Test 2
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| monophonic in texture, named after a pope | Gregorian chant
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| the church modes are... | like the major and minor scales in that they consist of seven tones and an eighth tone that duplicates the first an octave higher.
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| was the first woman composerr to leave a large number of works that have survived | Hildegard of bingen
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| was credited by medieval legend with having created it, even though it evolved over many centuries | Gregorian chant is named after pope Gregory I, who
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| one or more long, sustained notes that accompany a melody is known as | drone
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| performed music and acrobatics in castles, taverns, and town squares | the wandering minstrels, or jongleurs, of the middle ages
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| the notation of the secular songs of the middle ages does not indicate | rhythm
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| the first large body of secular songs that survives in decipherable notation was composed during | the 12th and 13th centuries by french nobles called troubadours and trouveres
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| most of the french secular songs of the middle ages dealt with | love
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| in the recording of the medieval estampie, the melody line is played on a rebec | a bowed string instrument
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| the center of polyphonic music in europe after 1150 was | paris
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| a chant that is used as the basis for polyphony is known as | cantus firmus
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| leonin and perotin are notable because they | are the first important compsers known by name, indicated definite time values and clearly defined meter in their music, and were the leaders of the school of Notre Dame
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