Howes Acting Exam Word Scramble
|
Embed Code - If you would like this activity on your web page, copy the script below and paste it into your web page.
Normal Size Small Size show me how
Normal Size Small Size show me how
Term | Definition |
The movement of any part of the body to help express something | Gesture |
Expressing ideas to another person without using words | Nonverbal Communication |
The firmness or solidity of an object | Resistance |
The act of acting without words | Pantomime |
Moving from one place to another on stage | Cross |
Any stage not classified as a proscenium, thrust, or arena. | Flexible Staging |
The area where the players perform; usually a raised platform. | Stage |
The part of the stage extending past the proscenium arch toward the audience. | Apron |
Offstage spaces to the sides of the acting area. | Wings |
A stage that extends into the seating area. The audience sits on three sides of the stage. | Thrust Stage |
A four-sided stage built like a box with one side cut away, enabling the audience to view the play as if it were in a picture frame. | Proscenium Stage |
A stage constructed so that the audience can sit on all sides; also known as “theatre in the round”. | Arena Stage |
The draperies covering the proscenium opening, separating the audience from the stage. | Grand Drape |
The area behind the stage and not seen by the audience. | Offstage |
Anything within the stage setting and visible to the audience. | Onstage |
The area onstage furthest away from the audience. | Upstage |
The area onstage closest to the audience. | Downstage |
Anything beyond the stage setting and not visible to the audience. | Backstage |
The area of the performance space where the audience sits, sometimes called “out front”. | House |
Nine divisions of the stage floor used by directors when moving actors or placing furniture. | Acting Areas |
Actors assume positions on stage of equal strength by opening up to the audience. | Share |
Position or turn the body more toward the audience. | Open Up |
Actors turn more toward the audience than they would in normal conversation. | Cheat Out |
Actor turns toward the center of the stage. | Turn In |
Actors turn more to the side of the stage. | Turn Out |
The arrangement of incidents that take place in a play. | Plot |
Introduces the audience to who, what, when, and why. | Exposition |
Series of complications or conflicts, which result in a turning point. | Climax |
The principle character who represents the main thought of the play. | Protagonist |
The character who opposes the principle character and stands in his/her way. | Antagonist |
Overall meaning or basic idea of a play. | Theme |
Tells the story through words or language. | Diction |
Includes the actor’s voices, as well as songs, instruments, recorded background sound, and even sound effects. | Song |
Includes all visual elements of production including scenery, props, lighting, costumes, makeup, stage movement, and dance. | Spectacle |
A major division of a play. | Act |
Further division of a play into sections often based on the setting, the location or passing of time. | Scene |
A play dealing with a serious situation; the protagonist is often defeated or dies. | Tragedy |
A play dealing with a serious subject, but the protagonist does not die. | Drama |
A play that presents the theme and characters is a humorous way. | Comedy |
The vibrant tone produced when sound waves strike the chambers of the throat, head, nose, and mouth. | Resonance |
The individual sound of a particular voice. | Quality |
Variety in pitch. | Inflection |
Relative highness or lowness of the voice at any given point. | Pitch |
The sound produced when nasal passages are blocked, leaving the voice flat. | Nasality |
Selection and pronunciation of words and their combination of speech. | Diction |
Relative strength, force, or intensity with which sound is made. | Volume |
Using correct vowel and consonant sounds in speech. | Pronunciation |
Speaking continuously on one level. | Monotone |
The speed at which words are spoken. | Rate |
To break into the speech of another character. | Cut In |
The last words, action, or technical effect that immediately precedes any line or business. | Cue |
Improvise stage business or conversation. | Ad Lib |
Any specific action performed on the stage. | Business |
To speak when someone else is speaking. | Overlap |
Giving an actor the freedom to move over the entire acting area. | Taking the Stage |
To leave the stage. | Exit |
A movement in the direction opposite to a cross to balance the stage. | Countercross |
To move onto the stage. | Enter |
The stage command for actors to take their positions at the opening of an act or scene. | Places |
A technical term, placing furnishings, pictures, and similar items to complete and balance the set. | Dressing the Stage |
Attracting attention from the person to whom the audience’s interest legitimately belongs. | Stealing the Scene |
The unstated or “between the lines” meaning an actor must draw from the script. | Subtext |
The movement or sweep of the play as it progresses. | Pace |
Terms used to refer to the stage from the actor’s point of view, not from that of the audience. | Left and Right |
A small acting part that has no lines. | Walk-On |
An acting role with very few lines. | Bit Part |
The main characters in a play or the named characters in a musical. | Principle |
The scenery for an act or scene. | Set |
All stage furnishings including furniture and those items brought onstage by actors. | Properties |
Created by:
howesmi
Popular Miscellaneous sets