelangelo's painting on the ceiling of the Sistine Chapel was executed in a process called: | buon fresco.
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| In European fresco painting from the early-Renaissance to the late Baroque, the goal of artists was to: | create the illusion of real space and realistic figures.
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| What is the main advantage of using oil paint over other paint media? | it dries slower allowing for more naturalistic development
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| Which of these is not a component of painting? | investment
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| What is the binder in "encaustic" painting? | wax
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| The _____________is the substance in paint that holds the particles of pigment together and often defines the characteristics of the various painting media. | binder
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| Perfecting the photographic process, Louis Daguerre, in Le Boulevard du Temple, was able to include __________ in his photographs | people
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| The device invented in the sixteenth century as a means of capturing and fixing images from the natural world is called: | camera obscura.
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| The wet-plate collodion (p. 255) photographic process was introduced by a British sculptor named: | Frederick Archer.
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| Sound was introduced into film (p. 269) in the year: | 1927
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| Who developed the "zone system" in photography? | Ansel Adams and Fred Archer
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| When and where were the earliest photographs developed? | in 1839 in France and England
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| How does "camera obscura" translate, and how does it differ from contemporary photography? | dark room; it reflected but did not "capture" the image
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| What 19th century photographer is responsible for developing the "calotype" process, which is the basis for modern photography? | William Henry Fox Talbot
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