Film - Editing
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| Editing | The coordination of one shot with the next
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| Primary Kinds of Edits | Physical vs. Optical, Cuts, Wipes, Dissolves, Fades
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| Bordwell & Thompson outline four dimensions of film editing: | Graphic Relations, Rhythmic Relations, Spatial relations, temporal relations
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| Graphic Match | editing two shots together with like compositions to show their similarity usually by cut or dissolve
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| Graphic Discontinuity | editing two shots together with unlike compositions, often to call attention to the film editing
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| Rhythmic Relations | Film Tempo, Editing isn't the only means of determining film tempo but it is perhaps the most influential way to change the pace of a film... Varying shot lengths produce a different rhythmic effect
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| Spatial Relations | Using space to construct a universe of diegetic film space
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| Kuleshov Effect | a sequence that prompts the spectator to infer a spatial whole in the absence of an establishing shot
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| Parallel Editing/ Cross Cutting | alternating shots from one line of action in one place with shots of events taken place elsewhere
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| Elliptical editing | presenting an action so that it consumes less screen time than it does real time
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| overlapping editing | repeating an action across an edit
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| Continuity Editing | System designed to enhance narrative continuity, also known as invisible editing. Dominant style of Hollywood cinema.
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| Spacial Continuity | 180 degree rule: The space of the scene is constructed and maintained along an axis of action
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| Establishing shot | shot at the beginning of a sequence that establishes the spatial relations of the scene and the characters within it
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| Shot/reverse shot | cutting from one end of the 180 line to the other end in order to simulate a conversation taking place
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| Eyeline Match | The offscreen gaze of a character onscreen matches with the offscreen gaze of the character in the next edit
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| Match on action | cancelling part of an action by cutting from its start to a later point
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| Director of Casablanca | Micheal Curtiz
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| Editor of Casablanca | Owen Marks
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| Director of Breathless | Jean Luc Goudard
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| Editor of Breathless | Cecile Decugis
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