WGU-Theater & Film
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| Tragedy | Drama that portrays a serious subject matter and ends unhappily
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| Comedy | Form of drama that is usually light in subject matter & ends happily; not necessarily void of seriousness
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| Tragicomedy | Drama that includes characteristics of both tragedy & comedy
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| Melodrama | Serious situations arousing suspense, pathos, terror, & occasionally hate. Portray good & evil battling in exaggerated circumstances
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| Performance Art | Generally site-specific events often performed with little detailed planning & leaving much to chance; audience participation may ensue
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| Plot | Structure of the play where all elements hang
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| Denouement | Relaxation of play through resolution of the climax which leads to the end of the play
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| Exposition | Provides necessary background information; comprises a recognizable section at the beginning of a play; presented through dialogue, narration, setting, lighting, costume
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| Complication | Contains meat of the play & comprises a series of conflicts & decisions (crises) that rise in intensity until turning point (climax) is reached
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| Foreshadowing | Helps keep audience clear, provides credibility for future action, keeps action logical, & avoids confusion, builds tension & suspense, moves play forward by pointing toward events
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| Discovery | Revelation of information about characters, their personalities, relationships, & feelings
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| Reversal | Any turn of fortune
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| Character | Psychological motivation of the person in the play
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| Protagonist | Central personage who's actions & decisions influence the journey from beginning to end
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| Theme | Comprises the intellectual content of a play
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| Visual Elements | Physical relationship between actors & audience, stage settings, lighting, & costumes
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| Arena Theatre | Audience surrounds the playing area on all sides
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| Thrust Theatre | (Three-quartered theatre) audience surrounds playing area on three sides
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| Proscenium Theatre | Audience sits on only one side & views the action through a frame
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| Climax | Important decision or realization is made or decisive event occurs after end of complication section
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| Lighting | Most crucial of all theatre artists in modern productions
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| Costumes | Design hairstyles, clothing, & make-up to suit a specific purpose or occasion
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| Transverse Theatre | (Catwalk) audience surrounds the stage on only two sides
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| Unity (Theatre) | Created by relating the various events to each other by cause & effect
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| Resolution | End of section (denouement); all conflicts resolved, questions answered, fate of characters settled & harmony or balance restored
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| Crisis | (Turning point) occurring prior to climax & precipitating it; main character compelled to make crucial decision to determine fate
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| Suspense | (Anticipation) retelling a known or familiar story
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| Symbol | Close imitation to our own experience, or person
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| Monologue | Speaking extensively, without interruption by another character
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| Aside | Monologue delivered with another character present
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| Soliloquy | Synonymous with monologue, but usually reserved for those speeches written in a heightened, more poetic style
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| Sound Effects | Sounds to lend realism, enhance the mood, or create atmosphere
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| Genre | Categories identified by content & by descriptive treatment of form, structure,style, & literary devices
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| Musical Theatre | Closely related to opera, combines dialogue with singing, dancing, & music
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| Archetype | Patterns & motifs revealed in images, plots, settings, rituals & characters
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| Stereotype | An overused or trivialized character or situation
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| Absolute Cinema | Purely artistic expression of light, color, form, shape & movement
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| Documentary Cinema | Attempts to capture actual events
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| Narrative Cinema | Uses exposition, complication, climax & resolution
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| Film Shot | What the motion picture camera records in a single stretch of time; basic unit of film making
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| Establishing Shot | A long shot that establishes setting of the scene that follows
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| Close-up | Close to the subject, framing only one part of the actor or object or part of object to heighten emotional content
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| Medium Shot | Subject(s) at a conversational distance from the camera; waste up
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| Panning | Horizontal movement of camera from a fixed position
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| Tilting | Vertical movement
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| Tracking Shot | Camera on a rolling platform called a dolly; moving toward, away, or alongside
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| Following Shot | Used when subject is on the move & camera must keep pace (chase scenes)
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| Hand-held Shot | Made to appear shaky & unstable, lending tension & a broadcast-news realism to the scene
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| Crane Shot | Uses large dolly, fitted with extendable mechanical arm, placing the camera at the end
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| Point of View Shot | Filming from a characters perspective; used to build tension, suspense, & terror
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| Point of View | Objective & unbiased view; placing itself at the best vantage point to record events
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| Editing | Process of cutting & taping together the strips of film that comprised the shots
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| Continuity Editing | Set of techniques that seek to make transitions from shot to shot as unobtrusive & continuous as possible
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| Jump Cut | Immediate transition from one moment in a shot to a later moment in same shot; indicates a passage of time
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| Cross Cutting | Cutting repeatedly between two different sequences, suggesting they are happening simultaneously
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| Dissolve | Gradual transition from one image to another, signifying passage of time
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| Fade | Gradual transition from image to darkness, or reverse
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| Wipe | Gradual transition from one image to another accomplished by movement of a border, edge, or shape between the images
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| Whip Pan | Pan performed with such speed that the screen shows horizontal blur; used in action films
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| Graphic Match | Transition from action in one scene to similar or parallel action in a different scene
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| Split Screen | Dividing the screen into two or more sections in order to suggest the actions are being show simultaneously
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| Montage | Extended sequence comprised of many different shots or images to create a specific impression
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| Flashback | Temporary interruption of chronological progress to show past events
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