Stack #186486
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| 2 most important elements of theatre | actors & audience
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| 2 parts of angels in america | Millenium approaches Perestroika
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| Angels in america is by... | Tony Kushner
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| 4 wastes of clothing | conspicuous consumptionconspicuous wasteconspicuous leisurevicarious consumption
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| reasons to wear clothes | 1) utility,2) social power,3) seduction
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| given circumstances of costume | 1) previous action,2) environmental facts -politics -religious -social -geographic,3) polar attitude (personal vs. political)
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| costume design speaker | Martin Thaler
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| Production concepts for cabaret | 1) images of hell,2) burlesque,3) present in technical way
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| director of cabaret | greg ramos
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| what is acting in quotes? | standing both inside and outside the character
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| who was Bertolt Brecht? | director/playwrightgerman expressionistencouraged analysis rather than emotion
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| who was Robert Wilson? | director, used total theatre (LARGE ELEMENTS)
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| who was Eugene O'Neill | experimented with form.believed humans are decieving themselves with illusions
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| "The Chairs" | by Eugene Ionesco,absurdism
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| "Machinal" | sophie treadwell,expressionism
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| "The Breasts of Tiresias" | Guillaume Apollinaire,surrealism
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| "The Intruder" | Maurice Maeterlinck,symbolism: symbolic of the arrival of death
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| "Pere Ubu" | Alfred Jerry,symbolism
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| absurdism | there is no meaning in the universe or humanity
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| expressionism | german, machines,light and dark,nightmare,distorted sets
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| Dadaism | "art is shit and we shit in many colors"breaks all rules
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| surrealism | dream-like, imaginative, subconsciousness
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| symbolism | representational.behind all appearances are hidden truths and meanings
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| 5 parts of theatricalism | Surrealism, symbolism, dadaism, expressionism, absurdism
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| European realists | Ibsen (a doll's house)Strindberg,Chekov
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| American realists | Hellman (the children's hour)Williams,Miller
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| Realism | tackles social and personal issues
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| 1850's-1950's realist movements | 1)Freud (psychoanalysis), 2) Darwin, 3) Marx (Socialism), 4) Mendel (geneticist), 5) Lincoln, 6) women's suffrage
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| Actor's equity | 1930's movement for health benefits and pension for actors
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| presentational acting | non-realistic, audience interaction
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| representational acting | realistic
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| acting guest speaker | Peter Tkatch
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| external acting | using conscious choices about language
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| internal acting | connect with characters emotionally
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| pump/water represents | tears, connection to underworld, purifying, cleansing
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| "givens" of set of euridice | elevator, string room, pump
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| set of euridice | grand central station
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| director of euridice | sarah carleton
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| staging | arranging the actors to show their relationship by separation, elevation, etc.
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| 4 approaches to directing | work with actors/playwright, work with other materials, use text, direct own work.
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| director | author of stage action. decides interpretation and style.
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| lighting does 4 things... | draw attention to idea, set the mood, create 3D, allows us to see.
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| lighting controls | intensity, direction, color, texture, movement.
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| lighting speaker | john forbes
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| lighting portrays | mood, focus, time of day, visibility.
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| costume describes | psychology of character, time, place, social status.
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| 5 lighting tools | side light, follow spots, gels, stencils, backlighting
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| scene design speaker | Jeff Modereger
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| stage design began when? | rennaisance & baroque
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| arena stage | surrounding stage
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| thrust stage | audience on 3 sides.
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| proscenium theatre | rectangular, stage at one end.
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| Beijing opera | confuscious, family, myths & legends
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| medieval theatre | catholic church, guilds, story, special effects
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| elizabethan theatre | inherited from green & medieval, power struggles of kings.
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| community aesthetics | nature of elements that construct the performance
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| Meyerhold | murdered for unacceptable theatre styles
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| internal rythym | conflict, rising tension, climax, resolution
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| spectacle | acting style & blocking, special effects (least important)
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| music | comment on character situations, or between scenes
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| language | defines characters. shows authenticity
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| character | actions, motives, history, vocab, & reactions
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| plot | "spine" of play. action, events, outcomes, changes.
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| aristotle's dramatic structure | plot, character, thought, language (text)music, spectacle (performance)
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| greek theatre | 5th century BCE,
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| Frances McDormand | movie actress
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| Neil Marcus | overcame disability by acting
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| Anna Smith | changed character through costume & language
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| Bill Irwin | physical comedist, no speaking
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| Asimali | storytelling to audience
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| kabuki | (ongata) female impersonator
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| bunraku | puppets
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| communitas | sense of community
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| 3 things that theatre and ritual both do | tell story, explain whats going on, control environment
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| ritual | breach, liminality, resolution
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| theatrical conventions | contract that the audience will believe throuh masks, costumes, music, text, etc.
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| what distinguishes drama from a novel? | action
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| Caryl Churchill | crossgender/non-traditional casting and contemporary/historical characters
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