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Quiz yourself by thinking what should be in
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on it to display the answer.
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| METER | RHYTHM OF A LINE; STRESSED, UNSTRESSED SYLLABLES
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| SYLLABLE | SINGLE UNIT OF UNINTERRUPTED SOUND
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| FOOT | BASIC RHYTHM UNIT, COMBINATION OF STRESS, UNSTRESS SYLLABLES
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| IAMBIC PENTAMETER | 2 SYLLABLE FOOT 5 FEET PER LINE
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| IAMBIC FOOT | UNSTRESS, STRESS=DA DUM
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| TROCHAIC FOOT | STRESS,UNSTRESS/STRESS,UNSTRESS/ =DUM,DA
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| SPONDIAC FOOT | STRESS,STRESS/STRESS,STRES/ = DUM DUM
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| ANAPESTIC | UNSTRESS,UNSTRESS, STRESS/ = DA DA DUM
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| DACTYLIC | STRESS, UNSTRESS,UNSTRESS= DUM,DA,DA
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| STANZA | RECURRINGPATTERN OF 2 OR MORE LINES OF VERSE ="PARAGRAPH OF PROSE"
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| PROSODY | STUDY OF METRICAL STRUCTURES IN POETRY
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| SCANSION | ART OF SCANNING AL LINE, READ LISTEN
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| 4 COMMON ACCENTUAL SYLLABIC METERS | IAMBIC, ANAPESTIC, TROCHAIC, DACTYLIC
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| RISING METER | IAMBIC, ANAPESTIC
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| FALLING METER | TROCHAIC, DACTYLIC
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| MONOSYLLABIC FOOT | NO UNACCENTED SYLLABLE
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| MONOMETER | METER CONSISTING OF ONE METRICAL FOOT, OR ONE PRIMARY STRESS PER LINE
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| DIAMETER | VERSE METER WITH 2 METRICAL FEET OR 2 PRIMARY STRESSES PER LINE
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| TRIMETER | VERSE METER WITH 3 METRICAL FEET OR 3 PRIMARY STRESSES PER LINE
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| TETRAMETER | VERSE METER WITH 4 METRICAL FEET OR 4 PRIMARY STRESSES PER LINE
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| FOOT | UNIT OF MEASUREMENT IN METRICAL POETRY
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| STRESS | ACCENT; FORCE GIVEN TO SYLLABLE IN SPEAKING
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| SLACK | UNSTRESSED SYLLABLES
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| PAUSES | CAESURA; OCCURS AT A PUNCTUTATION MARK
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| CAESURA | PAUSE; OCCURS AT A PUNCTUATION MARK
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| RUN ON LINE | SLIGHT PAUSE; NO PUNCTUATION
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| RHYME TYPE | INITIAL, EXACT, SLANT ,END,MASCULINE, FEMININE, EYE
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| INITIAL RYME/RIME | ALLITERATION
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| EXACT | SOUNDS FOLLOW VOWEL SOUND RED, BREAD
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| SLANT | FINAL CONSONANT SAME SOUND, VOWEL SOUND DIFFERENT; NEAR, OFF OR IMPERFECT RHYME SUN, BONE
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| CONSONANCE | SLANT RHYME- RIMED WORDS OR PHRASES SAME BEGINNING/ENDING CONSONANT SOUNDS DIFERENT VOWEL SOUND CHITTER, CHATTER
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| END RIME | END OF LINES, MOST USED TYPE
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| MASCULINE RIME | 1 SYLLABLE WORDS; JAIL, BAIL OR WORDS WITH MORE THAN 1 SYLLABLE- STRESS ON FINAL SYLLABLE DI-VORCE, RE-MORSE
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| FEMININE RIME | 2 OR MORE SYLLABLES WITH STRESS ON A SYLLABLE OTHER THAN THE LAST; TUR-TLE, FER TILE. USED IN COMIC VERSE,
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| EYE RIME | SPELLING LOOKS SAME, PRONUNCTIATION DIFFER; ROUGH, DOUGH IDEA, FLEA--DO NOT RIME AT ALL
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| INTERNAL RIME | RIME OCCURS WITHIN A LINE OF POETRY AS APPOSED TO END RIME
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| FORMS IN POETRY | CLOSED, OPEN DESIGN AS A WHOLE; CONFIGURATION OF ALL ITS PARTS
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| CLOSED PATTERN | PATTERN SUCH AS A SONNET WITH RIME SKENE; TENDS TO LOOL REGULAR AND SYMMETRICAL, FALLING INTO STANZA THAT INDICATES GROUPS OF RIMES AND METER; MORE MEMORABLE
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| OPEN PATTERN |
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| TRIOLET | SHORT LYRICFORM 8 RHYMED LINES 2 OPEINGING LINES REPREATED ACCORDING TO SET PATTERN
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| TERCET | GROUP OF 3 LINES OR VERSE USUALLY ALL ENDING WITH SAME RHYME
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| TERZA RIME | VERSE FORM MADE UP OF 3 LINES, STANZA, CONNECTED BY OVERLAPPING RHYME THEME
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| SESTINA | COMPLEX VERSE FORM 6 END WORDS REPEATED IN PRESCRIBE ORDER THROUGH 6 STANZA; ENDS WITH 3 LINES IN WHICH ALL 6 WORDS APPEAR-TOTAL 39 LINES
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| FORAML PATTERN IN POETRY | BLANK VERSE, COUPLET, TERCET
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| BLANK VERSE | UNRIMED IAMBIC PENTAMETER
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| COUPLET | 2 LINE STANZA, USUALLY RIMED; BLOW,SNOW
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| HEROIC COUPLET | CLOSED COUPLET, 2 RIMED LINES OF IAMBIC PENTAMETER, FIRST ENDING IN A LIGHT PAUSE, 2ND MORE HEAVILY END STOPPED
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| TERCET | GROUP OF 3 LINES, USUALLY 1 RIME SOUND AS IN ANONYMOUS ENGLISH CHILDJINGLE
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| SYLLABIC VERSE | VERSE FORM IN WHICH POET ESTABLISHES A PATTERN OF A CERTAIN NUMBER OF SYLLABLES TO A LINE
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| FREE VERSE | POETRY ORGANIZED WITHOUT METER OR RIME
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| TYPE OF FREE VERSE | PROSE AND VISUAL
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| PROSE POETRY | POETIC LANGUAGE PRINTED IN PROSE PARAGRAPHS DISPLAYING THE CAREFUL ATTENTION TO SOUND IMAGERY AND FIGURATIVE LANGUAGE CHARACTERISTICS OF POETRY
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| VISUAL POETRY | DISTINCTIVE VISUAL SHAPE VERBAL SILHOUETTE
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| BALLAD | SONG THAT TELLS A STORY, ORAL VERSE FORM, SUNG OR RECITED; PASSED FROM PERFORMER TO PERFORMER WITHOUT BEING WRITTEN DOWN. COMPRESSED DRAMATIC, OBJECTIVE, IN THEIR NARRATIVE STYLE.
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| BALLAD TYPES | FOLK, CHILD, BROADSIDE, LITERARY
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| FOLK BALLAD | LOOSELY DEFINED ANONYMOUS STORY-SONGS TRANSMITTED ORALLY BEFORE THEY WERE WRITTEN DOWN
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| CHILD BALLAD | SAME AS FOLK BALLAD BUT WRITTEN FOR CHILDREN
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| BALLAD STANZA | FAVORITE PATTERN; 4 LINES RIMED, TENDING TO FALL INTO 8,6,8 & 6 SYLLABLES
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| COMMON METER | LIKE BALLAD STANZA, FOUND IN HYMN PATTERN EXCEPT 2 PAIRS OF RIMES
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| BROADSIDE BALLAD | PRINTED ON 1 SHEET OF PAPER OFTEN SET TO TRADITIONAL TUNES; EARLY FORM JOURNALISM POSSIBLY DUE TO CHEAP PRINTING AND GROWTH OF AUDIENCES WHO COULD BARELY READ
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| LITERARY BALLAD | NOT MEANT FOR SINGING SOPHISTICATED POETRY FOR BOOK EDUCATED READERS. IMITATE FOLK BALLADS. MAY TELL DRAMATIC CONFLICTS; MORTALS ENCOUNTERING THE SUPERNATURAL; CONVENTIONAL FIGURES OF SPEECH OR BALLAD STANZA
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| TYPES OF SONNETS | FIXED FORM INHERITED FROM OTHER POEM; FAMILIAR ELEMENTS OF STRUCTURE, UNVARYING NUMBER OF LINES OR STANZA PATTERN
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| ENGLISH/SHAKESPEREAN SONNET | 3 quatrains and couplet; most turn or shift in tone or focus after first 8 lines although placement may vary.
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| ITALIAN OR PETRARCHAN SONNET | FOLLOWS RIME SCHEME ABBA, ABBA, FIRST 8 LINES, NEW RIME LAST 6 LINES
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| FOUND POETRY | ARRANGING PROSE FROM UNLIKELY SOURCES; TRAFFIC SIGNS, NEWS STORIES INTO POEM-LIKE LINES
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| LIMERICK | SHORT, USUALLY COMIC VERSE FORM OF 5 ANAPESTIC LINES, USUALLY RHYMING 3RD, 4TH LINE HAVE 2 STRESSES EACH
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| LYRIC | short poem expressing the thoughts and feelings of a single speaker. often written 1st person, has song like immediacy and emotional force
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| madigrals | short secular songs for 3 or more voices arranged in counterpoint. usually 1 stanza, rarely exceeds 12-13 lines
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| Petrarchan | Italian rhyme pattern first 8 lines abba, abba final 6 follow any pattern as long as it doesn't end in couplet
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| sonnet | popular in love poetry; fixed form of 14 lines, written iambic pentameter, usually made up of an octave (1st 8 lines) and a concluding sestet (6 lines)
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