First half of Theater2A at UCSB with McMahamon
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
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autochthonous | indigenous- plays tied to the land and region sprung from the earth
anansi the spider from ghana ijapa from nigeria
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diaspora | the movement of africans moving to america and the carribean, communities that begun because of this
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homowo(first fruits) festival | the Ga people of Ghana
homowo means jeering at hunger
harvest is a tradition that also ensures a good crop for the next year to come, mandatory to have every year
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animist | have multiple gods
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fallibility | gods make mistakes, ask forgiveness from humans not only the other way around can be wrong
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Ogun | Yoruba god of Iron and War and recently, innovation and technology
hacked between divide of realm of human and god with his iron a
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ashe | is life force of the yoruba people
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engungun masking |
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anthropomorphic |
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griot | -story tellers for important people,
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epic of son-jara(sunjata) | Mande people and the story from mali around 1240 a.d.
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written histories | present meaning as fixed and stable, no interpretation just facts
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storytelling | the meaning can be changeable and adaptive to the times
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Anansi the Spider | Originally from Ghana, the Akan people
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Nyame- | the supreme god of the Akan people
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morality tale | lesson learned at the end
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Characteristics of Trickster Figures | undermine the gods or other authorities
introduce elements of chaos into an ordered society
violate a society's sacred institutions and values
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2 sets of characters in trickster tales | trickster and neighbors, telling you to be like the neighbors
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Ijapa The Tortoise | From the Yoruba people in Nigeria
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Efua Sutherland | famous for orature
Mother of Ghanian Drama”
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orature | combo of oral tradition and literature
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mboguo | disruption of the story/improvisation
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Femi Osofisan |
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anansem | anansi + sem(story/issue/problem)
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anasegoro- | anansi+ gro(theatre/musical)
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Dilemma Tales | no clear cut lesson
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Metatheatre | no fourth wall
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Orunmila(Ifa) | Yoruba Orisha(God)
cowrie shells
God of oracles an pleads on behalf of mankind
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Olodumare | Supreme God) of Yoruba
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Esu (Eshu) | Yoruba Orisha (god)
God of paradox
“messenger” and “trickster” god
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fa( Orunmila) Divination Processions | supplicant goes to Ifa priest, tells problem, priest casts Kola shells, supplicant chooses the best phrase, priest tells him what to do, active role for supplicant
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total theatre | multi media production with dialogue, music, song, dance, color and spectacle
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First Generation | 1960's directly following independence
Ex. Wole Soyinka “The Strong Breed”
Nigerian
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Second Generation | 1970's followed a Marxist agenda but targeted the educated class
Ex. Femi Osofisan “Once Upon Four Robbers” NIgeria
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Scramble for Africa- | ivided Africa among the European colonies after slave trade ended
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Civil War | Biafran War
1967-1970:
in Nigeria-fight for political power between different groups and regimes
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SAP's | Structural Adjustment Programs
many restrictions and they require money to be invested in things like economy, not education
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Postcolonialism | attitude toward colonialism
doesn't mean “after colonialism” but rather the feeling of resentment
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afro-pessimism | the tendency to associate Africa only with ethnic conflict, war and disease
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Sango | Yoruba God of Lightning
god-king, only yoruba god to have formerly been a human
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Wole Soyinka | Series of ritual-centered plays
interested in rituals gone awry
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New Year Ritual | a way to rid the village of all its sins and wrongdoings and bad things that happen
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Ritual- | Presentational, presents a reality (process in the now)
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Drama | Representational- re-presents a reality(already happened)
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Phases of Ritual | Victor Turner
1-preliminal
2-liminal
3-postliminal
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Preliminal | (separation)- Creation of Sacred Space
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Liminal | transition)- Anti Structure
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Postliminal | (incorporation)- Re-integration in society
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fourth stage | compared to the liminal /anti structure stage
fourth stage is rituals
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Chthonic realm | abyss dividing gods from mortals
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tragedy | anguish of the severance humans feel being separated from gods
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Scapegoat | catalogues sins of people from old year
from the hebrew old testament
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obatala | yoruba god of creation has patience, was imprisoned by Sango
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Created by:
hannad
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