Vocabulary for Module 4.06 (Theater)
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each of the black spaces below before clicking
on it to display the answer.
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| melodrama | drama with exaggerated characters and plot intended to appeal to the emotions
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| comedy | a work of theater wherein the sympathetic main characters experience a happy ending
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| exposition | an opening which introduces the characters and their circumstances, the setting, the mood, and the situation, giving the audience information essential for understanding the story
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| discovery | the moment when the main character becomes aware of an essential truth about himself or his situation; also called recognition
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| mise-en-scène | the visual elements of drama
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| verisimilitude | the appearance of truth or reality in theater (stage set, dialogue, etc.)
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| aside | a monologue delivered with another character present
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| suspension of disbelief | an audience's willingness to accept events onstage as true or plausible during a performance
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| tragic flaw | a defect in the hero's character
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| Theater of Alienation | dramatic genre associated with Bertold Brecht which sought to create emotional distance by highlighting artificiality of the theater, so the audience would watch objectively and focus on ideas
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| performance art | a type of experimental theater that bridges the disciplines of theater and the visual arts
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| denouement | moment when a drama's action comes to its proper conclusion and a resolution is near
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| theater | the art of writing and producing plays, a collaborative medium of artistic expression
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| foreshadowing | the deliberate introduction of information (verbally, visually or otherwise) suggesting an event that will take place later in the story
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| complication | middle section of a drama where conflicts inherent in the situation are elaborated and developed, and dramatic tension builds until a moment of maximum intensity and interest, called the climax
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| subtext | unstated motivations, ideas, or tensions beneath the surface of a drama's text
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| tragedy | a drama with a unpleasant ending, generally involving the downfall of a flawed protagonist, which often involves catharsis
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| Theater of Cruelty | dramatic genre which assaults the senses through shocking scenes with a goal of alienation and entertainment
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| farce | a comedy characterized by broad often physical humor, superficial characters, and improbable situations
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| catharsis | the purging of a spectator's strong emotions through experiencing tragedy; Aristotle's concept
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| Unities | neoclassical requirements for theater: unity of time; unity of place; and unity of action
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| aesthetic distance | an audience's detachment or non-involvement with the characters or situation that allows for contemplation or reflection
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| chorus | in Greek drama, a group of actors who comment on the action and provide society's view of the events
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| drama | the enduring literary component of theater
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| protagonist | the main, and most important, character of a drama; Aristotle saw this character as one who chooses, learns, and changes
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| deus ex machina | the resolution of a plot by use of a highly improbable chance or coincidence; in Latin, "god from the machine"
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| soliloquy | speech by the character in a drama expressing his or her inmost thoughts, heard by the audience but not by any other character
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| suspense | in drama, the creation of anticipation
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| low comedy | comedy which is often vulgar, rude, coarse and physical
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| high comedy | comedy which is subtle, sophisticated, tasteful and intellectual
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You may also shuffle the rows of the table by clicking on the "Shuffle" button.
Or sort by any of the columns using the down arrow next to any column heading.
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